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The sign for the permanently closed Davy's Locker dive bar sits at 1149 East Desert Inn Road. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1149 E Desert Inn Rd
Sign owner: Was Cindy Slight since 2010. Albert Hamika bought the property in 2016. Derek Stonebarger went to the property after they took the sign down and the fish portion of the sign is currently in his possession.
Sign details: The property was originally opened in 1968 by Davey Pearl, who was most known for being a boxing referee and later inducted to the World Boxing Hall of Fame. The actual opening date of the bar is unknown, but property records have shown that its building was constructed in 1968. The bar was known for the welcoming environment inside and inexpensive drinks. The sign itself drew people in because of its unique design. Right before their closure they started to have a variety of events taking place there such as: open mic night, trivia, and genre specific music nights. The current owners have demolished the iconic and beloved sign for the bar. The only portions that remain are white sign that reads "Cocktails" in red and the waves that the fish once "swam" above. The current owner of the property has told the Las Vegas Weekly, "I want to emphasize I wasn't like, 'Ok let's destroy this sign.' I like the sign, and I like the historic memorabilia"I tried. The only thing I can I can say is, it was time for it to come down." After hearing about this news Derek Stonebarger, who owns ReBar on Main Street, was distraught when he heard the news of the sign being taken down so he went to the property to find its remains. He hopes to restore as much of the sign as he can and possibly display it in a Nevada-themed restaurant he plans to open up.
Sign condition: Since the sign has been taken down it is a 0.
Sign form: Roadside pole sign
Sign-specific description: This sign was designed to look like a fish was swimming in the ocean. The top of the sign give the appearance of waves. A neon tube was attached to the implied waves. Underneath this was a large, white fish whose tail and nose extended beyond the confines of the square shape of the sign. The fish appeared to have a large smile and two smaller fish "swimming" beside it. One of these smaller fish was near the larger fish's mouth and the "L." The other fish was located right under the "ker" in "Locker." Both of these fish were a light blue color, the same blue that matched the wave on top of the sign and surrounded the larger fish. In the middle of the large fish that makes up much of the sign were the words "Davy's Locker" in bright red and an elaborate cursive style font. Neon tubes outlined these letters, as well as all three fish included in the sign. Underneath all of this is a neon tube in the shape of a wave that is difficult to see in photos of the sign during the day, but glowed brightly at night. Below this signage was a back lit plastic sign reading "Cocktails" in a red script and "Gaming Spirits Pool" under that in a sans-serif, bold, dark blue font. Extending from the top of the sign at the end near the street was a pole with two, small square signs attached to that. The top one was yellow and read "OPEN 24 HRS." The one below that was white and read "COLD BEER." There are other photos of this sign where the plastic portion of the sign reads "COCKTAILS" in red still, but "Slots Video Poker" in blue and "Package Liquor" under that in red.
Sign - type of display: Neon and backlit plastic sign
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic backlit portion
Sign environment: The surrounding environment of Davy's Locker was in a district that was close to UNLV as well as another popular bar that still caters to locals, Champagnes Cafe. It was located in a bustling area along to Maryland Parkway that locals travel on a daily basis. Davy's Locker was a popular watering hole for many people in the neighborhood due to its convenient location.
Sign - date of installation: Around the 1960's
Sign - date of redesign/move: It was first restored in 2011 and another time in 2014. Sign was taken down from the property in 2017.
Sign - thematic influences: The theme of the sign appears to take inspiration from the phrase "Davy Jones' Locker." This is a common phrase that refers to "the bottom of the sea" or even "the mythical resting place of drowned mariners." Davy Jones is also believed to be an evil spirit from the bottom of the sea; therefore, the sign shows the influence of these aquatic origins that possibly inspired the name of the property.
Sign - artistic significance: The theme of the sign is aquatic, which also ties into the name of the property. The name of the property appears to take influence from the myth of Davy Jones, the evil spirit of the sea.
Survey - research locations: Las Vegas weekly articles https://lasvegasweekly.com/as-we-see-it/2016/mar/23/beloved-dive-bar-davys-locker-sold-old-vegas/ https://lasvegasweekly.com/intersection/2017/jan/11/davys-locker-neon-sign-demolished/ https://lasvegasweekly.com/intersection/2017/jan/13/davys-locker-bar-neon-sign-recovered-stonebarger/ , Las Vegas Sun article https://vegasinc.lasvegassun.com/business/2016/mar/25/popular-dive-bar-to-take-a-breather-while-sports-b/ , Roadside Architecture http://www.roadarch.com/signs/nvvegas3.html , Phrase website http://www.phrases.org.uk/meanings/davy-jones-locker.html
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-22
Sign keywords: Steel; Plastic; Backlit; Neon; Roadside; Pole sign; Back to back

The Hialeah Motel sign sits at 1924 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1924 Fremont St
Sign owner: La Jolla Development Group, LLC
Sign details: The current building was constructed in 1951 (Assessor). One source states that Tinkler's Motel may have been open on the site in the 1940's (VintageVegas.com, n.d.). A vintage postcard circa late 1940's-early 1950's advertises "Tinkler's Motel Hialeah", although the sign shown in the photograph states" Tinkler's Motel" (CardCow.com, n.d.). A vintage postcard circa 1950's-early 1960's shows the current name,"Hialeah Motel" (Las Vegas motels then and now, n.d.).
Sign condition: Condition is 3, fair. The cabinets are intact with no major rust damage. On the east side of the sign, the paint is flaking moderately on the upper arrow cabinet. On the west side, the paint is flaking severely on the upper arrow cabinet as well as the lower cabinet. Most of the incandescent light bulbs around the upper cabinet remain. All of the neon tubes are gone from both the lower and upper cabinets.
Sign form: Pole sign
Sign-specific description: The lower cabinet is shaped like three rectangles stacked upward in increasing size. The pole runs through the cabinet, which is cantilevered toward the street. The upper cabinet is shaped like an arrow pointed at the motel. The pole and lower cabinet are painted forest green. On the lower cabinet, hand painted sans serif letters state, "Hialeah 1924 VACANCY". The exterior of the upper arrow-shaped cabinet is painted black. The interior is white. The cabinet is channeled and holes for neon tubing are evident, but no neon remains. Yellow incandescent light bulbs outline the exterior of the cabinet. At the center of the pole on the hotel side is a horizontal pole from which a small sign may have hung previously.
Sign - type of display: Incandescent light bulbs, but the sign also had neon tubing at one time.
Sign - media: Steel
Sign - non-neon treatments: Incandescent light bulbs
Sign environment: This is located on East Fremont and has many other motels surrounding it though many of the neighboring motels are shut down.
Sign - date of installation: Possibly 1940's, likely circa 1950's-1960's
Sign - date of redesign/move: A vintage postcard circa late 1940's-early 1950's (CardCow.com, n.d.) shows a small sign which has either been replaced or modified over time. The sign consists of three cabinets mounted symmetrically on a pole. The lower cabinet is painted white and states, "AIR CONDITIONED" or "AIR CONDITIONER". The large central cabinet is black and states, "MOTEL". The smaller upper cabinet is painted black and advertises, "Tinkler's". A vintage postcard circa 1950's-early 1960's (Las Vegas motels then and now, n.d.). shows the current pole and cantilevered lower cabinet without the upper arrow-shaped cabinet. On the lower hotel side of the sign hangs a small yellow sign. Some or all of the lettering is traced with neon letters. By the late 1980's, the motel arrow had been added (VintageLasVegas.com, 2017). "MOTEL" is spelled out in red neon inside the channel of the arrow. The lower cabinet is painted green. "T.V." is spelled in black sans serif letters outlined in white. "Hialeah" is painted in white sans serif letters traced by clear neon letters. Below Hialeah is illegible clear neon, possibly "AIR CONDITIONING" or "AIR CONDITIONER". At the bottom of the lower cabinet "HAMBURGERS", "HOT DOGS" and "VACANCY" are spelled out in white san serif letters. A photograph taken sometime between the 1980's and 2008 (Jacobson, n.d.) shows the lettering on the lower cabinet simplified to the current design, except "T.V." is still painted to the left of "HIALEAH". Three yellow skeleton neon waves underline "T.V." and two more indistinguishable neon tubes of the same type sit over the "T". Some neon around "HIALEAH"in the lower cabinet and all of the neon around "MOTEL"in the upper arrow-shaped cabinet remain. By 2008, the sign had reached its current design (Las Vegas motels then and now, n.d.).
Sign - thematic influences: Horseracing (the motel name references Hialeah Park Racetrack in Hialeah, Florida; vintage postcard shows grass and racetrack type fencing [Las Vegas motels then and now, n.d.])
Sign - artistic significance: This location maintains the Horse Racing theme with their name. They also showcase 1940's (possibly), 1950's-1960's eras themes with emergence and prominence of the motor courts during those eras.
Survey - research locations: CardCow.com. (n.d.). Tinler's [sic] Motel Hialeah. Retrieved from https://www.cardcow.com/281785/tinlers-motel-hialeah-las-vegas-nevada/ Clark County Assessor, parcel no. 139-35-803-004. Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Jacobson, J. (n.d.). Hialeah Motel [private image, copyright applies]. Retrieved from http://www.pbase.com/easystreet/image/103828763 Las Vegas motels then and now. (n.d.). 15: Hialeah Motel. Retrieved from http://stefanidrivesvegas.com/2.html VintageLasVegas.com. (n.d.). Downtown Las Vegas hotels & casinos 1931-2000. Retrieved from http://vintagelasvegas.com/downtown VintageLasVegas.com. (2017 February 2). Hialeah Motel. Retrieved from http://vintagelasvegas.com/tagged/Hialeah-Motel
Surveyor: Mitchell Cohen
Survey - date completed: 2017-08-23
Sign keywords: Neon; Incandescent; Steel; Pole sign; Directional

Photos show Luxor signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Luxor (Las Vegas, Nev.)
Site address: 3900 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: The giant black, glass, pyramid rises out of the desert as certainly one of the most unique structures. The pyramid is also accompanied by a monolithic, heavily geometric structure, finished in the same black, panels of windows. Just to the north. The front of the property is dominated by an array or Egyptian architectural landmarks such as an giant obelisk, the Sphinx, various statues of Egyptian gods and pharaohs line the multi tiered expanse of concrete and stucco. The property is pedestrian interactive, being able to pass underneath the giant obelisk, and through and beneath the giant Sphinx. The feel produced by area is appropriate for the desert environment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: On the expanse of concrete in front of Las Vegas Blvd, just north of the obelisk, a double-sided pylon sign joins the ancient composition. The pylon actually is more akin to the pylons seen at properties such as the Monte Carlo or the Mirage. It is located in the northern portion of the property on the west side of the strip-facing northwest along Las Vegas Blvd Two square posts support a two-sided square cabinet which houses a back lit advertisement and a set of crafted letters spelling the name of the establishment. Occupying the upper portion of the space between the legs another internally lit, two sided, cabinet, atop a small pair of internally lit sculpted cabinets. From a distance the cabinets look like thumbs holding up the cabinet. The shapes are graphically treated on the surfaces to look like colorful recreations of a hieroglyphic bird, the wings being the elongated portion of the cabinet. The only art attached to the cabinet is the portion designated for the head of the creature. Three sets of sculpted cornices, create borders for the different planes. The bases of the legs are treated with the ledging, the section separating the top cabinet, from the rest of the sign, and finally another set around the top crowning edge of the sign. Both sides of the top edge have a sculpted element in the very center. A flat circle, presumably a representation of the sun, flanked by two snakes are set on a pair of large wings spreading to either side. This element is ambiently lit from underneath. The text, which spells "Luxor," is composed of polished gold channel letters, with closed faces with graphic treatments in blue upon the faces. The faces are painted to appear if the letters are faceted into three dimensions. They are lit from behind with whit neon creating a halo effect around the letters. The surface of the actual structure is finished to appear as if it is constructed of limestone, utilizing false joints and seams. The south end of the property close to the street is the four-sided obelisk. The text on the obelisk is the same word treated in the same fashion, structurally and aesthetically, as the pylon sign. The only difference is that it reads vertically from top to bottom. Statuary adorn the base of the obelisk in a repeating pattern as well as it being covered in hieroglyphic patterns. A tunnel allows for the pedestrian to pass underneath the obelisk. The porte cochere is located underneath the body of the Sphinx, another use of the architecture to incorporate the pedestrian element. If you head east through the sphinx, a tunnel opens up into a small courtyard where a shuttle bus may be caught. The ceiling of the porte cochere is adorned with a circular chandelier, composed of metal representations of leafy branches radiating around a rounded center. The ends of the arms hold length-wise half cylinder lamps. The ceiling above is painted blue. The most spectacular element of the Luxor is its super powerful light in the place of the capstone at the very peak. The beam is one of the most powerful lights in the world, and can be seen from high above into the earth's atmosphere as well. The edges of the pyramid are also raceways, which can be seen in action in the dark. An animation of bulbs makes it appear as if a single bulb of light streams up the base to the very peak. The animation runs at an interval of every couple of seconds. On the very south edge of the property, actually on the southeast corner, is a sculpted, small pylon which houses a color led screen.
Sign - type of display: Neon
Sign - media: Steel; Masonry
Sign - non-neon treatments: Plaster
Sign animation: Chasing
Sign environment: Standing next to the Mandalay Bay on the west side of the southern end of Las Vegas Blvd, the Luxor's front exterior is a sprawling mass of smooth vertical planes turning into eloquent statue and stucco walls. They are interlaced with drives and signage complete with a platform at the base of the Sphinx, which is just east of where the valet and porte cochere are grounded in the base of the beasts belly. From the edge of a Platform a tram station is located and also a view of the signage can be seen as well. The Luxor's environment is a very pedestrian one as well. Being in an isolated part of the strip, the noise clutter brought about by the surging traffic is considerably better than the heart of the strip.
Sign designer: Veldon Simpson
Sign - thematic influences: The theme of the Luxor is obviously that of ancient Egypt. The Ancient Egyptian imagery is placed among the same images but represented in the shiny black glass, giving a touch of future meets the past. The image seen are some of the most commonly seen images when talking about the Ancient Egyptian culture. The Sphinx stands guard at the base of the giant black pyramid, one sign is attached to an obelisk. Various statuary adorn the entire plaza. The environment created with the motif obviously fits into the desert like dust, but still retains the surreal nature associated with the themed hotel. The aesthetics appear to be fantastic, but are a bit odd due to the arrangements and limitations on space. It does however fir into an interesting sub category of resort that is themed around a culture. Yes it is themed around a city, but the culture shines through with more dominance. Another example of this is the Imperial Palace. It is not necessarily themed after a particular city, but the architecture and imagery suggests the Asian culture.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Pylon; Fascia; Porte-cochère; Neon; Steel; Masonry; Plaster

Daytime and nighttime views of the Arby's and Guinness World of Records Museum signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 2776 Las Vegas Blvd, 2780 Las Vegas Blvd
Sign owner: Arby's: Schultzen and Harry Sax, Guinness: ?, Cj's: PDS Gaming used to be Carl Fredrickson
Sign details: Located in a small lot on the west side of the strip, north of the giant Circus Circus pylon, and just north of the Arco AM/PM, the Arby's fast food establishment shares property and a sign with Guinness World of Records, and CJ's Slot Sales Facility. The Arby's is located in the front of the lot facing the strip, flanked on either side by drives. The "L" shaped structure for the other two establishments lies in the rear, western portion of the lot. To the north of the property, is vacant desert, stretching to Sahara Ave. To the south is Fantasia Gifts. Text signage adorns both structures, as well as a small pylon on the front northeast corner of the property. This sign is located in close proximity to the street.
Sign condition: Structure 4 Surface 3 Lighting 3 The structural integrity of all the signs on the property seem to be stable and in decent repair. The surface of the Guinness channel letters is faded, and showing patches of white. The lighting on the Guinness sign does not work, but the main pylon is functional. Even though CJ's slot sales are not present in this location any more, the text on the pylon for CJ's is functional and animating. The back-lit letters on the Arby's facility are functional, but the red channel letters are not.
Sign form: Pylon; Fascia
Sign-specific description: The north and south sides the Arby's building contain red painted, channel letter text, reading "Museum & Gift Shop," with a lengthy channel arrow underlining the above text and pointing toward the buildings located at the rear of the property. The pylon sign is on the north end of the property, across the drive from the establishment itself. It is basically a two-sided, vertically standing rectangle, divided into two sections by a narrow LED message center. The top half belonging to Arby's and the bottom half designated for the Guinness establishment. Both are placed on a smaller section, which serves as the base. The top half is finished in mirrored panels, providing a reflective surface for the Arby's logo. The insignia for the establishment is the outline of a ten-gallon cowboy hat, with the text spelling "Arby's," displayed cutting through the outline onto either side of the object. The entire logo is constructed of crafted channel raceways. Two separate yellow pieces form the top and bottom portions of the hat, while the text is created in orange. All the channels are filled with incandescent bulbs, and outlined in neon. The bottom portion of the sign is also two sided with, a yellow tinged face providing space for a four lined series of text. The text reads, "Guinness World of Records Museum," in red channel letters, and filled with neon, of the same color. The entire sign itself is bordered in neon. The remaining exposed face of the cabinet is finished with mirrors also. The bottom edge of the cabinet is a sloped mirrored surface which angles down into thinner, but equally wide base that contains signage also. In polished channel letters, internally lit with red plastic faces, the text "Slot Sales," resides and contains a small arrow of the same design on the western edge of the sign. A black internally lit cabinet sits beneath that. The sides of the lower portion are mirrored panels as well. The wall signs of the building at the rear of the property, are similar to those seen on the north and west sides of the Arby's establishment. The signs run parallel to the walls of the face of the building. The building is "L" shaped with the leg of the "L" pointing east, and the longer section running north. Supported on a background held up with a series of cylindrical columns, a facade of gold, raceway bordered message banner, runs along the east face. It then recedes west along the leg of the "L", parallel to the northern face section, and angles back to meet the rest of the building. The text on the sign is spelled in red channel letters, and bordered with yellow neon. Along the shortest section facing east, the word "Guinness" is spelled. The section shooting west, and facing north, possesses the text "World of Records." The texts in both sections are almost as tall as the banner itself and in all capitals. The angled portion has smaller text, reading "Entrance" and two arrows pointed down on either side. The remainder of the eastern face is blank until the northern end of the face. On the wall above the entrance two cabinets flank a set of red channel letters reading "CJ's." The edges of the cabinet on either side of the center initials, is crafted in a triangular peak, making the two signs into arrows pointing toward the center. The outside edges are negative triangular cuts, echoing the other pointed end. The edges of the cabinet are crafted out of red raceways, lined with incandescent bulbs. Red channel letters, filled with neon occupy the white background on both cabinets. The left cabinet reads "Slot" and the right reads "Sales."
Sign - type of display: Neon; Incandescent
Sign - media: Plastic; Glass
Sign - non-neon treatments: Paint
Sign animation: Flashing, oscillating
Sign environment: The environment of the Arby's Guinness complex is one of finality. To the north a vacant lot stretches on, leaving the Arby's dangling in conclusion on the west side of the strip. Even though giants such as the Sahara and the Circus Circus loom nearby, the Arby's complex seems very alone.
Sign - date of redesign/move: In August of 2002, the Signage for CJ's was removed
Sign - thematic influences: The theme is only dealt with within the realm of the businesses that they advertise. The Guinness signage is only text, but retains the raceways that are consistent throughout strip properties. The pylon itself is a multi use structure for all the properties, with a mirrored surface, and the cowboy hat logo for Arby's. So if there is any theme present it could be linked to a somewhat cowboy theme.
Sign - artistic significance: The facade can be linked to a trend that took place in Las Vegas in the 1970's. In an effort to help with energy consumption, the incorporation of mirrored panels was put into effect to help reimburse the present effect of lighting. The pylon has a mirrored surface. A trend popular throughout the 80's as well. In a weird link to a specific casino, the Arby's western hat coupled with the mirrored surface is reminiscent of a site such as the Westward Ho Motel. It too is a mirrored surface, utilizing similar colors, and the inkling of a western theme present in its text. The yellow bulbs animated in the Arby's channel edge are comparative to the pulsating raceways of the Westward Ho.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Oscillating; Fascia; Pylon; Incandescent; Neon; Plastic; Glass; Paint

Views of the Blue Note club signs on the Las Vegas Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3663 S Las Vegas Blvd
Sign owner: Blue Note International: Father & Son team of Danny and Steven Bensusan
Sign details: The Blue Note is located a short distance east, down Harmon Ave., on the north side of the street, facing south. It is part of the Aladdin Hotel Casino. A vacant lot resides on the corner, and is the only thing that separates the Blue Note from the Strip. Signage for the property includes two logo wall signs on the west wall of the building, a vertical blade sign and an entrance sign over the main port to the establishment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign-specific description: Just east off of Las Vegas Blvd, down Harmon Ave, lies the entrance to the "Blue Note: Jazz Capital of the World." The Blue Note is actually part of the Aladdin property, residing in the eastern most wing of the building, on the south side of Harmon. The majority of the signage hangs on the front of the building, which faces south toward Harmon Ave., with additional signage on the west face of the structure that extends from the Aladdin property. A vacant lot on the north east corner separates the Blue Note from the rest of the strip. The structure of the building and the design of the signage are juxtaposed with the building still being finished in a Persian Palace theme. While the signs are reminiscent of roaring twenties style font and theatre front design. Several different types of signs adorn the Blue Note. Two wall /logo signs hang on the west side of the building, while a sculpted entrance marquee, a hanging logo sign, and a vertical blade sign hung on the south side of the building. The west wall logo sign is composed of blue channel letters spelling the text " Blue Note," separated by a circular cabinet with a tube of neon bent to emulate the shape of a musical note placed in the middle. Five steel bars just out from either side of the cabinet. Below the text, a white steel cabinet with rounded ends, support a thin set of blue channel letters reading, "Jazz capital of the world." Further to the right a set of pink channel letters rest upon the upper portion of the corner of the structure. The letters are filled with pink neon. Along the South face of the building the first sign, hung in close proximity to the southwest corner, a vertical blade sign sits on a radius base of shaped molding jutting out of the wall. The actual body of the sign is a double backed cabinet finished in polished aluminum, with blue pin striping along the edges as well as along the rounded edge of the top. Near the top of the sign, the same rounded cabinet seen on the west wall of the structure, is integrated into the blade facing east/west. The cabinet is thicker in width to compensate for the width of the actual sign. The edges of the steel structure are painted in the same blue tone. The afore mentioned blue neon tubing fashioned into the shape of the note resides in this cabinet also. Along the east/west sides of the sign the text "The Blue Note," runs vertically from top to bottom, in blue channel letters only interrupted by the circular cabinet. The panel, which the text resides is painted white. Along the edge of the blade, which faces south, the text "Blue Note" is spelled vertically in blue channel letters. Sitting along the edge of the base, which the sign sits on, thin red channel letters stand almost independently, wrapping around the radius of the base. Starting on the west side of the sign and finishing on the east side, the text reads "Club & Cafe." These letters are filled with tubes of red neon. The letters are attached to a backing radius band of metal appearing to be gold. Further down the face of the building the main entrance to the building plays host to an overhead marquee/logo sign incorporating sculptural elements as well. Directly in the center of the composition, a long horizontal cabinet plays host to the red channel letters filed with red neon, reading, "World's Finest Jazz Club." Sitting on the top edge of the cabinet the same configuration of the Blue Note logo sign along with the circular cabinet, rests in front a sculpted piece of black steel. This piece of black painted steel is cut to appear as if it is the open top to a piano. Along the interior edge of the lid tubes of blue neon form a blue border. Between the piano top and the Blue Note logo, a horizontal steel grate serves as a divider as well as support for the blue channel letters. This entire section sits on a long horizontal ledge composed of a long polished steel section with a long LED message center just below that. Slightly recessed below the message center another width of overhang constructed of steel is painted to appear as if it is made of piano keys. Along the wall, just above the door, the pink channel letters read "Insomnia" with pink neon on the interior.
Sign - type of display: Neon
Sign - media: Steel; Fiberglass
Sign - non-neon treatments: Paint
Sign environment: Situated just east off the strip, down Harmon Avenue, the Blue Note is the only attraction in its immediate area. Even though it is part of the Aladdin complex, the closest property is the Harley Davidson Cafe on the south east corner of Harmon and Las Vegas Blvd At night, the property loses its Arabian Nights architecture emitting a sultry glow of neon. It is hard to miss, if a pedestrian peers down the street while traveling north or south, on the east side of the strip. During the day, the architecture helps to blend in the property to appear as it is, part of the Aladdin.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The building itself is part of the actual Aladdin property, so the faced of the structure is themed in the manner of an ancient Persian city. It is an interesting juxtaposition for the sleek, modern finish and colors of the signage, with the organic facade of domed towers and stone facade. The Blue note signage is themed around the subject of music, specifically Jazz and Blues music. The blue hue of the neon, and the cabinet containing the crafted musical note are all evidence of this. The blade sign is thematically influenced by marquee building signs for theaters and music clubs from the first part of the century, specifically the forties and fifties. Such examples that utilized a similar designed blade sign were properties from the 1930's 40's and 50's such as The Boulder Club, The Pioneer Club, and the Las Vegas Club.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Fascia; Neon; Steel; Fiberglass; Paint