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UNLV Libraries Collection of Gaming Artifacts and Ephemera

Identifier
MS-00110
Abstract

The UNLV Libraries Collection of Gaming Artifacts and Ephemera (approximately 1863-2012) is comprised of Las Vegas, Nevada casino gaming artifacts; games such as Pai Gow, Las Vegas themed board games, Piquet, and punchboards; and ephemera items about gaming. The collection contains postcards and newspaper clippings advertising for casinos in Puerto Rico, the United Kingdom, the Bahamas, France, and California. The collection also contains information on gaming legislation in Europe and the United States, writings on gambling systems, gaming tickets, and various pamphlets on how to play different games such as roulette and baccarat, as well as several decks of souvenir playing cards, dice, and buttons.

Archival Collection

Transcript of interview with Brian Block by Diane Spero, February 27, 1979

Date
1979-02-27
Description
Diane Spero interviews her neighbor, Brian Block, born in Chicago in 1945, about the construction business, community planning, architectural design, and his personal feelings in regards to the development of the Las Vegas area. Block also discusses legalized gambling, politics, mass transit problems, and other social and environmental changes in Nevada.

Text

Transcript of interview with Justin Beltram by David G. Schwartz, July 7, 2016

Date
2016-07-07
Description
Justin Beltram is a native Las Vegan who grew up on Sunrise Mountain and graduated from the University of Nevada, Las Vegas. Beltram entered the gaming industry in 2000 by becoming a slot analyst at The Mirage. He would later become both manager and director of slot operations and marketing at that property before becoming executive director of slot operations and marketing at Treasure Island. In 2008, Beltram moved on to become vice president of slot operations and marketing at Bellagio and in 2011 went to work at Marina Bay Sands in Singapore as vice president of slots. Beltram is currently the vice president of slot operations at the Las Vegas Sands Corporation, a position he has held since 2014. Beltram’s interview begins with a brief description of his background and his progression in the casino industry, including some of his early duties in slot analysis. Beltram also describes his experience in moving to Singapore, the differences between Las Vegas and Singapore, and how he eventually transitioned from a property role to a corporate role. He mentions some of his mentors throughout his career and also describes the qualities of both good and bad slot managers, from shift managers to higher management positions. He also discusses his different approaches to local and transient customers in addition to his dealings with slot vendors. Beltram also discusses his experience during the transition from the use of coin to ticketing in slot machines among other major changes in general to slot machines since he started in the industry. The interview concludes with Beltram’s thoughts on the future of slot operations, particularly skill-based gaming and amenities stations, and also a discussion on Beltram’s personal experience with gambling and his advice to young people who are interested in getting into the slot industry.

Text

The MGM Grand gaming area in Reno, Nevada: postcard

Date
1940 (year approximate) to 1990 (year approximate)
Description
From the Harvey's Hotel and Casino Postcard Collection (PH-00367) -- MGM Grand Hotel's gaming area in Reno, Nevada.

Image

Priscilla Alexander oral history interview

Identifier
OH-00018
Abstract

Oral history interview with Priscilla Alexander conducted by Norman Vallata on 1976 for the Ralph Roske Oral History Project on Early Las Vegas. Alexander was born in Southern California, and in approximately 1952 Alexander relocated to Nevada with her aunt and her uncle who worked in the gambling industry. During the interview Alexander discusses gambling ships in Southern California, early above-ground atomic testing, Nevada’s gambling industry, buffets in the early days on the Las Vegas Strip, and working for Howard Hughes.

Archival Collection