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Gwendolyn K. Walker arrived in North Las Vegas in 1962 from Houston, Texas, as a five-year-old with her parents, two brothers, and her cousins. The Walker family at first moved to a rented house on D Street, and Gwen attended Kit Carson Elementary School for first grade. Her mother enrolled in nursing school, so she sent Gwen back to Delhi, Louisiana, to be raised by her grandmother. In Delhi Gwen picked cotton with her aunt while she was in the second grade. Gwen returned to North Las Vegas to live with her mother and complete elementary school at Jo Mackey before matriculating to J. D. Smith Elementary School for junior high school and then to Clark High School. Later she attended UNLV. Gwen and her mother joined Saint James Catholic Church at H Street and Washington Avenue, but after she returned from Delhi she joined Second Baptist Church, where she became close with a cohort of friends that remained strong even as she experienced racism and bullying and love for the first time.

When Bruce Woodbury, native Las Vegan, attorney, and former county commissioner, looks back on growing up, he immediately says: My first memory of a house here in Las Vegas was in the John S. Park area. The Woodbuiy family lived in two houses in the neighborhood and attended only two schools, John S. Park Elementaiy and Las Vegas High School. Bruce's recollections begin in the 1940s, when they lived on the edge of town. Bruce has what he calls a "nostalgic yearning for the old Las Vegas, even though today it's an exciting, vibrant community in many ways." And during this oral history interview, he recalls the safe feeling of the times—unlocked doors and children allowed to roam more freely than today. The Strip was a "separate world" where kids like himself might go to a show occasionally with their parents, celebrate a prom dance or, as he did, get a part-time job. One of Bruce's jobs included being a busboy at the Flamingo Hotel & Casino where he confesses to learning and

In 1973, Dr. Frank P. Silver ( 1934 - ) escaped the bitter weather of Philadelphia with his choice to relocate his OB/GYN medical practice to the small community of Boulder City. In his reflections of the move, Dr. Silver recalls his wife Elaine had little input in the initial move. However, with four children to manage, she soon made a home for the Silvers. Before the move, Dr. Silver was a lifelong resident of the Philadelphia area. He graduated from La Salle University, Jefferson University Medical School and did his residency at Nazareth Hospital – all in Philadelphia. In Southern Nevada he enjoyed the weather and the excitement of building his medical practice. He mentions occasional challenges of being Jewish in the 1970s in the area. He also talks about being a shareholder in the Crystal Palace, a Laughlin casino.

Donna Newsom shares the history of her life in great detail, beginning with her childhood in Georgia and Florida. The family moved many times, following her father's work opportunities. Donna had a close relationship with her father and recalls the many daring adventures on which he took her. After graduating from high school, Donna earned a nursing degree at the Macon Hospital School of Nursing. She remembers dorm life, long hours, and the specific training nurses received in the late forties. Her career began at age 19 with a year of working at Macon Hospital as a graduate nurse, and then she made plans to leave the South. Donna's memories include moving to Houston, living in a boarding house, her first date, and working at Hermann Hospital and then Methodist Hospital. She then answered an ad to work at a Girl Scout camp in Colorado, and her roommate there became a mentor and one of her staunchest supporters. With help from her mentor, Donna went on to earn a teaching degree in Austin, Texas, met and married her husband Sam Newsom, and got involved in real estate. She relates the many experiences they had during Sam's Navy career, her teaching experience in New Orleans, and their eventual move to Las Vegas. Sam and Donna loved Las Vegas from the moment they moved here. She recalls many details of her employment at UMC, the differences in health care compared to down south, and the feeling of being safe no matter the time of day or night. Donna stays active in tutoring, the OLLI program at UNLV, and working for the Salvation Army women's auxiliary. She and Sam also get together with his golfing buddies and their wives for dinners in their various homes.

On March 17, 1981, Niki Rodriguez interviewed Kathleen Bryan Gaston (born 1949 in Las Vegas, Nevada) about her experience living in Southern Nevada. Gaston first talks about her father who moved to Las Vegas and eventually became a justice of the peace, and she also describes how her parents eventually moved to Las Vegas. Gaston later describes how Las Vegas looked as she was growing up and how it has developed since, specifically mentioning the schools she attended and the growth of the Las Vegas Strip.

On February 26, 1979, Cynthia L. Reeves interviewed Jeanne P. Chretien (born 1923 in Marshalltown, Iowa) about her life in Southern Nevada. Chretien first talks about her move to Las Vegas and her beginning education, including how the educational system has changed over time. She also describes her first occupations, political activity, involvement in groups such as the Girl Scouts, and early recreational activities. The two later discuss Block 16, entertainment, the atomic testing, the effects of World War II, and flooding in Las Vegas. The latter part of the interview includes topics on Chretien’s religious activity, her enrollment into Nevada Southern University, and the changes in Las Vegas over time. The interview concludes with Chretien’s thoughts on rearing children in Las Vegas as well as how she believes the city will continue to grow in the future.

This interview is compiled in the bound book version for OH-02270. Born Ffolliott Chorlton in Butte, Montana in 1923, Fluff Le Coque embarked on a career during World War II that would span fifty-five years. Le Coque’s experience as an entertainer started at the age of seven when she began dance lessons during the Great Depression. She expanded her interest in show business at the University of Washington. Attending on a drama scholarship, she performed in theatrical productions and supplemented the scholarship by teaching coordination to university athletes through dance. Le Coque toured as a dancer in a road company during World War II. After the war she came to Las Vegas for the first time. Although she did not consider herself a singer, she performed as a vocalist with the Chuck Gould Orchestra at the Last Frontier. After a brief excursion to Hollywood, she returned to Las Vegas to work at the Thunderbird Hotel as a dancer. It was at the Thunderbird that she became part of the glamour publicity that would help shape the image of Las Vegas. Crowned “Miss Thunderbird,” Le Coque took part in publicity photo shoots designed to attract vacationing customers to the Las Vegas resort casino. While performing at the Thunderbird, Le Coque learned of an opportunity to showcase her talents in a wider arena. She joined a touring company that was preparing to take the production of Hollywood Extravangza to Europe. In Paris, Le Coque took on additional responsibilities in the production end of the business. She served the Hollywood Extravaganza as principal dancer, choreographer, and ballet mistress. On her return to New York, she firmed up her career-long relationship with producers Donn Arden and Ron Fletcher. Le Coque’s association with Arden-Fletcher Productions proved beneficial for an already successful career. She performed as principal dancer for Arden and Fletcher beginning with a six-month engagement at the Lookout House in Cincinnati, Ohio, in the late 1950s Arden wanted her to return to Las Vegas and she accepted immediately. The Las Vegas Desert Inn opened a newly remodeled showroom with Fluff Le Coque as a featured principal dancer. Arden-Fletcher Productions kept a number of performers busy throughout the United States from California to New York. Le Coque, now a valued talent, appeared in the Arden-Fletcher production at the Moulin Rouge in Hollywood. She worked there as company captain and principal dancer for ten years. Following her extended engagement at the Moulin Rouge, she toured the United States and Europe before returning to Las Vegas for good in the late 1960s. Arden again asked her to open a renovated showroom at the Desert Inn and again she agreed. This time Le Coque made Las Vegas her permanent home. She danced until she was forty-five years old and during the later years worked both sides of the stage, as company manager and dancer. Fluff Le Coque retired from dancing in 1970 to enjoy leisure activities and volunteer work. She learned to paint and served as publicity director of the Las Vegas Art Museum. She was wooed out of retirement by Donn Arden, to become company manager of the production show at the new MGM Grand Hotel [later reopened as Bally’s]. At the time of the interview, Le Coque continued to serve as company manager for Jubilee at Bally’s Hotel & Casino. Le Coque’s narrative provides a vivid account of the history of the Las Vegas entertainment industry. In addition to the organization of club circuits during the post-war years, the narrative provides clues about white-black relations during the era. It also informs a wider historical context. Post-war American society underwent significant changes economically, politically, and socially. Expanded work opportunities for women were among those changes. Le Coque’s choice to complete a college education during the 1940s was atypical. Her successful dancing career and later move into production management provides an example of career achievement decades ealier than the majority of American women. By extending her career as a dancer into her forty-fifth year, she resisted the evolving publicity hype that only an ingenue could be a dancer. Her narrative provides a compelling description of both the glamour and physical demands associated with the Las Vegas entertainment industry.