Search Results

The Stephn P. Grogan papers is comprised of Grogan's personal papers (approximately 1960 to 2020) that primarily document his career working in the gaming industry in Colorado and Las Vegas, Nevada. The collection documents Grogan's involvement with Vegas Pacific business partnership, Skilleo Games, Action Gaming, and EWM Investments. The collection also includes papers documenting Grogan's business ventures in Colorado as well as his writing career. Included in this collection are drafts of Grogan's novels and plays.

The Frank D. Rathbun Archaeology Papers (1918-1983) consist of photographs, field note books and sketchbooks reflecting Rathbun's interest in petroglyphs throughout Nevada, Arizona, and California. The materials also include high school yearbooks, school term papers, scrapbooks, postcards, and memos pertaining to Native American history, water projects, and engineering topics. Additionally included is an unpublished report of an archaeological survey of the petroglyph sites identified by Rathbun, conducted in 1968 by Michael Moen.

The Sheilagh Brooks Collection on Nevada Historical Sites and Museums dates from 1977 to 1983. It contains materials including budgets, planning proposals, agenda, and minutes related to the Nevada State Museum, including proposals to build a state museum in Southern Nevada. The collection also contains National Register of Historic Places nomination forms for sites throughout Nevada.

The Hugh Henry Brown Papers consist of professional and personal papers (1902-1927) from Hugh Henry Brown, who was a lawyer in Tonopah, Nevada. The professional communication focuses on Brown's law practice dealing primarily with mining and railroad companies in Central Nevada. The papers also contain receipts from purchases made by Brown or his wife, Marjorie Moore Brown.

Oral history interview with Alice Ward Boyer conducted by Joanne Goodwin on June 26, 1996 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Boyer opens her interview discussing her family and their life in Oklahoma from the 1910s to 1930s. Boyer then describes how she and her husband moved to Las Vegas, Nevada in 1937 to escape the dustbowl in the Midwest. She discusses adjusting to life in Las Vegas and what the city was like during wartime. She then talks about joining the Mesquite Club in 1944. Boyer explains the club's activities, many of which were integral to building the town of early Las Vegas, and prominent club members. Boyer describes the various roles she held in the club, including president from 1958 to 1959.

Oral history interview with Nanyu Tomiyasu conducted by Mark French on April 12, 1977 for the Ralph Roske Oral History Project on Early Las Vegas. Tomiyasu begins by discussing his father's immigration from Japan to North America in 1898, and his move to Las Vegas, Nevada in 1916. He talks about his father's work in agriculture and the types of crops grown in Las Vegas during the early twentieth century. Tomiyasu also discusses his own upbringing in Las Vegas, how the city has changed and grown, and his education. Tomiyasu describes the Native Americans of Southern Nevada, the environmental changes caused by the construction of the Hoover Dam (Boulder Dam), and his experiences as a Japanese American in Las Vegas.

Oral history interview with Rosemary Tall Dehart conducted by Brigid Kelly on November 14, 2002 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Dehart opens her interview by discussing her upbringing in Wellingborough, England. She goes on to describe her dance career and receiving an offer to become a member of the Bluebell Girls dance troupe. Dehart talks about performing in Paris, France for shows and movie dance segments. She then discusses traveling from Paris to Las Vegas, Nevada to perform at the Stardust Hotel. Dehart describes the treatment of different types of entertainers and the choreography style of Donn Arden. She then discusses returning to the Stardust later in life to work as a roulette dealer. Dehart ends her interview with a discussion of advice for young dancers and why she chose to settle in Las Vegas.