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Photographs of Casa Malaga signs, Las Vegas (Nev.), 2002
Site address: 4615 S Las Vegas Blvd
Sign details: The Casa Malaga resides on the east side of the strip, among the decaying roadside motels. The property is in the style of most of the motels in the area. A small office sits up front, with a drive next to it, and leading to a parking lot in the back of the property. The parking lot is surrounded on the east, north, and south sides by one story groups of rooms. The pole sign resides in the front parking lot, next to the street
Sign condition: Structure 2 Surface 2 Lighting 2
Sign form: Pylon
Sign-specific description: The main advertisement for the establishment is the roadside pole sign which faces north /south. It consists mostly of a single white, steel pole with a double-backed steel cabinet. The cabinet is an eight-sided geometric figure, appearing as a swollen cross shape. The middle, horizontal section being larger and wider, than the cross member. The white cabinet is treated with red painted text. The top section reads "Casa," the second "Malaga," and the third reads "Vacancy." All of the texts are in capital letters lined over the contours with bent tubes of neon. Just below the top cabinet, two single-faced cabinets sandwich the pole, facing north/south. The white cabinet with white faces contains vinyl lettering. On the east and west faces of the small office up front, channel letters with clear plastic faces, a gold polished band around the edges, and maroon, and red neon on the interior.
Sign - type of display: Neon; Incandescent
Sign - media: Plastic
Sign animation: Flashing, chasing
Notes: The channel letters which spell motel on the south and west wall of the main office chase. The two signs take turns flashing on, one then the other, as the first shuts off. The incandescent bulbs, which line the bottom of the roofline of the office, chase each other as well.
Sign environment: The Casa Malaga resides between the Little Church of the west and the Glass Pool Inn.
Sign - thematic influences: The only theme present is its significance in design to the classic roadside motel. It falls into this theme seen throughout the southern end of the strip. The tall double-backed pole sign, small front office, and surrounding lengths of rooms, all fit into this motif.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Chasing; Pylon; Neon; Incandescent; Plastic
Mixed Content
Transcript of interview with Robert & Patricia Campbell by Stefani Evans, November 28, 2017 & March 1, 2018
In 1976, when Bob Campbell accepted the city manager position in Henderson, Nevada, he and his family had just endured nearly a month of sub-zero temperatures in their native Missouri. Southern Nevada's mild winter coupled with the promise of developing the 8,600 acres that would become Green Valley convinced Bob and his wife, Pat, to make the move. Bob came to Henderson with a degree in public administration and city manager experience in two Missouri towns, but Green Valley offered something akin to "an artist having a blank canvas on which to plan and create." In this interview, Bob talks about the ways his career in public administration blossomed in Southern Nevada. After about five years with the City of Henderson, Campbell joined Mark Fine and American Nevada Corporation to develop Green Valley; five years after that, he moved to Southwest Gas Corporation to work with Bill Laub and later, Kenny Guinn. From about 1989 to 1997, he helped develop Lake Las Vegas. In 1994, Bob and Pat together formed The Campbell Company, a private consulting firm whose clients included Transcontinental Properties' Lake Las Vegas project as well as Henry Chen's Ascaya. v Much of the interview focuses on the Lake Las Vegas project: its original visionary, false starts, and its tumultuous development as an arm of the Bass brothers of Fort Worth, Texas; their developer, Ronald Boeddeker of Transcontinental Properties in Santa Barbara, California, and Boeddeker's appointee, Alton Jones. Along the way Campbell shares the strategies employed by the Wednesday morning group of Henderson boosters who met at Saint Peter's Catholic Church and who succeeded in gaining the necessary local, state, and federal approvals to move the project forward. He reveals the intimidation, physical threats, and sexual harassment suffered by those who questioned the way Jones did business. Overall, though, he explains why he continues to respect the Bass brothers and is still proud of Lake Las Vegas, "proud that we got it on, and proud that it's turned out to be what it is."
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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, September 30, 1980
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"Getting One's Halls Decked": article draft by Roosevelt Fitzgerald
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. Reflection on the author's Christmas years ago in Natchez, Mississippi.
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Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Tea Rose Talk" newsletters
From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Joseph Ostunio oral history interview: transcript
Oral history interview with Joseph Ostunio conducted by Claytee D. White on December 20, 2017 for the Remembering 1 October Oral History Project. In this interview, Joseph Ostunio discusses his early childhood in Las Vegas, Nevada and how he grew to love country music. He talks about the Route 91 Harvest music festival, which he attended with his friend in 2017. He describes the events of that weekend and the shooting on that Sunday, October 1, 2017, during which his friend was shot. Ostunio ends the interview with his feelings regarding Las Vegas and what he has learned about himself from this experience.
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