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Rabbi Felipé Goodman was born in 1967 and raised in an established Conservative Jewish community in Mexico City. This community would financially and emotionally support his seminary education was in New York City at the Jewish Theological Seminary. As a young rabbi eager for his own congregation, he became restless in 1998 and began his search for options which lead him to a listing for a rabbi at Las Vegas’s oldest synagogue, Temple Beth Sholom. During this oral history, Rabbi Goodman weaves a fascinating story of chance and good fortune of his interview process and visit to Las Vegas—including the generous parting gift of Snapple—and his surprising decision to take the position. Now, almost two decades later, he reflects on several of his accomplishments in addition to being Temple Beth Sholom’s longest serving rabbi to date. He mentions the opening of the synagogue’s move to a beautiful new building in Summerlin, where they were able to include a mikvah for conversions. He shares how he and Rabbi Jeremy Wiederhorn, formerly of Midbar Kodesh Temple, worked together to establish chevra kadisha for burying Jewish people. As a member of the Rabbinical Assembly he was especially please to help host the 2011 annual conference in Las Vegas after years of persuasion. Israeli political leader Tzipi Livni was the keynote speaker. Rabbi also speaks about his passion for Israel, AIPAC and the Conservative Movement in Judaism.

Interview with Doris, Gerald "Jerry", and Marcy Welt by Barbara Tabach on November 30, 2014. In this interview, the Welts discuss how they came to Las Vegas in the early 1970s from California, and Eli Welt's pawnshop, Stoney's, which he acquired from Doris's father, Jerry Fox. Jerry and Marcy talk about how they met and came to Las Vegas, where Jerry worked for Harry Reid's law firm. They talk about the community that existed in Las Vegas at the time, and their involvement with B'nai B'rith.

Just before the start of the Great Depression, Doris Fox was born in Detroit, Michigan. At the age of fifteen, she met Eli Welt, and the two were married three years later in Alexandria, Louisiana, where Eli was stationed with the United States Army Air Corps. Eventually, Doris and Eli moved to southern California with their three children-Gerald (aka Jerry), Richard (aka Rick) and Susan (aka Sue). In 1971, after all their children were out of the house, Doris and Eli moved to Las Vegas. They followed Doris' father, Jerry "Stoney" Fox, who had moved to the city in the 1940s, and was one of the first entrants into the local pawnshop industry. Like many migrants to the city, Eli became active in the Jewish community, particularly with B'nai Brith and Jewish Family Service Agency. Doris and Eli's eldest son, Jerry, and wife, Marcy, moved to Las Vegas in 1972 with their two small children. Tiffany and Cory. Jerry and Marcy had met through a Jewish youth group as teenagers in Anaheim, California. Having just finished law school, Jerry found that legal career opportunities were plentiful in the growing city. His first job was as a law clerk with Harry Reid's law office, Beckley, DeLanoy, Jemison and Reid, later becoming an associate attorney. He assisted Reid as lieutenant governor and on his early political campaigns. Jerry left Beckley, DeLanoy, Jemison and Reid to work for Oscar Goodman's firm-Goodman, Snyder and Gang-focusing on civil litigation. In 1975, Jerry opened his own practice, continuing to specialize in civil ligation, and served as general counsel to Las Vegas Clark County Library District. Since their arrival, Marcy and Jerry have been dedicated to community service, particularly within the Jewish community. Both were active in youth programs at Temple Beth Sholom, Jerry even serving as youth commissioner and later, education director. Marcy worked with Edythe Katz at the Holocaust Resource Center and assisted with producing a film and training program for educators. Both are avid supporters of youth travel to Israel and work hard to ensure these opportunities continue to be available for those interested.

Issue of the Las Vegas Israelite newspaper.

Rita Deanin Abbey is an Emeritus Professor of Art at the University of Nevada, Las Vegas. She taught drawing, painting, and color theory and innovated interdisciplinary courses with the sciences at UNLV from 1965 to 1987. The University of Nevada, Las Vegas, Marjorie Barrick Museum and the Palm Springs Desert Museum (presently Palm Springs Art Museum), Palm Springs, CA collaborated to present the Rita Deanin Abbey 35 Year Retrospective, which was held February 16-March 5,1988 at UNLV and March 25-June 5,1988 at the Palm Springs Art Museum. Abbey received her Bachelor of Fine Arts degree in 1952 and her Master of Arts degree in 1954 from the University of New Mexico, Albuquerque, NM. She also studied at Goddard College, Plainfield, VT; the Art Student s League, Woodstock, NY; the Fians Hofmann School of Fine Arts, Provincetown, MA; and the San Francisco Art Institute, San Francisco, CA. She was an artist in residence in the studios of Toshi Yoshida, Tokyo, Japan, John Killmaster, Boise, ID; Methow Iron Works, Twisp, WA; Tamarind Institute, University of New Mexico, Albuquerque, NM; the Mason Gross School of the Arts, Rutgers, The State University of New Jersey, New Brunswick, NJ; Shidoni Foundry, Tesuque, NM; Bill Weaver Studio, Chupadero, NM; Savoy Studios, Portland, OR; and Carlson & Co., San Fernando, CA. Abbey, who works in the areas of painting, drawing, printmaking, sculpture, porcelain enamel fired on steel, stained-glass, and computer art, has had 60 individual exhibitions and has participated in over 200 national and international group exhibitions. She is represented in private and public collections in the United States, the Middle East, Europe, and South America. Abbey has published several articles in journals, and six books: Rivertrip, Northland Press, Flagstaff, AZ, 1977; Art and Geology: Expressive Aspects of the Desert, Peregrine Smith Books, Layton, UT, 1986 (co-authored by G. William Fiero); the Rita Deanin Abbey Rio Grande Series, Gan Or, Las Vegas, NV, 1996; In Praise of Bristlecone Pines, The Artists' Press, Johannesburg (presently located in White River), South Africa, 2000; Isaiah Stained- Glass Windows, Gan Or, Las Vegas, NV, 2002; Seeds Yet Ever Secret, Poems and Images, Gan Or, Las Vegas, NV, 2013. She has been the recipient of many commissions and grants and has won several awards, including the Bicentennial Commission for the State of Nevada, 1976; the Governor's Seventh Annual Visual Arts Award for the State of Nevada, 1986; and the Chairman's Award of Excellence at the 1987 International Exhibition of Enamelling Art, Ueno Royal Museum, Tokyo, Japan. From 1988-1990, Abbey fabricated Northwind, a steel sculpture (17ft. x 27 ft. 5 in. x 25 ft. 10 in., 7 tons), installed in Las Vegas, NV. Abbey was invited by the Gallery Association of New York State to exhibit four of her works in its 1989-1991 traveling exhibition, Color and Image: Recent American Enamels. In 1992, the Markus Galleries, Las Vegas, NV, and the Nevada Symphony presented an exhibition of art by Abbey, which inspired Virko Baley s Piano Concerto No. 1. The world premiere performance of the concerto was held in 1993 at the National Opera House, Kiev, Ukraine. In 1993, Abbey constructed Spirit Tower, a cor-ten steel sculpture (20 ft., 11 tons), which was commissioned by the Las Vegas-Clark County Library District for the Summerlin Library and Performing Arts Center. Abbey was invited by the Pacific Division of the American Association for the Advancement of Science to lecture on Art and Geology at San Francisco State University for the 75th Annual Meeting, on June 19-24,1994. She was one of three artists from the United States invited to participate in the exhibition, Enamel Today, at Villa am Aabach, Uster, Switzerland, June-July, 1995. Additionally in 1995, Abbey completed a series of cast bronze sculptures at Shidoni Foundry, Tesuque, New Mexico. Commissioned in 1998, Abbey completed the Isaiah Stained-Glass Windows in 2000, sixteen 10 ft. x 2 ft. stained-glass windows for the main sanctuary of Temple Beth Sholom, Las Vegas, NV. Also in 2000, she completed Holocaust, a stainless steel sculpture (14 ft. 3 in., 4.5 tons), installed in Las Vegas, NV. In 2003 her bronze sculpture, Ner Tamid, was installed in Temple Adat Ami, Las Vegas, NV. Snakewash, a cor-ten steel ground sculpture (62 ft.), was completed in November 2003. Abbey fabricated steel sculptures and cast small and large bronzes from 2004 through the present. In 2006 she completed and installed Guardian of All Directions, a stainless steel sculpture (14 ft., 1.5 tons). The Guggenheim Hermitage Museum and Young Collectors Council visited the studio and home of Rita Deanin Abbey, Las Vegas, Nevada October 15, 2006. During March 2008, Women's History Month, Abbey was recognized for her contributions to the Arts by Mayor Goodman and Members of the Las Vegas City Council. Hidden Pass, a 2-inch steel plate sculpture (16 x 28 ft. 8 in. x 13 ft., 22 tons), was installed in 2010. Between July 16-December 23, 2011, Abbey exhibited in Blast from the Past, '60s & '70s Geometric Abstraction at Palm Springs Art Museum, Palm Springs, California. The City of Las Vegas Office of Cultural Affairs, Las Vegas Arts Commission presented Abbey the Lifetime Achievement Award for Excellence in the Arts on May 25, 2012. Balanced Arc, an outdoor bronze sculpture (8ft. 8 in. x 9 ft. x 7 ft. 4 in., 1600 lbs.), completed in 2012, was installed in April 2013. The Western Museums Association 2014 Annual Meeting in Las Vegas, NV, toured The Art of Rita Deanin Abbey at the Desert Space Museum October 5, 2014. Abbey participated in the fall group exhibition Macrocosm/Microcosm: Abstract Expressionism in the American Southwest at the Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 2, 2014-January 4, 2015. Her artwork was also shown in the Recent Acquisitions exhibition at the Marjorie Barrick Museum, University of Nevada, Las Vegas, June 19-September 19, 2015. Currently, Abbey is working on new sculptures, paintings, and enamels. vii

In this interview, Unger-Wadkins discusses growing up in Las Vegas? close-knit Jewish community in the 1960s and 1970s, and involvement with various Jewish youth organizations and activities. She also describes her career in public relations, reflecting upon the unique challenges faced when interacting with the public, and with politics, in her positions. Unger-Wadkins ends by describing her current work in land development, particularly the history of the Three Kids Mine and the technical and political process of ensuring the land is suitable as a residential area.