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Photos show Luxor signs during the day. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Luxor (Las Vegas, Nev.)
Site address: 3900 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: The giant black, glass, pyramid rises out of the desert as certainly one of the most unique structures. The pyramid is also accompanied by a monolithic, heavily geometric structure, finished in the same black, panels of windows. Just to the north. The front of the property is dominated by an array or Egyptian architectural landmarks such as an giant obelisk, the Sphinx, various statues of Egyptian gods and pharaohs line the multi tiered expanse of concrete and stucco. The property is pedestrian interactive, being able to pass underneath the giant obelisk, and through and beneath the giant Sphinx. The feel produced by area is appropriate for the desert environment.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: On the expanse of concrete in front of Las Vegas Blvd, just north of the obelisk, a double-sided pylon sign joins the ancient composition. The pylon actually is more akin to the pylons seen at properties such as the Monte Carlo or the Mirage. It is located in the northern portion of the property on the west side of the strip-facing northwest along Las Vegas Blvd Two square posts support a two-sided square cabinet which houses a back lit advertisement and a set of crafted letters spelling the name of the establishment. Occupying the upper portion of the space between the legs another internally lit, two sided, cabinet, atop a small pair of internally lit sculpted cabinets. From a distance the cabinets look like thumbs holding up the cabinet. The shapes are graphically treated on the surfaces to look like colorful recreations of a hieroglyphic bird, the wings being the elongated portion of the cabinet. The only art attached to the cabinet is the portion designated for the head of the creature. Three sets of sculpted cornices, create borders for the different planes. The bases of the legs are treated with the ledging, the section separating the top cabinet, from the rest of the sign, and finally another set around the top crowning edge of the sign. Both sides of the top edge have a sculpted element in the very center. A flat circle, presumably a representation of the sun, flanked by two snakes are set on a pair of large wings spreading to either side. This element is ambiently lit from underneath. The text, which spells "Luxor," is composed of polished gold channel letters, with closed faces with graphic treatments in blue upon the faces. The faces are painted to appear if the letters are faceted into three dimensions. They are lit from behind with whit neon creating a halo effect around the letters. The surface of the actual structure is finished to appear as if it is constructed of limestone, utilizing false joints and seams. The south end of the property close to the street is the four-sided obelisk. The text on the obelisk is the same word treated in the same fashion, structurally and aesthetically, as the pylon sign. The only difference is that it reads vertically from top to bottom. Statuary adorn the base of the obelisk in a repeating pattern as well as it being covered in hieroglyphic patterns. A tunnel allows for the pedestrian to pass underneath the obelisk. The porte cochere is located underneath the body of the Sphinx, another use of the architecture to incorporate the pedestrian element. If you head east through the sphinx, a tunnel opens up into a small courtyard where a shuttle bus may be caught. The ceiling of the porte cochere is adorned with a circular chandelier, composed of metal representations of leafy branches radiating around a rounded center. The ends of the arms hold length-wise half cylinder lamps. The ceiling above is painted blue. The most spectacular element of the Luxor is its super powerful light in the place of the capstone at the very peak. The beam is one of the most powerful lights in the world, and can be seen from high above into the earth's atmosphere as well. The edges of the pyramid are also raceways, which can be seen in action in the dark. An animation of bulbs makes it appear as if a single bulb of light streams up the base to the very peak. The animation runs at an interval of every couple of seconds. On the very south edge of the property, actually on the southeast corner, is a sculpted, small pylon which houses a color led screen.
Sign - type of display: Neon
Sign - media: Steel; Masonry
Sign - non-neon treatments: Plaster
Sign animation: Chasing
Sign environment: Standing next to the Mandalay Bay on the west side of the southern end of Las Vegas Blvd, the Luxor's front exterior is a sprawling mass of smooth vertical planes turning into eloquent statue and stucco walls. They are interlaced with drives and signage complete with a platform at the base of the Sphinx, which is just east of where the valet and porte cochere are grounded in the base of the beasts belly. From the edge of a Platform a tram station is located and also a view of the signage can be seen as well. The Luxor's environment is a very pedestrian one as well. Being in an isolated part of the strip, the noise clutter brought about by the surging traffic is considerably better than the heart of the strip.
Sign designer: Veldon Simpson
Sign - thematic influences: The theme of the Luxor is obviously that of ancient Egypt. The Ancient Egyptian imagery is placed among the same images but represented in the shiny black glass, giving a touch of future meets the past. The image seen are some of the most commonly seen images when talking about the Ancient Egyptian culture. The Sphinx stands guard at the base of the giant black pyramid, one sign is attached to an obelisk. Various statuary adorn the entire plaza. The environment created with the motif obviously fits into the desert like dust, but still retains the surreal nature associated with the themed hotel. The aesthetics appear to be fantastic, but are a bit odd due to the arrangements and limitations on space. It does however fir into an interesting sub category of resort that is themed around a culture. Yes it is themed around a city, but the culture shines through with more dominance. Another example of this is the Imperial Palace. It is not necessarily themed after a particular city, but the architecture and imagery suggests the Asian culture.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Pylon; Fascia; Porte-cochère; Neon; Steel; Masonry; Plaster

Photos show Treasure Island signs during the day and at night. Two surveys were conducted to gather information about this sign. One was conducted in 2002 and one was conducted in 2017. PDFs are available for both surveys. See the 2017 survey PDF for additional information that is not included in the object description.
Site name: Treasure Island Hotel and Casino (Las Vegas, Nev.)
Site address: 3300 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: Next to the Mirage, this property complements its sister property
Sign condition: Structure 5 Surface 5 Lighting 5 Signage is in good condition
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The Treasure Island Hotel and Casino sits between the Mirage and Spring Mountain road. Fitting right into the themed hotel resort genre that dominates this side of the strip, the Treasure Island provides one of the more unique facades. Just past the bust of Siegfried and Roy, the dense foliage and trees continue on almost fluently between properties. The first elements you see headed north is the giant sculpted pylon for the resort, set beside a sweeping incline drive, leading to the porte-cohere. The pylon is a collection a heavily crafted and sculpted elements, creating a framework for two message cabinets and a marquee banner on either side. At the base, steel poles exit the ground in a "V" shape, into the interior of the area designated for the LCD and backlit cabinets. Steel poles forma grid work between the "V" shape. The message boards are bordered by steel piles made to appear as if they are pieces of bamboo lashed together at the corners, extending past the joints in an irregular fashion. Two base poles and inner grid are finished in the same fashion. Above the message cabinet a three-dimensional sculpted crows nest sits just below a giant skull adorned with a scarf. The tip of the bottom of green finished crows nest just reaches the top of the two cabinets. The fully three dimensional skull is finished in a realistic fashion. Two giant swords cross each other in an X pattern behind the crow's nest and underneath the skull. The resultant effect is the pirate emblem of the "skull and cross bones" or "jolly roger." The hilts of the two swords come to rest on top of the message centers also. A grid work of false bamboo poles can be seen , providing a buffer between the two halves of the sign. Above the head of the pirate an arched steel cabinet ,creates a banner, which reads "Treasure Island" in white channel letters and filled with incandescent bulbs. Decorative scrollwork adorns the top of the banner as well as the two sides of the skull. The Treasure Island tower is also in the popular Y shaped configuration. The 38 story building stands 456 feet tall, with the text hung on the top of the tower in a couple of different fashions. On the face created by the north and southeast wings of the tower, Treasure Island is spelled in giant channel letters, but the two words are in close proximity to each other, resting in the angle created by the joining of the two wings into the center structure. The southwest face created by the west and southeast wings have the text separated. Treasure on the west towers and island on the southeast tower. The northwest side is appropriately displayed only on the north face of the wing, so the southbound traffic on I-15 can read the letters clearly. The Treasure Island also has two additional signs located toward the back of the property. Those would include a small pylon facing east west actually situated in the rear of the property. The pylon is a simple square supported with two square posts. The other resides on Spring Mtn Rd. headed east on the south side of the street. It resides on the corner of the main traffic flow from the parking garage and inner sanctum of roads leading to the porte- cochere.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The only animation present is in the channel letters themselves. The incandescent bulbs on the interiors oscillate wildly
Sign environment: The front spectacular of the pirate show truly creates the theme of the pirate island, and is where most of the pedestrian traffic for the hotel is present. The pylon is just south of the spectacular, towering high overhead. The Treasure Island's environment is abruptly halted by Spring Mtn road but at the same time, it also wraps the corner of the hotel, and continues west. It is the bookend piece to the other major MGM resorts, which reside south of the Treasure Island. Even though it is a smaller child of the bigger properties, it still looms as a giant to its neighbors the Vagabond and Tam O'Shanter
Sign manufacturer: Atlandia Design
Sign - date of installation: 1993
Sign - thematic influences: The theme of the Treasure Island is painfully apparent, from its name to its live pirate show. The signage truly reflects it as well. Treasure Island is definitely in the class of properties, which can be called a themed resort. The main pylon looks to be constructed out pieces of a wrecked ship, with the most commonly seen symbol for a pirate, in the Jolly Roger skull, being the most impactful piece up there. Steel beams are finished to look like wooden masts, and giant ropes, slinging the entire sign together. It utilizes the three dimensional aspects, yet retains the design of a pylon. Unlike its neighbor to the south the mirage, the Treasure islands theme encompasses the main pylon, with the exception of the pylon in the rear of the property. The surroundings, which provide the background for the pylon, as well as the environment for the property, reflect them as well. The landscaping boasts tropical plants emitting false bird noises, which stretch around to the face of the property, where the pirate village and ships reside in cold waters, and faux cliffs. The wooden planks resembling pier docks, provide a tidy border for the arena and spectators. The theme has been seen before in one sense or related from a slight distance. None has actually utilized the name of the novel, and been so garish with the pirate theme, but it can be tied to propertied that are more island, and paradise themed. Such properties include the Mirage, the Tropicana, and the Castaways.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Backlit; Steel; Plastic; Paint; Graphics

Daytime views of the Somerset Shopping Center sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 252 Convention Center Dr
Sign form: Pylon
Sign-specific description: The sign is designed out of a blue pole, telescoping upward, spearing three double backed cabinets stacked on top of each other in close proximity. Two small wings flagpole of the north and south edges of the pole, which houses graphics advertisement for the businesses in the shopping center. The top sign is an oval cabinet, painted a light blue color on the surface and yellow on the width. The text, "Somerset" is painted white all capital letters, and outlined in black. The text that occupies the cabinet takes up most of the available space and is overlaid with neon tubing. The middle cabinet is the largest of the three. It is a rectangular shape with concave sides. The sides look as if a low sweeping cut has been taken out of the body, starting from edge to edge. The result is a symmetrically morphed geometric shape. "Shopping" is spelled in all capital channel letters, painted white on the interiors, and lined on the interiors with neon tubing. The surface is painted a rusted orange with the width painted yellow. The width of the cabinet is lined with a single row of incandescent bulbs on opposite edges. The bottom and third cabinet is identical to the oval shape of the top cabinet. The difference is that the surface of the cabinet is painted the same rusted orange color as the middle cabinet, and yellow on the width. The three cabinets are encircled with a giant circular, yellow, raceway, reaching up in the sky arching up over the top and completely encompassing the cabinets facing east/west. Blue rods radiate outward, repeating around the edge of the raceway at various lengths. They penetrate the surface of the raceway, protruding on both sides. They start at the top one vertical rod pointing directly vertical into the sky from the center pole. They then alternate, short then long, attached to various strategic points on the three central cabinet, creating a symmetrical pattern. The rods are lined on two edges with neon tubing, which animate in a chasing pattern.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing, oscillating
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Oscillating; Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint

The Beauty Bar sits at 517 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 517 Fremont St
Sign owner: Darin Feinstein and Corey Harrison (From Pawn Stars)
Sign details: Building originally constructed in 1988 for a retail store. The Beauty Bar franchise was founded in 2004 in New York City. The bar in Las Vegas used to be owned by Paul Devitt, but in 2014 is when Darin and Corey bought it and did some renovations. During the day they offer manicures/pedicures while serving cocktails, but at night function as a bar and concert venue with cool retro 1950s/60s salon style chairs and colors.
Sign condition: 3-4 During the day the sign looks faded and rusted over. At night the light does not beam as if it is a new sign either.
Sign form: Cabinet mounted to building
Sign-specific description: On the building there is a white oval shaped plastic sign saying Beauty Bar. Right above the doors there is a Salon of Beauty in channeled white block type letters. Both signs illuminate pink.
Sign - type of display: Neon and backlit sign
Sign - media: Steel and plastic
Sign - non-neon treatments: Backlit sign in plastic
Sign environment: Located in the Fremont Street East District surrounded by other bars and restaurants.
Sign - date of redesign/move: c. 2014
Sign - thematic influences: The bubbly pink backlit sign almost is the same shape as a painters pallet, so it shows an artsy theme since some consider doing hair and manicures as artwork as well
Sign - artistic significance: The "Salon of beauty" letters each have their illumination contained due to the metal channeling for each letter. The sign does have a retro aspect with their sign not looking totally brand new which extenuates the theme of an old beauty salon that you would see in the 50s or 60s.
Survey - research locations: Beauty Bar Website, accessor's office
Survey - research notes: Paul Devitt, the previous owner, actually started the chain of Beauty Bars in New York in 1995. He still has a part in the ownership in the other location he opened in N.Y., L.A., San Francisco and Chicago.
Surveyor: Emily Fellmer
Survey - date completed: 2017-08-14
Sign keywords: Backlit; Plastic; Steel; Neon; Fascia; Cabinet; Building-front design

Information about the Crystal Palace that sits at 4680 Boulder Hwy.
Site address: 4680 Boulder Hwy
Sign owner: Tim Poole
Sign details: The building was constructed in 1977 for this Skating Center. This skating center opened during the prime skating rink roller age of the 70's/80's. The Crystal Palace does have a second location in North Las Vegas on Rancho built in 1981 which is ran by Larry & Judy Sandord though still under Tim Poole's company. Crystal Palace holds birthday parties, themed nights and open skate for all ages.
Sign condition: 4- has had some weathering over the ages.
Sign form: Pylon and building signs
Sign-specific description: On Boulder Hwy they have a roadside sign that has a yellow steel base with a yellow curved sign box that is lined with yellow incandescent light bulbs. Inside this box is a back lit plastic sign that states "Crystal Palace" in a retro 1970's/80's double lined font. Within the two words there is a red circle that showcases a navy blue pair of roller skates and then states "USA" in white letters within the red circle with two white stars on either side of it. On both sides of the building there are thin red steel words "Crystal Palace Skating Center" that is down lit by LED lights.
Sign - type of display: Incandescent, LED and backlit plastic sign
Sign - media: Steel and plastic
Sign - non-neon treatments: Signs on building up lit by LED lights and the roadside sign is backlit plastic
Sign animation: Flasher for incandescent light bulbs
Sign environment: On Boulder Hwy towards the East side of Las Vegas. There is an RV lot across the street as well as other shopping centers.
Sign - date of installation: Has been up sine at least 2007
Sign - thematic influences: The roller skate image on the sign shows symbolism for what kind of company it is, as well as the font makes you think of the classic 70's/80's roller rink style.
Sign - artistic significance: The double lined font is very 1970/80s roller rink/ video game style (similar to SEGAs logo).
Survey - research locations: Assessor's page, Crystal Palace website http://www.skatevegas.com/ , google maps satellite and road view
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-06
Sign keywords: Incandescent; Backlit; Plastic; Steel; Flashing; Building-front design; Pole sign

The Cash For Cars sign sits at 1716 Fremont Street in Downtown Las Vegas. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1716 Fremont St
Sign owner: California Auto Sales
Sign details: This location was built in 1971
Sign condition: 3- The sign has a lot of damage on the road side of the sign.
Sign form: Pylon that has characteristics of a blade
Sign-specific description: This roadside pylon has a long yellow thin round base that the sign hangs off of like a blade. It has 4 pieces of steel that connect it to the red portion of the sign. The main portion of the sign is all outlined in a red steel rectangle that contain incandescent light bulbs. Then from the top down there are 8 plastic rectangles that are back lit by reader boards that each say something different but all in the same font. The first one is a silhouette of a car followed by "Cars", " Direct", another silhouette of a car, "Great", "Deals", their phone number , then their address. Below the plastic back lit signs is a round steel sign with white painted letters stating, "Cash for Cars" in neon. This circle has a white border in incandescent light bulbs as well.
Sign - type of display: Neon, Plastic, incandescent and a plastic reader board
Sign - media: Steel and plastic
Sign - non-neon treatments: Backlit plastic portion of sign and reader board
Sign animation: Chaser for incandescent light bulbs
Sign environment: This location is on the east side of Fremont near Bruce St. and has many different motels near it, but is close to a residential area.
Sign manufacturer: YESCO
Sign - date of installation: Has been up since at least 2007
Sign - thematic influences: This sign has similar traits to the Genuine Auto Parts sign.
Survey - research locations: Assessor's page, google maps satellite and street view
Survey - research notes: On google maps road view you can see the sign in the 2007 view but it must be a lot older than that since even in that year it had quite a bit of damage but no other photos or records were found finding its exact year of installation.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-27
Sign keywords: Blade; Neon; Plastic; Incandescent; Chasing; Reader board; Pole sign