The Archie C. Grant Photograph Collection (1914-1968) contains black-and-white photographs of Nevada politician Archie C. Grant. The materials include photographs of Grant with the Las Vegas Housing Authority at groundbreaking ceremonies, the University of Nevada Board of Regents, and with other Nevada politicians. Materials also contain early photographs of the University of Nevada, Las Vegas campus, including the dedication of Maude Frazier Hall.
Archival Collection
The Claudine Williams Photograph Collection (approximately 2007-2009) consists of nine optical disks containing ninety-eight digital surrogate images dating between 1940 and 2000. The images primarily portray Claudine Williams in publicity images for various hotel and casinos Williams and her husband owned alongside prominent individuals, including Dean Martin, Hillary and Bill Clinton, and Robert Reich. Other images depict Williams in her youth and with her family members. Additional materials include images of Williams’ business cards, articles in various Las Vegas and Nevada magazines and newspapers on Williams, and images of properties Williams operated.
Archival Collection
The Binion’s Horseshoe Club Photograph Collection dates between approximately 1940 to 1985 and contains black-and-white and color photographic prints and negatives depicting Benny Binion’s family, friends, and Binion’s Horseshoe Club, also known as Binion’s Hotel and Casino, Binion's Horseshoe, and Binion's Gambling Hall. Photographs of Binion’s family and friends show them posed at Binion’s casino property, Binion Ranch, and events including rodeos and the Helldorado parade. Binion’s Horseshoe photographs include views of street scenes and billboard advertisements featuring Binion’s Horseshoe, the Million Dollar Display, quarter horse sales, World Series of Poker events, Binion’s Horseshoe stagecoach, and celebrities visiting the property.
Archival Collection
The Gay and Lesbian Community Center of Southern Nevada Photograph Collection contains mainly candid photographs of events and individuals affiliated with the Las Vegas-based Gay and Lesbian Community Center of Southern Nevada (GLCCSN) dating from 1993 to 2000. Photographs depict events honoring prominent members of the gay, lesbian, bisexual, transgender, and queer community; meetings at GLCCSN; and candidate nights for members of the community running for public office. The collection also includes a number of photographs of the Freedom to Marry celebration at the GLCCSN and the Gay Pride Las Vegas festival from 1998 to 1999.
Archival Collection
The Archie and Zora Grant Papers document the lives of Archie and Zora Grant from 1918 to 1973. Materials include scrapbooks, clippings, correspondence, records, certificates, and awards pertaining to Archie’s career in the Nevada Legislature, the State Board of Education, Las Vegas Housing Authority, and Las Vegas Chamber of Commerce.
Archival Collection
The Las Vegas Founders Club Records (1983-2013) consist mainly of photographic prints of players, general operations, and events surrounding golf tournaments in Las Vegas, Nevada. The tournaments include the Invensys Classic, Las Vegas Senior Classic, men's and women's Collegiate Championships, and the Las Vegas Invitational. Materials also include media press reports, newspaper and press clippings, and scrapbooks created by the Founders Club. The collection also contains digital photographs from various tournaments in Las Vegas.
Archival Collection
Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.
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On March 3, 1979, Norwood Germany Jr. interviewed Daniel A. Moore (b. 1939 in Fort Worth, Texas) about his life in Las Vegas, Nevada. Moore begins by speaking about his move to Las Vegas from Utah at a young age, his education and his work in construction and at the Las Vegas McCarran Airport. Moreover, Moore speaks about his involvement with church and his recreational hobbies such as bowling. Moore also spends time speaking about the African American population in Las Vegas, the jobs available to them, racial tensions in his young adulthood versus his children’s experiences, and the segregation of black communities into the Las Vegas Westside. Lastly, he talks about the city’s growth, tourism and the economy, the development of different shopping centers and malls, and the city’s law enforcement.
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