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The world famous "Welcome to Fabulous Las Vegas, Nevada" sign sits at 5200 South Las Vegas Boulevard. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Welcome to Las Vegas neon sign
Site address: 5200 S Las Vegas Blvd
Sign owner: YESCO
Sign details: The sign was originally installed 1959, quickly became an iconic sign for Las Vegas. Betty Willis never trademarked the sign. Betty Willis died at 91 in 2015. Betty Willis also designed the Moulin Rouge and Blue Angel Motel signs. The Welcome to Fabulous Las Vegas sign is on the National Register of Historic Places. This is a 25 foot sign which is considered smaller than a lot of the other signs in Las Vegas.
Sign condition: 5, Taken care of by YESCO and Clark County
Sign form: Pylon
Sign-specific description: The base of this sign is a blue rectangle outline. The main portion of the sign is a white rhombus shape. Welcome to Fabulous Las Vegas written in red and blue on a translucent white background. The word "Welcome" is spelled in red skeletal neon on Silver Coins with each letter on its own coin. On the back of the sign it states Drive Safely Come back Soon. This plastic portion of the sign is surrounded by incandescent light bulbs. On the top left portion of the sign where the blue base of the sign comes out of the top of the sign is the famous red star that is outlined in neon.
Sign - type of display: Incandescent, Neon and back lit plastic.
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic back lit portion
Sign animation: Chaser for Incandescent light bulbs on the border of the sign.
Sign environment: This sign is in the median of Las Vegas Blvd. near the South most end of the Strip. This location has Mandalay Bay to the west of it and the airport to the east.
Sign manufacturer: Western Neon
Sign designer: Betty Willis
Sign - date of installation: 1959
Sign - date of redesign/move: Mid 2000s redesign of the median to accommodate parking for visitors.
Sign - thematic influences: This sign is designed in the Googie style. This sign also has symbolism with the words Welcome, as each letter is on a silver coin to represent Nevada as the Silver State.
Sign - artistic significance: One of the most Significant signs for Las Vegas. It is easily recognizable and ingrained as part of Las Vegas culture.
Survey - research locations: Las Vegas Sun article https://lasvegassun.com/news/2009/may/21/fabulous-las-vegas-sign-garners-historic-designati/ , Vegas website https://www.vegas.com/attractions/on-the-strip/welcome-las-vegas-sign/ http://www.lasvegaswhereto.com/welcome-las-vegas-sign/ Neon Museum Tour outline , Vintage Vegas http://vintagelasvegas.com/search/welcome+to+fabulous+las+vegas
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-09-09
Sign keywords: Chasing; Plastic; Backlit; Steel; Incandescent; Neon; Pylon

The sign for The Griffin sits at 511 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 511 Fremont St
Sign owner: Aaron Chepenik and Jonathan Hensleigh
Sign details: Opened in February of 2007 as a medieval British pub/ tavern style bar. This location brought on a wave of revitalization of the East Fremont District especially since many new bars/restaurants started to open in this area after this bar did.
Sign condition: 5- still looks relatively new
Sign form: Blade and overlay neon on building
Sign-specific description: Placed above the entrance their brick building the letters The Griffin Cocktails is painted with white block letters outlined with black paint is painted on the building itself. These letters have skeletal neon surrounding the letters. The Griffin letters are yellow tubes and do illuminate green at night, the word cocktails lights up white. To the left of the entrance but still on the building is a green painted griffin drinking a painted white martini ( also all outlined with black paint) The neon tubing outlining the griffin is a yellow tubing but glows green at night ( possibly argon inserted to make it glow green). The Blade is placed a little left of the entrance and hangs off of the building by two blue steel beams, but in between the beams is a beautiful swirl design. At the top of the Blade there is a green griffin sipping a martini (same design as the one painted on the building). At the base of the griffin is white THE letters painted with skeletal neon. Then below is the blue portion of the blade spelling out GRIFFIN in a Britannic looking font in white channeled letters which do illuminate white at night. This part of the blade is outlined in neon ,possibly argon, since it does illuminate blue at night. On the side of the blade ( if you're looking from the road) there are about 14 red curved neon tubes lining the sign.
Sign - type of display: Neon
Sign - media: Steel and Brick Wall
Sign - non-neon treatments: Using the brick wall as a portion of the sign is a design not seen often in Vegas.
Sign animation: Oscillation of red neon tubes on the side of the sign.
Sign environment: Located in the Fremont East District in between Las Vegas Blvd. and 6th St. This location has The Vault to the East of it and The Smashed Pig Gastropub to the west. It is across the street from the Park and Evil Pie. In the middle of the street right in front of the Griffin Bar is the Martini Glass sign.
Sign manufacturer: YESCO
Sign designer: Owners Aaron Chepenik and Jonathan Hensleigh-Aaron stated that the blade portion of the sign was inspired by the old Boulder Club Blade sign
Sign - date of installation: Slightly before they opened so late 2006/early 2007
Sign - thematic influences: Griffin shows that it has a medieval and kind of fantasy kind of feel since its interior does have that cool medieval tavern vibe to it, especially with their fireplaces. Using their brick wall as a part of the sign is a cool innovative way to use their space and stay true to their theme.
Sign - artistic significance: Medieval theme. The blade is a prominent theme in the 50s/60s, though their blade sign was inspired by the Boulder Club (opened 1931-1960) blade.
Survey - research locations: Acessors page, outreach to owner Aaron Chepenik
Survey - research notes: Possible use of argon within their yellow painted tubes, similar to the Yucca Motel signs leaves.
Survey - other remarks: The Blade does look very similar to the Boulder Club blade, so its awesome to see modern properties paying homage to the ones that are no longer around.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-15
Sign keywords: Oscillating; Steel; Neon; Blade; Fascia; Building-front design

Views of the Blue Note club signs on the Las Vegas Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3663 S Las Vegas Blvd
Sign owner: Blue Note International: Father & Son team of Danny and Steven Bensusan
Sign details: The Blue Note is located a short distance east, down Harmon Ave., on the north side of the street, facing south. It is part of the Aladdin Hotel Casino. A vacant lot resides on the corner, and is the only thing that separates the Blue Note from the Strip. Signage for the property includes two logo wall signs on the west wall of the building, a vertical blade sign and an entrance sign over the main port to the establishment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: Just east off of Las Vegas Blvd, down Harmon Ave, lies the entrance to the "Blue Note: Jazz Capital of the World." The Blue Note is actually part of the Aladdin property, residing in the eastern most wing of the building, on the south side of Harmon. The majority of the signage hangs on the front of the building, which faces south toward Harmon Ave., with additional signage on the west face of the structure that extends from the Aladdin property. A vacant lot on the north east corner separates the Blue Note from the rest of the strip. The structure of the building and the design of the signage are juxtaposed with the building still being finished in a Persian Palace theme. While the signs are reminiscent of roaring twenties style font and theatre front design. Several different types of signs adorn the Blue Note. Two wall /logo signs hang on the west side of the building, while a sculpted entrance marquee, a hanging logo sign, and a vertical blade sign hung on the south side of the building. The west wall logo sign is composed of blue channel letters spelling the text " Blue Note," separated by a circular cabinet with a tube of neon bent to emulate the shape of a musical note placed in the middle. Five steel bars just out from either side of the cabinet. Below the text, a white steel cabinet with rounded ends, support a thin set of blue channel letters reading, "Jazz capital of the world." Further to the right a set of pink channel letters rest upon the upper portion of the corner of the structure. The letters are filled with pink neon. Along the South face of the building the first sign, hung in close proximity to the southwest corner, a vertical blade sign sits on a radius base of shaped molding jutting out of the wall. The actual body of the sign is a double backed cabinet finished in polished aluminum, with blue pin striping along the edges as well as along the rounded edge of the top. Near the top of the sign, the same rounded cabinet seen on the west wall of the structure, is integrated into the blade facing east/west. The cabinet is thicker in width to compensate for the width of the actual sign. The edges of the steel structure are painted in the same blue tone. The afore mentioned blue neon tubing fashioned into the shape of the note resides in this cabinet also. Along the east/west sides of the sign the text "The Blue Note," runs vertically from top to bottom, in blue channel letters only interrupted by the circular cabinet. The panel, which the text resides is painted white. Along the edge of the blade, which faces south, the text "Blue Note" is spelled vertically in blue channel letters. Sitting along the edge of the base, which the sign sits on, thin red channel letters stand almost independently, wrapping around the radius of the base. Starting on the west side of the sign and finishing on the east side, the text reads "Club & Cafe." These letters are filled with tubes of red neon. The letters are attached to a backing radius band of metal appearing to be gold. Further down the face of the building the main entrance to the building plays host to an overhead marquee/logo sign incorporating sculptural elements as well. Directly in the center of the composition, a long horizontal cabinet plays host to the red channel letters filed with red neon, reading, "World's Finest Jazz Club." Sitting on the top edge of the cabinet the same configuration of the Blue Note logo sign along with the circular cabinet, rests in front a sculpted piece of black steel. This piece of black painted steel is cut to appear as if it is the open top to a piano. Along the interior edge of the lid tubes of blue neon form a blue border. Between the piano top and the Blue Note logo, a horizontal steel grate serves as a divider as well as support for the blue channel letters. This entire section sits on a long horizontal ledge composed of a long polished steel section with a long LED message center just below that. Slightly recessed below the message center another width of overhang constructed of steel is painted to appear as if it is made of piano keys. Along the wall, just above the door, the pink channel letters read "Insomnia" with pink neon on the interior.
Sign - type of display: Neon
Sign - media: Steel; Fiberglass
Sign - non-neon treatments: Paint
Sign environment: Situated just east off the strip, down Harmon Avenue, the Blue Note is the only attraction in its immediate area. Even though it is part of the Aladdin complex, the closest property is the Harley Davidson Cafe on the south east corner of Harmon and Las Vegas Blvd At night, the property loses its Arabian Nights architecture emitting a sultry glow of neon. It is hard to miss, if a pedestrian peers down the street while traveling north or south, on the east side of the strip. During the day, the architecture helps to blend in the property to appear as it is, part of the Aladdin.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The building itself is part of the actual Aladdin property, so the faced of the structure is themed in the manner of an ancient Persian city. It is an interesting juxtaposition for the sleek, modern finish and colors of the signage, with the organic facade of domed towers and stone facade. The Blue note signage is themed around the subject of music, specifically Jazz and Blues music. The blue hue of the neon, and the cabinet containing the crafted musical note are all evidence of this. The blade sign is thematically influenced by marquee building signs for theaters and music clubs from the first part of the century, specifically the forties and fifties. Such examples that utilized a similar designed blade sign were properties from the 1930's 40's and 50's such as The Boulder Club, The Pioneer Club, and the Las Vegas Club.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Steel; Fiberglass; Paint

The Binion's Gambling Hall and Hotel, bought in 1951 as the Horseshoe Club, sits at 128 Fremont Street inside the Fremont Street Experience. Information about the sign is available in the Southern Nevada Neon Survey Sheet.
Site name: Binion's Horseshoe (Las Vegas, Nev.)
Site address: 128 Fremont St
Sign owner: TLC Casino Enterprises
Sign details: Opened By Benny Binion 1951, and later say remodels and expansions in 1960 after the purchase of the Boulder Club and 1988 when The Mint was purchase and expanded further and doubled the size. Mr. Binion is known for popularizing the World Series of Poker and brought the game into the mainstream. Binion's Horseshoe was the first casino to put carpeting in a downtown property.
Sign condition: 5 - all of the neon on the property is well maintained and working
Sign form: Concave design, Bullnose elements and decorated shed
Sign-specific description: The property is currently known as Binion's. The horseshoe elements of the property were removed when the Casino changed the name in 2004. The property is a decorated shed, with blue neon signs covering the exterior of the building. The property also has neon signs with the name "Binion's" in a cursive font around the building, along with a large "B" and the world "Gambling" in a western style serif font
Sign - type of display: Neon and Incandescent
Sign - media: Steel
Sign animation: Flickering incandescent bulbs, neon tubes in-between the solid blue flicker.
Sign environment: Downtown Las Vegas, across from Golden Nugget
Sign manufacturer: YESCO and AD-Art
Sign designer: Rudy Crisostomo
Sign architect of record: 1961
Sign - date of installation: 1961
Sign - date of redesign/move: 2005 rebranded as Binion's Gambling Hall
Sign - thematic influences: Similar to other properties on Fremont Street. Property is wrapped with neon and has elements of western flair in the design
Sign - artistic significance: 1960s Downtown started to see the first decorated sheds, and the western style casino was still popular during that time.
Survey - research locations: The Magic Sign, Binion's website, Vintage Vegas
Survey - research notes: https://lasvegassun.com/blogs/kats-report/2010/jan/12/rooms-dark-there-still-action-binions/
Surveyor: Wyatt Currie-Diamond
Survey - date completed: 2017-09-11
Sign keywords: Neon; Incandescent; Steel; Flickering; Bullnose; Architectural

Daytime and evening views of a McDonald's sign on the Strip at 3755 S Las Vegas Blvd. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3755 S Las Vegas Blvd
Sign details: The McDonald's pylon sits in the parking lot just to the north of the Fatburger establishment and the Walgreen's structures. It faces north/south in the parking lot of the Cable Center Shops. It sits across a property length parking lot, near Las Vegas Blvd It is also serves as advertising for the rest of the shops in the shopping center, but the main cabinet is dedicated to the McDonald's logo cabinet. The shops behind the sign are covered in the same stucco as seen on the surface of the pylon.
Sign condition: Structure 5 Surface 4.5 Lighting 5 Notes: It is noted that the structural integrity is intact. Certain elements of lighting are out or not working, but present still. The surface appears to be slightly deteriorating at this point.
Sign form: Pylon
Sign-specific description: The pylon sign for the McDonald's and the Cable Center Shops is essentially a double sided pole sign comprised of a two sided main logo cabinet and an internally lit rectangular cabinet. The internally lit cabinet located in the middle of the pole finished it's exterior the same as the rest of the actual pole. The post is covered in an off white stucco finish, with a green channel running up the center of each face. The channel T's off as well following the supporting stretch at the top of the rise, below the main cabinet. Three gold neon bars run up the center of the green channel. The internally lit cabinets face is adorned with graphics advertising for all of the shops located within the strip mall. Its luminescence is strong for an internally lit cabinet. A blue section at the top of the plastic face is designated blue with white script reading "Cable Center" shops. The rest of the text below that reads like two-sided menu. The McDonald's cabinet at the very top of the pole is constructed of red painted steel, as well as yellow painted steel for the golden arch crown designated as the top portion of the cabinet. The face of the cabinet is encrusted with red incandescent bulbs as well as being striped horizontally across its width edge with bars of red neon. The underside of the golden arches is also encrusted with yellow incandescent bulbs, while the faces of each arch is striped horizontally with neon bars as well bordered on the edges of the ace of the arch as well. The text McDonald's is spelled in white channel letters and lined on the interiors with white neon.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Paint
Sign animation: Oscillating, flashing
Notes: The incandescent bulbs located on the underside of the arches, as well as on the face of the sign oscillate rapidly, while the neon bars on the width of the sign and underneath chase each other from top to bottom. The neon bars, which comprise the face of the arches, chase each other also. The rest of the arch is dark as they start at the bottom of the middle point of the "M" shape. They chase each other until the surface of the sign is covered, and at this time they all flash off, then on, then off again before the entire sequence starts over.
Sign environment: It is an interesting section of the strip between the Showcase Pylon sign and the edge of the Cable Center shops. First, it is noticeably an interesting cross section of the Strip, because vicinity has three establishments which fit a specific genre of sign. The Fatburger, Walgreen's and McDonalds are properties which function in everyday America, but are suited up to be part of the neon charged appearance of this specific location. Not only are the establishments linked by nature to everyday America, but the face that a strip mall is added to the scenery, just adds to the point. The environment is a heavily pedestrian-accessed area, bombarded by the combination of all of the signage.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the McDonald's establishment is in the realm of the well-established McDonalds corporation. The golden arches, and solid red hue, have become synonymous with the name " McDonald's," and is an image, which has been communicated to the masses of people for half a century. It is an icon, which is associated with America all over the world. McDonalds has created it's own realm and thematic influence over the years from all of it's extensive advertisements and marketing. Therefore, the theme of the establishment's signs draws from itself and the world that the name has created. Being one of the most commonly seen images in America, this sign is tailored to fit into the illustrious, illuminative properties held on the Las Vegas Strip. It fits into the category of everyday images and businesses dressed up for Las Vegas, which include, Arby's, Arco AM/PM, Walgreen's, and Fatburger.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Flashing; Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Paint

Nighttime views of the Bourbon Street Hotel and Casino signs. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 120 E Flamingo Rd
Sign owner: Carma LTD
Sign details: Bourbon Street is located between the Maxim and the Barbary Coast on the north side of Flamingo, stretching to the corner of Audrie and Flamingo. The building contains elements such as brick masonry, stucco and wrought iron grating. It is a smaller property compared to nearby plots such as Bally's or the Flamingo. Extending north a short distance for a structure of rooms and parking, the signage consists of wall signs on the east and west sides of the building, a main sign on the south side of the building, a sidewalk and window canopies, as well as a main pylon.
Sign condition: Structure 3 Surface 3 Lighting 3--notes: The entire facade of the building, as well as canopies are badly faded and in need of attention.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: Headed west on Flamingo the first signage visible of the Bourbon Street is on the east face of the main building. A giant stucco arch, which runs the height of the building, is adorned at the very top with a round canopy. The canopy is divided into striped sections of red and white alternating panels, separated by gold aluminum polished raceways lined with incandescent bulbs. The canopy's underside is laden with incandescent bulbs. White channel letters reside on the surface of the building spelling out " Bourbon Street," with one word above the other. The letters are filled with white neon. Below the word "Street," the words "Hotel Casino," are spelled in channel letters and filled with red neon. Below the collection of channel letters and canopy, the majority of the space is occupied with an internally lit plastic screen with vinyl letters. Two small canopies flank the arch over two windows and also contain incandescent bulb raceways. The top edge of the building is gold polished raceways with incandescent bulbs. Along the south side of the building, long canopies are hung upon the top edge of the wall hanging over backlit plastic screens with vinyl letters. The middle of the building is an archway projected out into space creating an extension of the side of the building. The same canopy design seen on the east side of the building is seen at the top of the structure only larger in size. It is also treated with the same raceway and incandescent bulb design. "Bourbon Street" is spelled in al capital channel letters outlined in red neon and filled with incandescent bulbs. Above and below the text on the wall, white neon is bent into decorative, scrollwork patterns. The very top of the arch is crowned with a single internally lit spherical bulb. Below the text a cabinet with rounded top corners, houses channel letters filled with red neon. It is bordered with a raceway lined with incandescent bulbs. Projecting out on either side of this cabinet, along the face of the building, hanging over the sidewalk, is a canopy with an exoskeleton of raceways lined with incandescent bulbs. On the wall of the building, between the two top and bottom canopies, and on either side of the main entrance two small canopies hang over windows. They are treated the same as the window canopies on the east side of the building. On the west end of the property there is a small porte-cochere, and covered walkway that extends west to the end of the property. At a slightly higher elevation than the facade's canopy, the porte-cochere is a square design with the same external raceways and bulbs, the same can be said for the walkway extending to the edge of the property. The canopies look to be made of steel and painted to match the color scheme of the establishment. The underside of the porte-cochere is comprised of squared mirrored paneling illuminated with incandescent bulbs. On the west side of the building above the porte-cochere the same canopy and arch design can be seen but the text is more akin to the text on the south side of the building. The channel letters spell the text Bourbon Street in two lines. They are outlined in red neon and filled with incandescent bulbs. The text "Hotel Casino" is represented in channel letters filled with red neon. The only difference is the yellow neon design placed in between the two words. To the left of this sign, along the top edge of the building the canopy design picks up again hovering above a backlit sign message board. On the extreme west end of the property the main pylon sign faces east/west on the northeast corner. The sign basically consists of a large pole with a double-backed cabinet, crowned with the umbrella canopy shape seen throughout the property. The cabinet is of rectangular design with the corners cut out in a circular shape. The majority of the sign is occupied by the red neon bordered channel letters, which read "Bourbon Street". These are also filled with incandescent bulbs. The text "Hotel Casino" is spelled in channel letters and outlined on the interior with red neon. The left and right sides of the word "Street" are occupied with a channel scrollwork design lined with yellow neon. A channel pattern also separates the words "Hotel" and "Casino" This patterns appears to be like a flier de lie with its mirror image attached to it from the bottom. It too is filled with yellow neon. The face of the cabinet is lined with a raceway containing incandescent bulbs. The umbrella canopy occupies the top of the sign. It is fully realized in the round, with the exterior skeleton of the raceways with incandescent bulbs. The underside is also mirrored with incandescent bulbs spread across the surface. At the very top of the umbrella shape a streetlight puts the finishing touches on the sign. A small sign worth mentioning sits north of the main pylon at the edge of a small parking lot for the facility. It is a small back-lit cabinet denoting hotel registration and parking. The rectangular cabinet sits upon a small pole with a rounded section incorporated into its design. On the plastic portion of this rounded extension the words "Bourbon Street" are graphically painted along with the image of the red and white canopy.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Fiberglass; Glass
Sign - non-neon treatments: Paint
Sign animation: Oscillating, chasing
Notes: All the incandescent bulbs on the raceways that are visible, chase each from other top to bottom. The incandescent bulbs, which line the raceways on the umbrella shape on the main pylon, chase each other downward as well as around the border of the face of the sign. The underside of the umbrella is also encrusted with incandescent bulbs, which oscillate. The text on the pylon sign all light up simultaneously in an oscillating pattern, they then steady burn, then shut off. The main logo marquee seen on the south face of the building contains the same animation seen on the pylon sign as well. The small vertical raceways underneath the porte cochere also animate by chasing downward.
Sign environment: Headed west toward the strip on Flamingo, the defunct Maxim is almost invisible at night, while the first active property is the Bourbon Street. The main pylon resides directly across Audrie from the Battista's pylon, making a flanking neon gateway to northern bound travelers on Audrie.
Sign manufacturer: YESCO
Sign - date of installation: 1984-05
Sign - thematic influences: The theme of the Bourbon Street is evident in its name being influenced by the Mardi Gras party atmosphere of New Orleans. The new Orleans theme itself is reminiscent of turn of the century America. The canopies and brass railing are reminiscent of properties such as the Westward Ho, with its umbrellas, brass treatments and raceways as well. The pylon is reminiscent of a close neighbor in the Barbary Coast, with similar style 19th century block text, and color palette.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Chasing; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Fiberglass; Glass; Paint