Oral history interview with William (Bob) Bailey conducted by Claytee White on November 19, 1997 for the African Americans in Las Vegas: a Collaborative Oral History Project. William H. “Bob” Bailey discusses how he arrived in Las Vegas, Nevada in 1955 to become the emcee at the Moulin Rouge and how he entered a black community that used his talents in the fight for equality and justice. He then discusses how the closing of the Moulin Rouge after a few months of operation propelled him into services on the Equal Rights Commission as well as a career in the television industry, ownership in several local gaming establishments, and formation of the NEDCO (Nevada Economic Development Company).
Archival Collection
Oral history interview with Maxine Butler conducted by Frank Johnson on April 22, 2016 for the African Americans in Las Vegas: a Collaborative Oral History Project. In this interview, Butler discusses her early life in Jonesboro, Louisiana. She talks about moving to Las Vegas, Nevada in 1965, the Westside, and businesses on Jackson Street. Butler recalls working at The Cove as a cocktail waitress, the reopening of Moulin Rouge Hotel, and the African American community on the Westside. Later, Butler discusses her involvement at Greater Evergreen Missionary Baptist Church, the importance of church to the African American community, and compares church life in Jonesboro and Las Vegas. Lastly, Butler talks about changes in the Westside.
Archival Collection
Arrangement note: Series I. Demonstrations, Subseries I.A. Frontier Strike
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This collection is comprised of the personal papers of noted Las Vegas entertainment writer, producer, and critic Bill Willard, which date from 1887 to 1999. It contains material on his father's theater and political involvements as well as Willard's early childhood and high school years. His time in the United States Army is chronicled by the editorials and correspondence he wrote. His papers trace his continued involvement in writing, entertainment, and art which culminated in his direction of the Arnold Shaw Popular Music Research Center. The collection also includes pictures of his artwork, articles he wrote for various newspapers and magazines, scripts, skits, jokes, awards, over 700 audio cassette recorded interviews done for the "Rap with the Artist" series, and personal memorabilia.
Archival Collection
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