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In this interview, conducted for the 50th anniversary of UNLV, Marta Sorkin discusses her family and her experience moving to California, and then to Las Vegas. Sorkin worked at the James R. Dickinson Library at UNLV and later in Lied Library, helping to implement and update various databases, and create displays on current topics. She briefly discusses her involvement with Hillel and the Jewish Federation of Las Vegas.

Marta Sorkin begins by reminiscing about her childhood in Far Rockaway Long Island, New York. She details the life her parents lived, which set an example for Marta and her two siblings. Through hard work, advanced education, and involvement in causes that were important to them, they created the template by which Marta lives her life. Marta describes her early work history, which included modeling, sales, library work, and working part time in her father's dry-cleaning plant. She and her daughter were living with her parents for a time in California, and they visited Las Vegas on weekends. It was during one of those visits that Marta met her second husband-to-be. They eventually married and decided to settle in Las Vegas. In Las Vegas, Marta enrolled at UNLV, became involved with the Preservation Association of Clark County, and volunteered at the Jewish Federation of Las Vegas. In addition, she completed her BA and MA degrees at UNLV and started working at the university's library. She details her work there, including creating display cases, working in the reference section, doing research for students and faculty, and compiling interviews. Marta also describes the fundraisers she spearheaded to help raise money for the various societies she was involved with: non-events, pancake breakfasts, dinners, and dance and band performances. In her closing comments she mentions an interview she did for Ralph Roske's class and expresses her appreciation for the career she's had at UNLV.

Connie Hill Sheldon and her identical twin, Billie, also were members of Rancho High School 's first graduating class of 1962. Connie and Billie were born in 1944 in Oklahoma and spent their early years in southern California before moving to Las Vegas in 1956 with their mother, brother, and stepfather, Gerald Elmore. In Las Vegas Connie and her siblings attended Sunrise Acres Elementary School before going to Rancho, and the family was active with Homesite Baptist Church. While she was at Rancho Connie worked at the Huntridge Theater, and she continued working there after she graduated. In 1968 Connie married fellow Rancho '62 classmate Clyde Sheldon in Goldfield, Nevada. At the time of their marriage Clyde was an active-duty Marine. Over the course of his twenty-year USMC career the Sheldons lived in several places, but following his 1983 retirement they returned to Las Vegas and then moved to Pahrump. In this interview Connie particularly focuses on military life in New Yo

What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Education sector interviews file.