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Archie C. Grant Photograph Collection

Identifier
PH-00016
Abstract

The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.

Archival Collection

Claudine Williams Photograph Collection

Identifier
PH-00351
Abstract

The Claudine Williams Photograph Collection (approximately 2007-2009) consists of nine optical disks containing ninety-eight digital surrogate images dating between 1940 and 2000. The images primarily portray Claudine Williams in publicity images for various hotel and casinos Williams and her husband owned alongside prominent individuals, including Dean Martin, Hillary and Bill Clinton, and Robert Reich. Other images depict Williams in her youth and with her family members. Additional materials include images of Williams’ business cards, articles in various Las Vegas and Nevada magazines and newspapers on Williams, and images of properties Williams operated.

Archival Collection

Binion’s Horseshoe Club Photograph Collection

Identifier
PH-00318
Abstract

The Binion’s Horseshoe Club Photograph Collection dates between approximately 1940 to 1985 and contains black-and-white and color photographic prints and negatives depicting Benny Binion’s family, friends, and Binion’s Horseshoe Club, also known as Binion’s Hotel and Casino, Binion's Horseshoe, and Binion's Gambling Hall. Photographs of Binion’s family and friends show them posed at Binion’s casino property, Binion Ranch, and events including rodeos and the Helldorado parade. Binion’s Horseshoe photographs include views of street scenes and billboard advertisements featuring Binion’s Horseshoe, the Million Dollar Display, quarter horse sales, World Series of Poker events, Binion’s Horseshoe stagecoach, and celebrities visiting the property.

Archival Collection

Gay and Lesbian Community Center of Southern Nevada Photograph Collection

Identifier
PH-00410
Abstract

The Gay and Lesbian Community Center of Southern Nevada Photograph Collection contains mainly candid photographs of events and individuals affiliated with the Las Vegas-based Gay and Lesbian Community Center of Southern Nevada (GLCCSN) dating from 1993 to 2000. Photographs depict events honoring prominent members of the gay, lesbian, bisexual, transgender, and queer community; meetings at GLCCSN; and candidate nights for members of the community running for public office. The collection also includes a number of photographs of the Freedom to Marry celebration at the GLCCSN and the Gay Pride Las Vegas festival from 1998 to 1999.

Archival Collection

Archie and Zora Grant Papers

Identifier
MS-00137
Abstract

The Archie and Zora Grant Papers document the lives of Archie and Zora Grant from 1918 to 1973. Materials include scrapbooks, clippings, correspondence, records, certificates, and awards pertaining to Archie’s career in the Nevada Legislature, the State Board of Education, Las Vegas Housing Authority, and Las Vegas Chamber of Commerce.

Archival Collection

Las Vegas Founders Club Records

Identifier
MS-00789
Abstract

The Las Vegas Founders Club Records (1983-2013) consist mainly of photographic prints of players, general operations, and events surrounding golf tournaments in Las Vegas, Nevada. The tournaments include the Invensys Classic, Las Vegas Senior Classic, men's and women's Collegiate Championships, and the Las Vegas Invitational. Materials also include media press reports, newspaper and press clippings, and scrapbooks created by the Founders Club. The collection also contains digital photographs from various tournaments in Las Vegas.

Archival Collection

Transcript of interview with Ronald Simone by Claytee White, May 5, 2009

Date
2009-05-05
Description

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

Text

Daniel A. Moore interview, March 3, 1979: transcript

Date
1979-03-03
Description

On March 3, 1979, Norwood Germany Jr. interviewed Daniel A. Moore (b. 1939 in Fort Worth, Texas) about his life in Las Vegas, Nevada. Moore begins by speaking about his move to Las Vegas from Utah at a young age, his education and his work in construction and at the Las Vegas McCarran Airport. Moreover, Moore speaks about his involvement with church and his recreational hobbies such as bowling. Moore also spends time speaking about the African American population in Las Vegas, the jobs available to them, racial tensions in his young adulthood versus his children’s experiences, and the segregation of black communities into the Las Vegas Westside. Lastly, he talks about the city’s growth, tourism and the economy, the development of different shopping centers and malls, and the city’s law enforcement.

Text

Photographs of Davy's Locker sign, Las Vegas (Nev.), November 20, 2016

Date
2016-11-20 to 2017-08-22
Description
The sign for the permanently closed Davy's Locker dive bar sits at 1149 East Desert Inn Road. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1149 E Desert Inn Rd
Sign owner: Was Cindy Slight since 2010. Albert Hamika bought the property in 2016. Derek Stonebarger went to the property after they took the sign down and the fish portion of the sign is currently in his possession.
Sign details: The property was originally opened in 1968 by Davey Pearl, who was most known for being a boxing referee and later inducted to the World Boxing Hall of Fame. The actual opening date of the bar is unknown, but property records have shown that its building was constructed in 1968. The bar was known for the welcoming environment inside and inexpensive drinks. The sign itself drew people in because of its unique design. Right before their closure they started to have a variety of events taking place there such as: open mic night, trivia, and genre specific music nights. The current owners have demolished the iconic and beloved sign for the bar. The only portions that remain are white sign that reads "Cocktails" in red and the waves that the fish once "swam" above. The current owner of the property has told the Las Vegas Weekly, "I want to emphasize I wasn't like, 'Ok let's destroy this sign.' I like the sign, and I like the historic memorabilia"I tried. The only thing I can I can say is, it was time for it to come down." After hearing about this news Derek Stonebarger, who owns ReBar on Main Street, was distraught when he heard the news of the sign being taken down so he went to the property to find its remains. He hopes to restore as much of the sign as he can and possibly display it in a Nevada-themed restaurant he plans to open up.
Sign condition: Since the sign has been taken down it is a 0.
Sign form: Roadside pole sign
Sign-specific description: This sign was designed to look like a fish was swimming in the ocean. The top of the sign give the appearance of waves. A neon tube was attached to the implied waves. Underneath this was a large, white fish whose tail and nose extended beyond the confines of the square shape of the sign. The fish appeared to have a large smile and two smaller fish "swimming" beside it. One of these smaller fish was near the larger fish's mouth and the "L." The other fish was located right under the "ker" in "Locker." Both of these fish were a light blue color, the same blue that matched the wave on top of the sign and surrounded the larger fish. In the middle of the large fish that makes up much of the sign were the words "Davy's Locker" in bright red and an elaborate cursive style font. Neon tubes outlined these letters, as well as all three fish included in the sign. Underneath all of this is a neon tube in the shape of a wave that is difficult to see in photos of the sign during the day, but glowed brightly at night. Below this signage was a back lit plastic sign reading "Cocktails" in a red script and "Gaming Spirits Pool" under that in a sans-serif, bold, dark blue font. Extending from the top of the sign at the end near the street was a pole with two, small square signs attached to that. The top one was yellow and read "OPEN 24 HRS." The one below that was white and read "COLD BEER." There are other photos of this sign where the plastic portion of the sign reads "COCKTAILS" in red still, but "Slots Video Poker" in blue and "Package Liquor" under that in red.
Sign - type of display: Neon and backlit plastic sign
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic backlit portion
Sign environment: The surrounding environment of Davy's Locker was in a district that was close to UNLV as well as another popular bar that still caters to locals, Champagnes Cafe. It was located in a bustling area along to Maryland Parkway that locals travel on a daily basis. Davy's Locker was a popular watering hole for many people in the neighborhood due to its convenient location.
Sign - date of installation: Around the 1960's
Sign - date of redesign/move: It was first restored in 2011 and another time in 2014. Sign was taken down from the property in 2017.
Sign - thematic influences: The theme of the sign appears to take inspiration from the phrase "Davy Jones' Locker." This is a common phrase that refers to "the bottom of the sea" or even "the mythical resting place of drowned mariners." Davy Jones is also believed to be an evil spirit from the bottom of the sea; therefore, the sign shows the influence of these aquatic origins that possibly inspired the name of the property.
Sign - artistic significance: The theme of the sign is aquatic, which also ties into the name of the property. The name of the property appears to take influence from the myth of Davy Jones, the evil spirit of the sea.
Survey - research locations: Las Vegas weekly articles https://lasvegasweekly.com/as-we-see-it/2016/mar/23/beloved-dive-bar-davys-locker-sold-old-vegas/ https://lasvegasweekly.com/intersection/2017/jan/11/davys-locker-neon-sign-demolished/ https://lasvegasweekly.com/intersection/2017/jan/13/davys-locker-bar-neon-sign-recovered-stonebarger/ , Las Vegas Sun article https://vegasinc.lasvegassun.com/business/2016/mar/25/popular-dive-bar-to-take-a-breather-while-sports-b/ , Roadside Architecture http://www.roadarch.com/signs/nvvegas3.html , Phrase website http://www.phrases.org.uk/meanings/davy-jones-locker.html
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-08-22
Sign keywords: Steel; Plastic; Backlit; Neon; Roadside; Pole sign; Back to back

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