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Photographs of Peppermill signs, Las Vegas (Nev.), 2002

Date
2002
2017-09-21
Description
Photos show Peppermill signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site address: 2985 S Las Vegas Blvd
Sign details: The Peppermill Inn Restaurant is located on the east side of Las Vegas Blvd, just north of the now defunct Silver City Casino. The actual establishment faces west toward the strip, separated from the traffic by the front parking lot. The lowrise brown clad establishment, boasts three specific pieces of signage on the exterior structure. In the parking lot near Las Vegas Blvd, a small two-sided, ground level cabinet, mirrors the aesthetics of the actual structure. Upon the west side of the building, the shingled roofline boasts channel letters filled with neon, as well as a more secluded sign on the north side of the building, toward the rear.
Sign condition: Structure 3 Surface 3 Lighting 3 The condition of the three different pieces of signage are all in different states of repair.
Sign form: Pylon; Fascia
Sign-specific description: The pylon sign, which sits near the street, is a miniature representation of the facade of the Peppermill establishment. Two square legs, constructed of mortared pieces of stone support the two-sided cabinet. The horizontal, rectangular cabinet sits on the pole, and faces north/south. The top edge of the sign is reminiscent of a roofline, with a low rise a-frame design. The grade is very little but exaggerated by the rectangular element rising off of the top edge covered in brown wooden shingles, which also cover the top edge's surface. The effect of the top's finishing is the resemblance of the roof of the Peppermill restaurant. Just below the peak of the "roof-like" element on the surface of the sign, a rectangular metal plate possesses text. The text is stamped out of the metal to reveal recessed negative spaces of fonts. An orange transparent material resides behind the plate, providing the hue for the internally lit apparatus. The text reads "24 Hours" in all capitals. Below the small rectangle, larger, white text runs the length of the sign. The internally lit, closed face, channel letters are in all capitals. In smaller text, along the bottom portion of the face the phrase "Coffee Shop & Lounge," runs the length of the text. The letters are orange, closed faced, internally lit. The actual structure of the restaurant, further east on the property is the model for the previously mentioned sign. The low-rise pitched roofline of the facility concludes at a lowrise rectangular cap. Along the western edge the roofs overhang, large white channel letters lined on the interior with pink neon spell "Peppermill" in all capital letters. Following the brown shingled roofline around the south side of the building, a third sign, not seen by the general public, faces south. A steel cabinet is the two-dimensional representation of both the outer pylon sign as well as the structure itself. A rust colored brown cabinet houses a dork brown steel face, with plastic letters for the advertising of the establishment. "Peppermill" is spelled in all capital letters. Below the top text a two lined, series of orange all capital text spells "Restaurant Lounge." It is apparent that wooden shingles were evident on the top the top edge of the cabinet which rises in the pitched front geometric shape seen on the pylon in the front and the architectural element in the structures center. Underneath the primary cabinet a smaller, horizontal, rectangular cabinet, sits centered underneath the It too is a rust colored brown cabinet, with a dark brown face. Text, as tall as the cabinet spells, "Open 24HRS" in orange plastic all capital letters.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign environment: The area surrounding the Peppermill contains several interesting properties making the entire area sort of a cove of history. Just to the north the deteriorating, and closed Silver City stands testament to the wave of constant change present on the strip. It is a reminder of the historical significance of the Peppermill and the fact that someday it might not be present at this location any more.
Sign manufacturer: YESCO
Sign - thematic influences: What is evident of the Peppermill theme works around the exterior appearance, and around the name itself. The brown wooden exterior, use of wooden shingles as adornments, and the major color palette all suggest the rustic, if not old west referenced, aesthetic.
Sign - artistic significance: This has become a statement of the "old Vegas" of the 1970s.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics

Mixed Content

Interview with Lawrence V. Robinson, November 23, 2004

Date
2004-11-23
Description
Narrator affiliation: Tunnel mechanic, Reynolds Electrical and Engineering Company (REECo)

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Interview with Oliver Wilhelm Kaufmann, November 29, 2005

Date
2005-11-29
Description
Narrator affiliation: Biologist, Public Health Service

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Transcript of interview with Ruth Urban by Barbara Tabach, August 24, 2015 and September 16, 2015

Date
2015-08-24
2015-09-16
Description

In this interview, Urban discusses her upbringing in Las Vegas, and childhood friendships, many which came from within the Jewish community. She talks extensively about her professional career and passion for mediation as a strategy for problem-solving. In addition, Urban describes her community service commitments over the years, including her current role with Nevadans for the Common Good. Urban married Andrew Urban Jr. in 1983, and the couple have a son, Andrew Urban III.

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Transcript of interview with Priscilla Schwartz by Barbara Tabach, June 16, 2016

Date
2016-06-16
Description

In this interview, Schwartz talks at length about her passion for compassionate hospice care, and her broad involvement with the Nathan Adelson Hospice, from volunteering to serving on the board to philanthropy, which included opening the Walter Schwartz Center for Compassionate Care. Schwartz also talks about other philanthropic giving which includes establishing scholarships at George Washington University and University of Michigan as well as support to Temple Beth Sholom gift shop.

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Eric Calvillo interview, June 18, 2019: transcript

Date
2019-06-18
Description

Interviewed by Monserrath Hernández and Laurents Bañuelos-Benitez. Eric Calvillo was born into a Mexican American household in San Jose, California in 1980. As he recalls, it was there that his fixation with the colors and recurring themes of his family's Mexican roots told hold of his imagination. Today, this is core to his growing art career. Art has not been his sole ambition. Before moving to Las Vegas in 2005, Calvillo attended a San Francisco culinary school. He relocated to Las Vegas to complete his culinary internship at the prestigious Picasso restaurant at the Bellagio. Eventually, he began to pursue a professional art career as a painter of Día de los Muertos motifs and beautifully portray the Mexican tradition of celebrating the lives of the deceased. Through his use of acrylics and oil on canvas, Calvillo conveys the emotion of his culture and then, being a skilled carpenter, crafts his own frames.

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John Robinson Pacheco interview, June 24, 2019: transcript

Date
2019-06-24
Description

Interviewed by Laurents Bañuelos-Benitez. John Pacheco's father, Francisco, arrived in Las Vegas in 1942. John was born in 1947 and raised mostly on 27th Street. He is a graduate of Rancho High School and UNLV. He is a retired artist known for hand-painting signage for many local businesses. As a very civic minded person, John has received many local awards and served on committees for the Las Vegas Chamber of Commerce, East Las Vegas community, and much more.

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Transcript of interview with Dan Hill by John Bennett, March 1, 1979

Date
1979-03-01
Description

On March 1, 1979, John L. Bennett interviewed Dan Hill (born May 20, 1914 in Illinois) in his home at 2130 Walnut Road, Las Vegas, Nevada, about his memory of Southern Nevada. In addition to the collector and informant, there is an unidentified woman present during the interview. Hill explains that he originally came to Nevada in search of work. He briefly moved to Europe during the First World War where he served in the Army; at the end of the war, Hill returns to Las Vegas to work at the Nevada Test Site. Hill then goes in-depth about his experience as a worker at the Nevada Test Site and different mining sites that he had also worked at. The two briefly discuss the different sheriffs that had been in charge of Las Vegas, and how many people came to Las Vegas to work at the Henderson Magnesium Plant and Hoover Dam in addition to the Nevada Test Site.

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Minutes from Temple Beth Sholom Board of Directors meetings, June 1987 - May 1988 (2 of 2)

Date
1987 to 1988
Description

Meeting minutes include reports from committees of the board, correspondence, and balance sheets.

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Transcript of interview with Rochelle Hornsby by Barbara Tabach, November 30, 2016

Date
2016-11-30
Description

Rochelle (nee Winnick) Hornsby was born in New York in 1937. Her father was a scrapyard and auto parts dealer and her mother was a homemaker. She has one brother, Roy Winnick. After high school, Rochelle attended the prestigious Fashion Institute of Technology and then accepted a position with a T-shirt manufacturer. During this experience, she discovered her inspirational talent as a sales person. When she married her former husband, Len Hornsby, she followed him in his successful sales career. When his job moved him westward, they lived briefly in Beverly Hills, California. Soon Len saw a better career fit in Las Vegas in radio ad sales for radio. The next step was to take him into sales and management positions at the Las Vegas Convention and Visitors Authority. Meanwhile, Rochelle enjoyed getting involved with the Jewish community, volunteering with the Temple Beth Sholom Sisterhood, playing tennis, and starting her own business furnishing models for conventions. In this oral history, Rochelle shares stories of her various jobs in Las Vegas and of eventually thriving as a real estate agent with Century 21, a company that she continues to work for at the time of this interview. She and Len had one child, Even Scot Hornsby.

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