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Margarita Rebollal oral history interview: transcript
Oral history interview with Margarita Rebollal conducted by Marcela Rodriguez-Campo and Barbara Tabach on February 28, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Margarita Rebollal is a lifelong community organizer and advocate for Latinx civic engagement and rights. She shares what it was like to grow up in Ponce, Puerto Rico and shares her childhood memories growing up on the island with her siblings. Rebollal also discusses the death of her father and the eventual move of her family to New York City, New York. She also recalls her education and teen years. Later, she would move to California, and eventually find her way to Las Vegas, Nevada in 1996. Rebollal discusses her passion for civic engagement and the many years serving the community, being most well-known for her role in founding the Puerto Rican Association of Las Vegas and the Hispanic International Day Parade of Nevada. Rebollal also discusses her campaign for the Ward 1 Las Vegas City Council seat.
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Photographs of McCarran Field signs, Las Vegas (Nev.), 2002
Site address: 6005 S Las Vegas Blvd
Sign owner: McCarran International Airport
Sign details: On the south end of the Strip, the very last sign on the east side before you arrive at Sunset Blvd Facing West the two stone pylons are set approximately fifty feet off of the street at the end of a dual-lane stretch of pavement separated by an island of grass. The banner marquis between the two pylons stretches over this area of grass.
Sign condition: Structure 3 Surface 3 Lighting 4 Notes: The surface of the pylon is in good shape considering its age and its environmental condition. It is essentially left to fend for itself against the elements, being in the flat expanse of an airfield. The stone, plaques, and paint treatment are all badly worn, with the stone pylons, appearing the least worn.
Sign form: Pylon
Sign-specific description: The original McCarran Air Field entrance is constructed of two masonry pylons sit on an island of grass, and serve as an entrance to the private Hughes executive airport terminal. Each individual tower is adorned with a propeller attached to the front and the representation of a bird's wing crowning the tops Both facets are constructed of steel. When facing the structures the left has a plaque on the bottom section with the inscription "1948" while the one on the right reads "Las Vegas". Between the two pylons a stretch of text in white channel letters and white neon, large text in the old "Frontier style text reads McCarran Airport. The signage sits independently on top of a sturdy connecting steel cabinet, which supports the words "executive terminal" in smaller channel letters, with white neon. The cabinet is a painted blue horizontal plane tapering wider on either end in rounded profile patterns. The wings are outlined in pink neon, while the propellers are outlined in rose neon with a circle of white in the middle.
Sign - type of display: Neon
Sign - media: Masonry
Sign - non-neon treatments: Paint
Sign animation: none
Sign environment: The surrounding area is rather dark due to the wide expanse of the airfield which stretches out behind the sign. It truly is a last marker for the end of the Strip, and stands alone. Even though it is in close proximity to the major strip resorts of the Four Seasons as well as the Mandalay Bay and various small roadside hotels, it seems to stand in solitude.
Sign - date of installation: 1948
Sign - date of redesign/move: The blue banner of steel and white letters was added after its initial construction.
Sign - thematic influences: The masonry pylons are constructed in an adobe style masonry reminiscent of the desert landscape surroundings. Designed for the airport, the appendages stem obviously around the theme of flight. This may be denoted from the propeller and the wing. The juxtaposition of the two elements, one being the method of flight in nature and the other man made, serves as a reminder of mans fascination with flight. The added banner's text is in the pioneer fashion of the original Last Frontier.
Sign - artistic significance: Opened in 1948, the sign was intended for use as a marker for the endpoint of the Strip. " It was part of the city's expanding policy creating a jet-scale entrance for the city," Jorg Rudemer from Lost Las Vegas. Artistic significance also lies in the combination of materials using masonry, steel and, neon. The piece successfully combined these elements to provide an architecturally solid design by day, which was cohesive with its surrounding landscape. A metamorphosis takes place at night as the sign is transformed into a glowing specter of its daytime counterpart. The surrounding area is rather dark as the pylon rises up out of the darkness as a neon marker for the property. The illuminated wing and propeller stand out as the significant and successful partners in the world of flight.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Masonry; Paint
Mixed Content
Photographs of Fun City Motel, Las Vegas (Nev.), March 1, 2017
Site address: 2233 S Las Vegas Blvd
Sign owner: Rick Trusdell and Chetak Development Corporation
Sign details: Originally the Glenn Vegas Motel in early 50's then the sign was reused for Holiday Motel in 1960's and later to the Fun City Motel circa 1970's to current.
Sign condition: This is rated a 2 since the structure is in semi-salvage condition. No treatment seems to have been done. The damage from the sun has left the bright red hue into a grayish purple color. Part of the neon lettering from Fun City is not in working condition.
Sign form: Pole
Sign-specific description: The Fun City Motel sign was installed in 1952. However, the sign has been used in other properties before it became the Fun City Motel. The Sign was first used for the Glenn Motel circa 1950's with a western theme. The reason why the Fun City Motel doesn't resemble Googie influence is because the original funky curvilinear shape was designed to be a peanut. The Glenn Vegas Motel sign included an illustrated rodeo cowgirl holding a looped rope towards the left end of the sign. In the middle top of the sign is a woman diver; towards the bottom of the sign is an outline of a pool with the word swimming pool in the middle. The peanut shape is painted black. In-between all the designs; in large letters Glenn Vegas Motel is written in white with the female diver drawing separating the two words. Underneath the peanut shaped structure is a rectangular sign held by two hooks on each sign with the word motel. The entire structure itself is held by two steel poles with a blue incandescent directional squiggly arrow facing downwards. The Holiday Motel version changed from the black background to a brilliant red with white large neon letters reading Holiday. The sign removed all implication of the western theme and changed the squiggly directional arrow from light blue to a silver hue. There were two additions to the sign; the first is the word motel vertically connected to the side of the directional arrow and second is a circular structure in white and yellow. Later with the Fun City Motel sign there wasn't much change from Holiday Motel. The only significant change was the name of the establishment. The fun city lettering lights up in multiple colors like the rainbow at night. And the two poles that hold up the structure were painted to black. Today the sign itself has lost all its brilliant red hue and is now a gray color from over sun exposure and no maintenance done to the sign. The directional incandescent arrow is still bright yellow.
Sign - type of display: Neon and incandescent
Sign - media: Steel and fiber glass
Sign animation: Chasers for the incandescent directional arrow. The circular structure on the tops of the curvilinear shape have incandescent lights following a circular motion.
Sign environment: This location is on the North end of the strip near the Holiday House, Holiday Motel, and Kaei Thai restaurant.
Sign manufacturer: YESCO
Sign - date of installation: Circa 1970's
Sign - date of redesign/move: 1950's the sign was used for Glenn Vegas Motel, and in 1960's into the Holiday Motel.
Sign - thematic influences: The fun city sign is funky with an odd curvilinear shape that was originally used for a western theme motel as a peanut. Today the theme seems to be clownish with its colorful palette and rainbow neon.
Sign - artistic significance: The fun city sign is funky with an odd curvilinear shape that was originally used for a western theme motel as a peanut. Today the theme seems to be clownish with its colorful palette and rainbow neon.
Survey - research locations: Assessor's page, Photographs on the internet from Vintage Vegas website http://vintagelasvegas.com/search/Fun+City+Motel
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-30
Sign keywords: Neon; Incandescent; Steel; Chasing; Pole sign; Roof Sign; Back to back; Backlit
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Erica Mosca oral history interview: transcript
Oral history interview with Erica Mosca conducted by Cecilia Winchell, Stefani Evans, and Jerwin Tiu on February 3, 2023 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Mosca reflects on her life journey from a low-income Asian American to a current serving Nevada State Assemblywoman. She recalls that most of her childhood was in Palm Springs, California where she enjoyed a diverse community of students within her education system. It was not until she moved to Navato, California where she first experienced the economic and resource gap between economically diverse areas. Mosca went on to be involved in a college readiness program and received a scholarship to Boston University. After college, Mosca went on to work for Teach for America where she was stationed on the east side of Las Vegas at Goldfarb Elementary School where she grew a passion for leadership. She eventually returned to school and graduated from Harvard University, returning to Las Vegas to start her nonprofit "Leaders in Training." Mosca hopes to inspire change in her communities by enacting legislation and initiatives targeted towards the communities she was and continutes to be a part of.
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Epilogue: UNLV Yearbook, 1986
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas
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Corey Nyman oral history interview: transcript
Oral history interview with Corey Nyman conducted by Claytee D. White on May 04, 2018 for the Remembering 1 October Oral History Project. In this interview, Nyman recalls his high school and college experiences, and working in Las Vegas, Nevada as a young adult. On October 1, 2017, Nyman attended the Route 91 Country Music Festival with his brother and a group of friends. They enjoyed the concert from the Red Bull VIP suite, which Nyman felt helped them escape bullets as he and his friends helped others escape. About three hours after escaping the venue, they arrived at Tropicana Avenue and Koval Lane where their ride picked them up. The driver was one of the last allowed into the area under the airport underpass. Nyman discusses his feelings since the shooting, and states that he loves the city and has made it his home despite the traumatic events of the night.
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Photographs of La Concha sign, Las Vegas (Nev.), 2002
Site address: 2955 S Las Vegas Blvd
Sign owner: Edward Doumani
Sign details: The La Concha is located north of the Riviera hotel Casino, just past the giant glass wall advertising for Splash. The La Concha double sided ground sign, sits close to the street on the east side of the strip, facing north /south. Directly to the east the origin of the signs shape resides in the form of the front structure of the La Concha's lobby structure. The sweeping elliptical roofline creates a structure dripping with the flavor of outlandish 50's-60's expressionistic modern design. The roadside ground sign reflects this shape actually mimicking it in a stylized silhouette of itself. The two icons are separated by a small but busy parking lot that expands north of the La Concha to house other similar style structures. The wings of the hotel, which extend out behind the main lobby, are a rather stark and plainly rectangular form, compared to the front portion of the lot.
Sign condition: Structure 4 Surface 4 Lighting 4 Notes: Considering the age of the property and the sign, it is in great condition, everything is intact, but not perfect.
Sign form: Pylon
Sign-specific description: The sign resides in a pleasant spot of green grass, among the concrete and black top surfaces. A rectangular base, painted a light hue of blue and gold, supports a double-sided sculpted cabinet in a three-pointed crown, which is the stylized profile of the building in sits in front of. Below the main cabinet a triangular internally lit message center has been added, as well as two more, flat rectangular cabinets on the north and south sides. The cabinets are adorned with text that advertising for car rentals located in the same neighboring lot. Off of the west side of the cabinet a small circular cabinet is cantilevered off of the edge. It is an internally lit marker, noting that color television is available inside. The surface of the actual cabinet is painted red, and is somewhat faded. The section of the cabinet that would be dedicated to the low-lying portions of the La Concha's roof are addressed in white. The "La Concha" is spelled across the front of the sign in white text outlined in blue. The text is designed specific to the sign, for the capital L and C are shaped to match the contours of the crowns of the sign. The rest of the script also takes on some of the same stroke of the manner. Motel is spelled in the same coloring across the bottom right hand portion of the signs face, in block text. The very bottom portion of the cabinet is a black painted horizontal extension with edges that angle back into the body of the sign. The words "vacancy' are written across the surface of the sign to the right hand side. No is spelled on the left, but only in neon. When illuminated the main text is lined with a light electric blue, while the edges, and the top contours are lined with a pink and fuchsia glowing borders. The words "vacancy" and "motel" are lined in an orange, amber colored, warm tubing.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The La Concha sits just to the south of the Riviera's giant glass wall. Headed south, the property comes into view, being a quiet transition from the extreme nature of the Riviera. The sign sits in a black top expanse that meanders back into the rest of La Concha's property. The base of the sign is surrounded with plants and curbing, firmly rooted into the urban mainstream of the neighboring street.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the La Concha can be drawn directly from 1950's and 60's modern design. Such curve can be seen signs of the decade for example the original Dunes pylon displays elements of such curve and swell. In Jorg Rugemer's Lost Las Vegas, there is a picture of a 60's era automobile sitting next to the building. It is used to show the influences of the structures design present in the design of something as common as the automobile. It is reminiscent of the protruding fins and large eye like taillights seen on such autos. The sign itself is an interpretation of the building in a silhouette form, so it's angle draw from the same pool as well. The coloration of the neon is also reminiscent of the era. The turquoise, vermilion and red are reminders of such properties as the original Flamingo, and the Algiers.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint
Mixed Content