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The Liberty Engine Company No. 1 Records (1876-1927) consist of two accounting ledgers belonging to the Liberty Engine Company No. 1, the fifth volunteer fire company formed in Gold Hill, Nevada in 1868. One ledger is signed by a the wife of J. H. (John H.) Witte, who was listed in an 1880 edition of the Gold Hill Daily News as a member of the Liberty Engine Company No. 1. The collection also contains banking transactions dating from 1926 to 1927 and a handwritten account of various payments made to the heirs of a Mrs. S. K. Witte in 1906. Some items in this collection are digital surrogates.

The collection contains drawings, photographs, and posters featuring costumes designed by José Luis Viñas, a Spanish costume designer active in Las Vegas, Nevada, from 1960 to 2000. Viñas is best known for his costume designs for Vive les Girls (1962-1975) and Casino de Paris (1963-1982), both long-running shows at the Dunes Hotel and Casino, as well as for Siegfried and Roy's show at the Frontier Hotel in the mid-1980s. Viñas also did some costume designs for an unidentified show in Sun City, South Africa in the late 1970s and later a show called Circus Cabaret at the Lady Luck Casino Hotel in Downtown Las Vegas.

The Julius Jensen Professional Papers (1630-1979) consist of medical research notes, medical journal reprints, manuscript and article drafts, professional and personal correspondence, business and financial records, investment information, travel information, photographic prints, art prints, and collectible books and magazines.

The Paul Lavern Cummings Papers are comprised of Cummings' personal papers, photographs, and audiovisual materials dating from 1927 to 2018. Cummings worked as an actor and performed as a female impersonator under the name Lavern Cummings. The majority of the collection documents his career working at Finnochio’s, a nightclub in San Francisco, California. Materials in this collection includes correspondence, newspaper clippings, sheet music arrangements, photographs, digital audio files, and ephemera. The collection also includes interviews and biographical research material about Cummings and other female and male impersonators.