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Transcript of interview with Elbert Edwards by Ronald Johns, 1972
On an unspecified date in 1972, Ronald Johns interviewed Elbert Edwards (born 1907 in Panaca, Nevada) about his life in Southern Nevada. Edwards first talks about his family’s move to Panaca, Nevada in 1864 and talks briefly about his work in Las Vegas public schools during the Great Depression. The two also discuss the Boulder Dam, Edwards’ involvement in politics, and mining in Nevada. He also talks about the cost to build a home in Las Vegas in 1936, the development of Boulder City, and the way of life in the small town of Panaca. The interview then moves on to the topics of the early territorial boundaries of Nevada and Utah, the atomic testing at the Nevada Test Site, and early water sources in Southern Nevada.
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Transcript of interview with Russell K. Grater by James M. Greene, November 25, 1974
On November 25, 1974, collector James M. Greene interviewed Russell K. Grater (born November 16th, 1907 in Lebanon, Indiana) in his home in Boulder City, Nevada. This interview offers an overview of the United States Park Service. Mr. Grater also offers an overview on the history of housing developments in the Las Vegas Valley and Nelson Township. The interview concludes with discussion on the leaf system of local plants.
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Transcript of interview with Bunny Harris by Kenneth Young, February 28, 1979
On February 28, 1979, collector Kenneth P. Young interviewed office manager and real estate broker, Mrs. Bunny Harris (born November 21st, 1920 in Snyder, Texas) in her home in Las Vegas, Nevada. This interview offers an overview of the history of Las Vegas, including transportation, mining, farming, ranching, and housing. During the interview, Mrs. Bunny Harris discusses the Elks Club, Cashman Field, McCarran Airport, Howard Hughes and Nellis Air Force Base.
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Transcript of interview with Kate Hausbeck Korgan by Claytee White, February 3, 2010
Kate Hausbeck Korgan was raised and educated in Buffalo, New York. In 1995, after receiving her doctorate in sociology from University of Buffalo, her job search brought her to the University of Nevada, Las Vegas. It was a great fit and she tells of falling in love with the school, the city, and the John S Park Neighborhood. Kate retells the story of the house where she and her family reside. It's original owners were the Gambles who built the house in 1936. It was the second house built in the neighborhood and is the only inhabited adobe house in the city. The house is located on the fringe of John S. Park Neighborhood, about a block off the Strip. Though the location creates traffic that she doesn't like, it is not enough to cause her to move. She describes the newer generation of residents and the changes as the number of school aged children increased. Kate's perspective includes what she describes as the ebb and flow of the community, the beginning of First Fridays, the
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Edith Leavitt interview, February 7, 1977: transcript
On February 7, 1977, collector Enrico Messina interviewed Edith Leavitt (born April 12th, 1924, in St. George, Utah) at her home in Las Vegas, Nevada. In this interview, Mrs. Leavitt talks about teaching in Southern Nevada, including in the Virgin Valley and in Las Vegas. She also discusses the changing education system in Southern Nevada during her time as an educator.
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Nick Robone oral history interview: transcript
Oral history interview with Nick Robone conducted by Claytee D. White and Barbara Tabach on December 21, 2017 for the Remembering 1 October Oral History Project. In this interview, Nick Robone, born and raised in Nevada, details his process of healing after being shot during the 2017 Las Vegas mass shooting at the Route 91 Harvest music festival. He discusses the events of that Sunday night and how he has learned to view life in a more positive light. Robone mentions various coping mechanisms that have helped him, including being open about his experience and talking about it with other survivors as well as pursuing his passions.
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Film transparency of the ruins of the H. D. and L. D. Porter Brothers Store, Rhyolite, Nevada, November 25, 1948
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Photographs of Madame Tussaud's signs, Las Vegas (Nev.), 2002
Site name: Venetian (Las Vegas, Nev.)
Site address: 3377 S Las Vegas Blvd
Sign details: Madame Tussaud's Wax Museum is located inside the Venetian Hotel and Casino. Located at the southern end of the property, it is tucked away at the end of a long stretch of escalators. Even though it is not in complete plain view, the facility is directly in the line of pedestrian traffic. The escalators serve as one of the main causeways into the Venetian for the traveler headed north on the east side of the strip. The facility is also advertised by an architecturally integrated building sign, and an LED screen that are in plain view from the street. A the end of the bay of escalators, a platform folds out, containing the vibrant entrance to the Wax Museum. Flanking the large opening designated as the entrance, are six free standing sculpted cabinet, advertising for Madame Tussaud's, lining up three on either side of the door. Standing underneath the entry, are a cast of ever rotating wax figures of celebrities. Just beyond the wax sentry, six more sculpted cabinets are present on other side of the pedestrian leading up to a ticket counter. On the ceiling above the pedestrian is an array of sculpted elements that are adorned with incandescent bulbs and neon, all leading up to the afore mentioned counter.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing
Sign environment: Madame Tussaud's holds the unique position of being elevated above the street, within the Venetian. Located at the top of a bank of escalators, the museum is positioned so that it is the dominating force upon the pedestrian with its immediate area. With careful examination it is evident that the it resides in the Venetian, but has tight hold on it's claim of space. Even though the location is somewhat hidden, it is a present force, and alongside a series of moving walk paths, generating a high frequency of vibration.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The theme of Madame Tussaud's revolves around the theme of what the establishment provides. The main attraction is of course the lifelike imagery of celebrities sculpted in wax. The establishment draws from the theme of celebrities and stardom in design. The advertisement cabinets, which line the entry to Madame Tussaud's, are shaped to reference this. One set is crafted in the shape of a stylized star, while the others appear as street side movie posters seen in theatres or propaganda. The feel of them, to sum up initially, is classic "Hollywood" movie opening extravaganza. The star shapes and jutting channels on the ceiling of the entrance are other references to stars as well as the feel of electricity. These too can be associated with "movie star" like elements such as the Hollywood walk of fame, with it's star shaped crests, references to celebrities as "stars," as well as the a fore mentioned flavor of a movie opening or extravaganza.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Fascia; Neon; Incandescent; Steel; Plastic; Graphics; Paint
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Photographs of Excalibur signs, Las Vegas (Nev.), 2002
Site name: Excalibur Hotel and Casino (Las Vegas, Nev.)
Site address: 3850 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: The Excalibur Hotel and Casino sits on the NE corner of Las Vegas Blvd and Tropicana Ave. While the main attraction is the brightly illuminated fantasy castle facade, the two giant multimedia pylon signs flank the property along the streets. One, on the South side of Tropicana, faces East /West, while the second sits on the West Side of LV Blvd, and faces North/South.
Sign condition: Structure 5 Surface 4 Lighting 5
Sign form: Pylon
Sign-specific description: The two pylons are identical in design. They are both double backed, pylons containing animated incandescent Excalibur logos, neon borders, an animated, color, matrix message center, and a two dizzying renderings of jousting knights, constructed completely of neon, on either side. Constructed to appear as a medieval castle facade themselves, the signs are finished in stucco to appear as if built with stone blocks. The scroll shaped main logo sign box, the outline of the logo, the spires, and sword, are all outlined in neon. The 10'-6" channel letters contain white incandescent bulbs that animate.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing, flashing
Notes: The Excalibur logo, which is comprised of incandescent bulbs, displays a two part chase animation from left to right over the entire text, then in sequence, displays a flashing animation over the entire word before starting the pattern over again.
Sign environment: The two pylons are both in parking lots of their respected positions. Pedestrians may walk up to the one located in a public lot on Tropicana Ave.
Sign manufacturer: Sign Systems, Inc
Sign designer: Brian K. Leming
Sign - date of installation: 1989-1990
Sign - date of redesign/move: The backlit plastic message board and old electronic message center, have been replaced by a single, giant animated, color electronic message board.
Sign - thematic influences: Excalibur capitalizes on the King Arthur/Renaissance fair theme.
Sign - artistic significance: Artistically the sheer magnitude, construction techniques and the magnitude of the themed facade are sincerely significant in the artistic developments of sign making. The pylons directly reflect those elements.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Flashing; Pylon; Neon; Matrix; Incandescent; Steel; Paint; Graphics
Mixed Content