In 1976, Gene Greenberg decided to accept a job transfer with Donrey Media Group and relocated from Laredo, Texas to Las Vegas. Las Vegas was comfortable fit and for the next 30 years, he primarily worked in television ad sales. He rose to become executive vice president and general manager of KVBC-TV.
Significant to Gene’s ties to Las Vegas have been his ties to the Jewish community including his active involvement with Young Leadership, Jewish Federation, and Temple Beth Sholom.
Person
Jazz musician and restaurateur Gene Nakanishi is a second-generation native-born Las Vegan. In the 1920s, Gene's paternal grandfather worked on the Union Pacific railroad between what is now Zyzzx, California, and Las Vegas. After his oldest child died from lack of available medical care, the elder Nakanishi moved his family to Las Vegas and commuted to his work site. During WWII, when Gene's father was 17, the Nakanishi family was interned at the Heart Mountain War Relocation Center, near Cody, Wyoming.
Person
Las Vegas Jewish Film Festival was founded around 2001 by Joshua Abbey. It shows international films, including dramas, comedies, documentaries, and experimental films. The 14th LVJFF was held January 10 to 25, 2015 and was produced by Desert Space Foundation and the Adelson Educational Campus. Major support was provided by the Adelson Family Foundation, the Jewish Federation of Las Vegas, and the Israeli American Council.
Corporate Body
Slot Operations Oral History Project was made possible through the generosity of the UNLV University Libraries Advisory Board. The Oral History Research Center enables students and staff to work together with community members to generate this selection of first-person narratives. The participants in this project thank the university for the support given that allowed an idea the opportunity to flourish.In 2016, the Center for Gaming Research undertook a series of interviews with slot managers in order to capture the complexity and history of this position.
Corporate Body
The Scott Henry Photographs of the Las Vegas, Latinx Community (approximately 1983-2000) consist of 42 photographic prints depicting members of the Latinx community in Las Vegas, Nevada. Thirty-eight of the prints were used as part of a collaborative project between Scott Henry, photographer and editor for the Las Vegas Review-Journal, and Thomas Rodriguez, a prominent member of the Latinx community in Las Vegas, for an exhibit of the Las Vegas Latinx community. Henry and Rodriguez together planned who to photograph for the exhibit. The photographs demonstrate the impact that the Latinx community has on the region's political, economic, and social growth and development. A number of the photographs show early members of the League of United Latin American Citizens (LULAC), including John Mendoza, Delia Martinez, Tom Rodriguez, Bob Agonia, Corrine Gutierrez, Nick Flores, Grace Salazar, and Gus Ramos.
Archival Collection
Lee Cagely, an interior designer and professor who designed some of the most iconic hotels in Las Vegas, Nevada, was born in the Panama Canal Zone on January 31, 1951. His father Leo was a civil engineer for the Panama Canal Company and his mother Charlotte worked as a receptionist. After his father left his job in Panama, Lee spent his childhood in Dallas, Texas; Tulsa, Oklahoma; and Des Moines, Iowa. He started to attend Rice University for architecture, but he chose to leave before completing his degree. He returned to college a few years later and graduated from Iowa State University with a degree in interior design in 1975. While his first California jobs were in restaurant design, he quickly moved on to airports and hotels and moved to Las Vegas in 1990 after associating with Marnell Architecture. Cagley is known for his designs in the Rio All-Suite Hotel and Casino, Ceasars Palace Atlantic City, the Mirage, and the Bellagio Resort & Casino. He is currently Chair of the Iowa State University College of Design and is principal designer for Lee Cagely Design. Here, Cagley explains the importance of keeping the various pieces of the infrastructure of a resort—including landscape architecture, architecture, interior design, all kinds of HVAC [heating, ventilation and air conditioning] concerns, housekeeping, food service, maintenance, etc.-invisible in order to maximize the visitor experience. At the same time he illustrates through several examples how resort design does not happen in a vacuum-it is instead part of a complex team that works together to create the whole. He also describes the challenges the Las Vegas resort industry finds in creating the very best visitor experience for a broad range of groups-from Millennials to their Boomer grandparents and all the generations in between.
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Michael Tell, the youngest son of Jack and Beatrice Tell, is the publisher of the Las Vegas Israelite newspaper and the second generation of ownership. He briefly traces his Jewish ancestral roots back to Eastern European grandparents who settled in New Jersey and New York. He became a bar mitzvah in a conservative Jewish synagogue in New York City. At age sixteen, he accompanied his father, Jack Tell, westward to Nevada. The elder Tell was in pursuit of owning a newspaper and Mike was a perfect companion as Jack took over ownership of the Territorial Enterprise. Mike recalls it was a short lived venture and the family settled in Las Vegas, where his father went to work for Hank Greenspun at the Las Vegas Sun and then for Henderson Home News, owned by Morry Zenoff. In 1965, Jack Tell opened the Las Vegas Israelite. Meanwhile, Mike explored the lucrative business of concert promotions and opened a teen nightclub 1961 called the Twin Lakes Twist. He hired such talents of the era as Bobby Darin and Wayne Newton. Soon his business acumen grew and he moved Mike Tell Productions to Los Angeles. He tells the story of his last concert, booking Al Green, and being held at gunpoint. Then in 1979, he returned to work at the Israelite, which had a circulation of about 2000. The Jewish community was beginning to show signs of growth. He recalls running an ad in 1992 for High Holy Days services to be held at the Aladdin hotel. He used the word “Lubavitvh” in the ad and this sparked an interest in Las Vegas from the Chabad movement. He also recalls anti-Semitic episodes in Las Vegas, such as Ralph Englestad’s Hitler birthday parties and the presence of Skinheads. And he reflects on the changes in the community that he has observed over the decades.
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Oral history interview with Sandra Candel conducted by Elsa Lopez, Monserrath Hernández, and Barbara Tabach on October 03, 2019 for the Latinx Voices of Southern Nevada Oral History Project. Sandra Candel talks of her childhood growing up with her grandparents in Guadalajara, Jalisco after her mother immigrated to America. She moved to California to attend university before moving to Salt Lake City, Utah, where she raised her children and began homeschooling them. This path led to Sandra opening a Montessori school, igniting her interest in education. She talks of her pursuit of both a Masters Degree from Drexel University and a Doctoral Degree from the University of Nevada, Las Vegas (UNLV). Sandra concludes her interview with discussion of her research and current employment as a part-time instructor for the Department of Interdisciplinary, Gender, and Ethnic Studies at UNLV. Subjects discussed include: Guadalajara; Salt Lake City, Utah; Sensitive Teaching Practices; Multi-generational families.
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