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Transcript of interview with Henry and Anita Schuster by Claytee White, March-April 2011
In this oral history, the long married couple Henry and Anita Schuster recall the history of the 1930s and how they eventually met and created a life together. Their childhoods were distinctively different, but charter a future where they would inevitably meet. Born in Germany in 1926, Henry recalls the dawn of Hitler and the Nazism. His mother would arrange for his evacuation to France, where he would not know her fate or that of his two sisters for a number of years. Along with hundreds of other displaced children, he escaped to America and lived with relatives in Louisiana where he finished his schooling and joined the US Army. Anita on the other hand grew up with her family in New York. They share the story of meeting when she was 16, falling in love and marrying in 1948. They had four children and moved several times before settling in California. They retired to Las Vegas in 1993. Henry's recollections include childhood memories of the Holocaust and its affect on his family, including the loss of his mother and one of his sisters. Finding his surviving sister Bertel (Betty Kale) after the war is a heartwarming tale of survival. The Schusters are part of the approximately 300 members of the Holocaust Survivor Group that has settled in southern Nevada and Henry was President Emeritus of the group. He published his memoir, Abraham's Son-the Making of an American, in 2010.
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Las Vegas Israelite newspaper, Section B, June 22, 2001
Issue of the Las Vegas Israelite newspaper.
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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Hodegos" reports
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Transcript of interview with Adelaide Robbins by Lisa Gioia-Acres, April 18, 2008
Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.
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Photographs of Starlite Motel at dusk, Las Vegas (Nev.), March 17, 2017
Site address: 1873 N Las Vegas Blvd
Sign owner: LAS VEGAS DRAGON HOTEL LLC
Sign details: This motel resides in North Las Vegas and is one of the few around that still offers traditional roadside lodging.
Sign condition: 5 - Sign was recently updated with was appears to be newer neon and a different color scheme, going with a bright blue and brown. New white vinyl letters have been added.
Sign form: Pole
Sign-specific description: Previous to the spring 2017 upgrade: This pole sign extends out toward the street for motorists and pedestrians to see. This pole is a bright red color. A four pointed red star sits at the top of the red pole for everyone to see. This is outlined with neon tubes that glow blue at night. In the spaces between the points of the star the neon tube is bent to create smaller points. In the middle of the star painted in bold white script is the word "Starlite." This is also outlined with neon tubes to glow at night. Under this is the word "VACANCY" painted in bold white text, but the neon tubes that outline it light up red. Attached to the point of the star that extends toward the road is a long, rectangular sign that reads "MOTEL" in bold white text with a black outline on a light blue background. Extending from the "MOTEL" sign towards the red star are 3 smaller four pointed stars that have incandescent light bulbs in their center and are outlined by neon tubes that glow blue at night. On top of the "MOTEL" sign is another one of these four pointed stars that sits on the outer edge of the sign. Next to this is a larger, light blue four pointed star with an incandescent light bulb in the center and a smaller four pointed star made from a neon tube surrounding the light bulb. The neon tube that outlines the larger portion of the star is bent to create smaller points in the portions of the star without points.
Sign - type of display: Neon and incandescent
Sign - media: Steel
Sign - non-neon treatments: Paint
Sign animation: Unknown since update
Sign environment: The surrounding properties are Jerry's Nugget and the Silver Nugget casinos. It is also just down the street from the Cultural Corridor which includes the Neon Museum and the Las Vegas Natural History Museum. The Las Vegas Library is also down the street.
Sign - date of installation: c. 1950s
Sign - date of redesign/move: Spring 2017
Sign - thematic influences: This property is one of many star-themed motels throughout the city. The 1950's was a popular time for space age/ star themed business due to the Space Age and explorations during this time period. Also, since the name of the property is the "Starlite Motel", the amount of stars included in this sign emphasizes this theme.
Sign - artistic significance: This sign has a heavy influence of the Space Age due to the stars throughout the sign that are telling of the theme for the property. The specific stars for this sign have a Googie-like influence as well because they are very stylized in a futuristic manner.
Survey - research locations: Assessor's website, roadarch.com
Survey - other remarks: http://www.roadsidepeek.com/roadusa/southwest/nevada/vegas/lvmotel/lvnorthmotel/index.htm#sta rlitemotel
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-05
Sign keywords: Neon; Incandescent; Steel; Paint; Pole sign
Mixed Content
4 Mile Bar Neon Survey document, September 8, 2017
Site name: 4 Mile Bar (Las Vegas, Nev.)
Site address: 3650 Boulder Hwy
Sign owner: Bob and Bill Joslin
Sign details: This is one of the most historic bars in Las Vegas. The original site of the bar was actually where one of the oldest communities in town began called Formyle. The community was there long before The Boulder Highway or US Highway 95. The area where the bar currently resides was called Four Mile Spring because it was "four miles from the center of town" and for the natural spring that was there. This part of town, for much of its history, was outside of Las Vegas city limits and outside of the laws for the rest of the city as well. This site was originally a brothel when it opened in the 1950s. In 1954, the property was raided by the FBI and then ended up turning into a bar. It is "one of the Valley's last true-blue roadhouses" and it is named because it sits four miles away from the Downtown area. They are also known for their very popular karaoke nights.
Sign condition: 4, the roadside sign is in good condition, but the sign that is attached to the building has some light bulbs that have been burned out on it.
Sign form: Roadside sign is a pole sign with a message center and there is an architectural sign attached to the facade of the building.
Sign-specific description: The road side portion of the signage for the 4 Mile Bar is fairly simple. The top of the sign features a plastic, backlit square that has a large red "4" and "MILE" in bold white text in the middle of the number. Underneath this is "BAR" in a bold red text against a white background. About a foot or two underneath this sign is a large plastic, backlit reader board. The main support for the sign is a white rectangular structure with two red stripes running down the center of it with a few inches of space between the lines. The architectural sign that is on the facade of the building is uncomplicated as well. The shape of it fits the top portion of the building and looks like a stretched out rectangle. All of the edges are lined by incandescent light bulbs. In the middle of the sign in open channel letters are the words "4 MILE BAR" that are filled with white glowing neon tubes.
Sign - type of display: Incandescent, neon and backlit plastic portion
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic
Sign environment: This bar sits at the cusp where Fremont Street transitions to Boulder Highway. Many of the immediate properties that sit near this bar are motels and mobile home communities. This is also just down the road from Boulder Station Hotel and Casino as well as the Winchester Cultural Center.
Sign - thematic influences: The roadside sign is very straightforward since it just displays the name of the bar, but there could have been a stylistic choice to use the actual number "4" instead of the word "four."
Sign - artistic significance: The most notable feature about this sign is the number "4" instead of the word "four" that is used, possibly for stylistic reasons.
Survey - research locations: Accessor's Page http://www.clarkcountynv.gov/assessor/Pages/searchbybusinessname.aspx, Review Journal articles https://storify.com/ReviewJournal/7-of-the-most-historic-bars-in-las-vegas and https://www.reviewjournal.com/uncategorized/over-a-century-four-mile-has-gone-from-trailside-oasis-to-brothel-to-bar/ , Vegas Seven article http://vegasseven.com/2013/06/12/las-vegas-bar-hall-fame/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-08
Sign keywords: Architectural; Incandescent; Neon; Backlit; Plastic; Steel; Pole sign; Roadside
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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, Febuary 28, 1985
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Dr. Nancy Leveque interview, July 3, 1975: transcript
On July 3, 1975, Robin Wright interviewed Doctor Nancy Leveque (b. 1933 in Oak Park, Illinois) about her time living in Las Vegas, Nevada. The interview covers, among many wide-ranging topics, Leveque’s move to and away from Las Vegas, her career as a veterinarian, and the practice she and her then-husband built. Leveque also discusses how the city of Las Vegas has changed-environmentally and socially-, special interest groups and social activities, as well as natural phenomena. Throughout the course of the interview, Leveque provides anecdotes about prominent figures and old Las Vegas traditions, such as Helldorado.
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