Alice Ward Boyer arrived in Las Vegas from Oklahoma in 1937. Her brother and former husband came earlier to escape the dustbowl depression and get settled. In the middle of the summer, just at dusk, she emerged from the train at Kingman, Arizona with her two small children to meet her family and drive through the darkness to her new home in Las Vegas. Although she missed the trees of the Plains, she soon became accustomed to her desert home. Her recollections revive the older Las Vegas when community life characterized the small town. At the heart of her story is the Mesquite Club. The non-partisan civic activities of the Mesquite Club are part of a national history of women’s club voluntarism in the nineteenth and twentieth century United States. Founded in 1911, this pioneer Las Vegas women's club played an essential role in the development of the growing town. When few cultural or social services existed, the club raised funds for the first public library, developed parks for the city, and provided services and funding for the aged and youth. The Mesquite Club, along with the Parent Teacher Association, scouts, and church activities formed a network of community relations commonly found in developing towns and cities, but not ususally associated with Las Vegas. Alice Boyer joined the Mesquite club in 1944. She first served as the chair of the Garden Committee, then "went right up through the chairs," and was elected President of the club for 1958-59. (See Table of Offices Held). Speaking about the Mesquite Club founders, Alice Boyer said, “They were very forward-looking women. They knew that the town would grow and they wanted the best for the town.” As one of the second generation of members, she has found the club to be a continuing source of congenial social life and civic community building. Born in rural Oklahoma, she spent her early years on a ranch. Her parents met there shortly after "the run to open Oklahoma" around 1892. They met, married and had twelve children, nine of which survived. Alice came right in the middle. She spent her early years riding horses, wearing “overalls," and spending as much time as possible outside. The family moved into Clinton, Oklahoma for better schools for their children when she was in the fifth grade. Alice graduated from high school just as the Great Depression began and worked briefly at a newspaper before marriage. At the time of the interview, Alice Boyer’s vivaciousness, gracious manner, and sharp memory belied her 82 years. This interview has been produced with the assistance of the Mesquite Club and the History Department of the University of Nevada, Las Vegas. It is part of a series on women community builders in Las Vegas. The transcript has been edited only slightly for clarity while the syntax and style of the narrator were retained.
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Deanna Stefanelli and her family moved to Las Vegas when her husband John Stefanelli accepted a position as a professor in Food and Beverage at UNLV. She took a part-time job in the admin office of the university's library in 1981. It was also an ideal time for her to return to college to finish her degree. Eventually she became full-time and enjoyed the growth and change of UNLV and the library. Deanna recalls the physical and personnel changes of the library. She describes some of the fun activities that kept them a close work community—from the Friends of the Library to book sales and pancake breakfasts, to a newsletter and learning to make sushi with Myoung-ja Kwon.
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F. Andrew Taylor has been a Las Vegas resident for over 20 years, moving to the city by way of New England and Georgia at the age of 28. Armed with a degree in painting from the Swain School of Design, got a job at a Laughlin casino as a caricature artist. After a brief stay in Laughlin and Bullhead City, Andrew moved to Ward I, where his girlfriend, now wife, lived. They soon moved to the Spring Valley area, where Andrew later learned through conversations with neighbors and his own research that the home sat on what was the old Stardust Racetrack. With Andrew’s move to the city came new professional opportunities. He got a job at CityLife as the in-house artist and graphic designer, what was then apart of Wick Communications. After a year, Andrew began reporting, initially working for the Sunrise/Whitney paper, and eventually working the downtown beat. Always feeling the pulse of the local arts and culture scene, he has attended First Fridays since it started, continues his own art,
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