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Frieda Steinberg interview, September 10, 2014, November 10, 2014, August 15, 2017: transcript

Date
2014-09-10
2014-11-10
2017-08-15
Description

Interviewed by Barbara Tabach.

Text

Transcript of interview with Barbara Agonia by Suzanne Becker, September 17, 2007, September 25, 2010, & October 2, 2007

Date
2007-09-17
2007-09-25
2007-10-02
Description

When Barbara Agonia arrived in Las Vegas in 1969 to pursue a Master's Degree in English, the University of Nevada Las Vegas was barely ten years old and the population of Las Vegas was just approaching 160,000 residents. At the time, she was 35 years-old and it was a decision and move that would forever change her life and higher education in Clark County. Barbara Agonia was born in St. Louis, Missouri, in 1934 to Robert Lewis Klinefelter and Suzanne Carter Klinefelter. At the time of Barbara's birth, her father worked for Brown Shoe Company in St. Louis. The family moved to Bunker Hill, Illinois when Barbara was still an infant. This was Mr. Klinefelter's hometown where a portion of the extended family still resided. In the late 1930s, Mr. Klinefelter got a job in a brass mill near Alton, Illinois, and he commuted there daily. When the United States entered World War II, Mr. Klinefelter tried to enlist in the army, but was rejected because he had two small children and because he worked in an essential industry. He decided to work in a non-essential industry and took a job at Montgomery Ward in Oak Park, Illinois. Barbara was in the third grade that year. Still unable to enlist, Mr. Klinefelter moved the family to Wabash, Indiana, and began working for General Tire in 1943. They moved to Logansport, Indiana in 1947. Agonia recounts that education has always been a significant part of her life, with the importance of a good education stressed in her life from early childhood forward. After graduating from high school in Logansport, Indiana, she attended Hanover College in southern Indiana, enrolling in 1952. Her educational experience at Hanover included a year studying abroad at the University of Exeter in Devonshire, England—an experience which Agonia credits as further cementing her commitment to education and her love of literature and language. She graduated from Hanover in 1957 with a double major in English and speech/ theater. Agonia spent her first years out of college teaching high school English, speech, and theater in west central Illinois and the next eight in northern Illinois. A little over ten years into her career, at the age of 35, she decided to pursue a Master's degree in English. Her sister, Martha, who at the time lived in Las Vegas, suggested checking into programs offered at the city's newly formed university. In 1969, Barbara moved to Las Vegas and enrolled in the English Department at UNLV. As Agonia was completing her degree in 1971, the community college system in Nevada was emerging and seeking faculty for the up and coming institution. Curious to know more about the new system, Agonia scheduled a meeting with the person in charge of hiring. Two hours later, she walked out with a contract in her hand, one of eight new faculty members at Clark County Community College, now known as College of Southern Nevada. In her early years with the college, Agonia did a great deal of public speaking on behalf on the newly formed system, promoting the new institution and reaching out to potential students. At the same time, she taught full course loads in composition and literature, and eventually became chair of the English department. Her new position and public speaking work on behalf of the college not only provided her contact with the local Las Vegas community, it ultimately became the catalyst in spurring her passion for community involvement, particularly working on behalf of women within the community. • • Vll As the 1980s approached, Agonia became actively involved in rape crisis education, at the urging of Florence McClure. Then, in 1980, Agonia was again in on the ground floor of community programming, when she and Beverly Funk, at the urging of Judith Eaton, the president of Clark County Community College, established a Women's Center on campus. The Center was initially set up to help women in a variety of life circumstances, including women who were wanting to return to school or who were new to the process of school altogether. The center eventually became the Re-Entry Center offering skill development, tutoring programs, and other forms of assistance for anyone interested in returning to school. In addition to her involvement in and commitment to public education, Agonia has also been involved in the Soroptimist International organization for business and professional women who work to improve the lives of women and girls in local and international communities. In the Las Vegas area, Soroptimist International of Greater Las Vegas worked to establish the Rape Crisis Center and the Center for Domestic Violence, which later became SafeNest. Agonia has been working with the organization since 1982. Through Soroptimist International, she also became involved in Friends of the Nevada Wilderness, an organization devoted to designation and long-term protection of Nevada's wilderness areas. As the representative for Soroptimist International, she traveled to Washington to lobby and testify in front of the senate for the establishment of Great Basin National Park. Agonia's work in the Las Vegas community over the past forty years has been significant. She counts Florence McClure, Geneva Douglas, and Jean Ford amongst her greatest influences. As she notes in her oral history, "I learned how to be radical from those women." She happily embraces the label of radical. This attitude surfaces throughout Agonia's experiences and recollections, and underscores her work and dedication to the interplay of local education and women's issues within Nevada.

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Mon Bel Ami Neon Survey document, August 19, 2017

Date
2017-08-19
Description
Information about the Mon Bel Ami sign that sits at 607 S Las Vegas Blvd.
Site address: 607 S Las Vegas Blvd
Sign owner: Mon Bel Ami- Maudie Dog Trust
Sign details: Mon Bel Ami Wedding Chapel originally was the Silver Bell Wedding Chapel owned by nineteen year old Jim Duszynski. He moved from Toledo, Ohio and purchased the small wedding chapel for five dollars in 1958. Silver Bell wedding Chapel eventually moved across the street adding a steeple to an old masonic lodge hosting dozens of weddings. In 2002 the building caught on fire where the property was later purchased by new ownership. In 2003 the new ownership re-named Silver Bell Wedding Chapel to Mon Bel Ami Wedding chapel. The new chapel replaced the Silver Bell panel and painted over the SB. Currently the sign has been removed and donated to the Neon Museum and replaced with new signage.
Sign condition: The condition of the sign is a 5. From what I can tell the sign has been kept maintained. No paint has chipped, and the LED is still working perfectly.
Sign form: The sign is a pole sign and not attached to the building.
Sign-specific description: The sign is a pole based free standing sign. The heavy curved triangle is in the color burnt sienna made of steel. The pole itself is a faux marble with swirls circulating the pole etched into the pole. The sign is tastefully ornate, yet simple in design. The pole transitions into a Chapean Tuscan architectural feature. The typography is slightly thick and light up white at night. The actual light features surround the typography and takes the shape of the curved triangle. The light is LED based.
Sign - type of display: LED
Sign - media: Steel and concrete
Sign environment: It is next door to Graceland Wedding Chapel and near Nevada Legal Services, US Labor Department Wage and Hour Divisions, Dougie J's Cafe, Thunderbird Lounge, and Rogue Toys.
Sign manufacturer: YESCO
Sign - date of installation: Mid 2000's
Sign - date of redesign/move: After 2003 the ownership from Silver Bells changed and renamed the chapel to Mon Bel Ami. The Silver Bells Wedding sign was donated to the Neon Museum.
Sign - thematic influences: The design resembles faux Tuscan elements, simple yet semi- ornamental.
Sign - artistic significance: The sign resembles the early 2000's trend with faux semi ornate but sleek contemporary design within architecture. The sign is quite reminiscent of Wynn Hotel, Palazzo, and Encore.
Survey - research locations: Mon Bel Ami wedding chapel website https://www.monbelami.com/historic-wedding-chapel-sign-neon-museum-vegas/ , Asessor's Page
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-19
Sign keywords: Steel; Concrete; Pole sign; Neon

Text

Zoe Albright oral history interview: transcript

Date
2018-10-16
Description

Oral history interview with Zoe Albright conducted by Barbara Tabach on October 16, 2018 for the Remembering 1 October Oral History Project. In this interview, Albright describes her work as a volunteer for the Red Cross and helping comfort those who came into the Metro Police Station after the 1 October shooting, searching for family and friends who were present at the Route 91 Harvest Festival. In addition to being a Red Cross volunteer, Albright is also a personal trainer, nutrition consultant and resident of Las Vegas since 1988.

Text

Hell's Angels, approximately 1922 to 1965

Level of Description
Sub-Series
Scope and Contents

The Hell’s Angels sub-series (1922-1965) contains material related to the development, production, and post-production of The Caddo Company film, Hell’s Angels. Both the silent and sound versions of the film are represented in the materials.

Materials include contracts and lawsuits, correspondence, financial, story development, and production and direction records, editing and special effects, aviation logs, and advertising, as well as musical scores for the silent version composed by Adolph Tandler and the sound version composed by Hugo Riesenfeld. Also included are black-and-white photographic prints and negatives and twenty-four miniature airplane models.

Archival Collection
Howard Hughes Film Production Records
To request this item in person:
Collection Number: MS-01036
Collection Name: Howard Hughes Film Production Records
Box/Folder: N/A

Archival Component