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Transcript of interview with Barbara Agonia by Suzanne Becker, September 17, 2007, September 25, 2010, & October 2, 2007

Date
2007-09-17
2007-09-25
2007-10-02
Description

When Barbara Agonia arrived in Las Vegas in 1969 to pursue a Master's Degree in English, the University of Nevada Las Vegas was barely ten years old and the population of Las Vegas was just approaching 160,000 residents. At the time, she was 35 years-old and it was a decision and move that would forever change her life and higher education in Clark County. Barbara Agonia was born in St. Louis, Missouri, in 1934 to Robert Lewis Klinefelter and Suzanne Carter Klinefelter. At the time of Barbara's birth, her father worked for Brown Shoe Company in St. Louis. The family moved to Bunker Hill, Illinois when Barbara was still an infant. This was Mr. Klinefelter's hometown where a portion of the extended family still resided. In the late 1930s, Mr. Klinefelter got a job in a brass mill near Alton, Illinois, and he commuted there daily. When the United States entered World War II, Mr. Klinefelter tried to enlist in the army, but was rejected because he had two small children and because he worked in an essential industry. He decided to work in a non-essential industry and took a job at Montgomery Ward in Oak Park, Illinois. Barbara was in the third grade that year. Still unable to enlist, Mr. Klinefelter moved the family to Wabash, Indiana, and began working for General Tire in 1943. They moved to Logansport, Indiana in 1947. Agonia recounts that education has always been a significant part of her life, with the importance of a good education stressed in her life from early childhood forward. After graduating from high school in Logansport, Indiana, she attended Hanover College in southern Indiana, enrolling in 1952. Her educational experience at Hanover included a year studying abroad at the University of Exeter in Devonshire, England—an experience which Agonia credits as further cementing her commitment to education and her love of literature and language. She graduated from Hanover in 1957 with a double major in English and speech/ theater. Agonia spent her first years out of college teaching high school English, speech, and theater in west central Illinois and the next eight in northern Illinois. A little over ten years into her career, at the age of 35, she decided to pursue a Master's degree in English. Her sister, Martha, who at the time lived in Las Vegas, suggested checking into programs offered at the city's newly formed university. In 1969, Barbara moved to Las Vegas and enrolled in the English Department at UNLV. As Agonia was completing her degree in 1971, the community college system in Nevada was emerging and seeking faculty for the up and coming institution. Curious to know more about the new system, Agonia scheduled a meeting with the person in charge of hiring. Two hours later, she walked out with a contract in her hand, one of eight new faculty members at Clark County Community College, now known as College of Southern Nevada. In her early years with the college, Agonia did a great deal of public speaking on behalf on the newly formed system, promoting the new institution and reaching out to potential students. At the same time, she taught full course loads in composition and literature, and eventually became chair of the English department. Her new position and public speaking work on behalf of the college not only provided her contact with the local Las Vegas community, it ultimately became the catalyst in spurring her passion for community involvement, particularly working on behalf of women within the community. • • Vll As the 1980s approached, Agonia became actively involved in rape crisis education, at the urging of Florence McClure. Then, in 1980, Agonia was again in on the ground floor of community programming, when she and Beverly Funk, at the urging of Judith Eaton, the president of Clark County Community College, established a Women's Center on campus. The Center was initially set up to help women in a variety of life circumstances, including women who were wanting to return to school or who were new to the process of school altogether. The center eventually became the Re-Entry Center offering skill development, tutoring programs, and other forms of assistance for anyone interested in returning to school. In addition to her involvement in and commitment to public education, Agonia has also been involved in the Soroptimist International organization for business and professional women who work to improve the lives of women and girls in local and international communities. In the Las Vegas area, Soroptimist International of Greater Las Vegas worked to establish the Rape Crisis Center and the Center for Domestic Violence, which later became SafeNest. Agonia has been working with the organization since 1982. Through Soroptimist International, she also became involved in Friends of the Nevada Wilderness, an organization devoted to designation and long-term protection of Nevada's wilderness areas. As the representative for Soroptimist International, she traveled to Washington to lobby and testify in front of the senate for the establishment of Great Basin National Park. Agonia's work in the Las Vegas community over the past forty years has been significant. She counts Florence McClure, Geneva Douglas, and Jean Ford amongst her greatest influences. As she notes in her oral history, "I learned how to be radical from those women." She happily embraces the label of radical. This attitude surfaces throughout Agonia's experiences and recollections, and underscores her work and dedication to the interplay of local education and women's issues within Nevada.

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Transcript of interview with Liliam Lujan Hickey by Layne Karafantis, March 18, 2010, & March 25, 2010

Date
2010-03-18
2010-03-25
Description

Liliam Lujan Hickey is best known in the state of Nevada for being the first Hispanic woman elected to the State Board of Education as well as for the enormous contributions she made while serving from 1998 to 2000. For this, an elementary school in Clark County bears her name. Despite many obstacles, Liliam has continually dedicated herself to standing up for the causes she believes in, such as providing preschool education to the underprivileged, preparing youth to enter the workforce, helping other Hispanics run for office, and proving that with enough courage anyone can accomplish their dreams. Born in Havana, Cuba in 1932, Liliam led a sheltered life that revolved mostly around her studies at a French Dominican school. She met her first husband, Enrique Lujan, when she was only sixteen and they wed soon after. Enrique was twelve years her senior, owned many casinos on the island, and provided a luxurious existence for Liliam and their three children. However, this lifestyle abruptly changed when Castro assumed power in 1959 and Liliam and her family were compelled to relocate to the United States. In Miami, Enrique assisted other refugees financially, hoping that his wealth would remain secure in Cuba. He was wrong. This left the family destitute. In addition to casinos, Enrique had been Cuba?s coach for the Olympics. He moved the family to York, Pennsylvania, where he hoped to find work at the York Barbell Company. Liliam, who had been accustomed to having maids and nannies in Cuba, found herself doing all the housework while she also worked in a factory. The change could not have been more dramatic and the living conditions became unbearable. The family chose to move to San Diego in a Volkswagen Minivan with the hope for a better life. The next few years brought many transitions. Things did turn around in San Diego, and Liliam she recalls her years in southern California as some of the happiest of her life. Liliam found a job working at the Scripps Clinic in La Jolla. After a few years, Enrique found a job in Las Vegas and the family moved again. In Las Vegas, Liliam gave birth to her fourth child, Mary, and life once again became financially difficult for the family. In 1972, the situation grew worse with Enrique?s untimely death. Liliam was a widow at forty years of age. She had to teach herself how to drive a car, write checks, and perform financial tasks that Enrique had insisted on managing while he was alive. Determined not to give up, however, she worked tirelessly to keep the family together. Amidst all this, a friend introduced Liliam to Tom Hickey, and after a brief courtship they were married in 1981. Within a few years, Liliam became active in politics, running for the State Board of Education. Her campaign manager advised her that voters would not be receptive to photos of a Hispanic woman on billboards, and to capitalize on the name “Hickey,” which was a recognizable name because her husband was an assemblyman. She took the manager?s advice and was elected in that campaign and for two more terms, the maximum limit for the office. After the first race, she proudly displayed her face on billboards across the state. During her time at the State Board of Education, Liliam dedicated herself to helping all children receive a better education in Nevada, not only Hispanics. She co-founded the Classroom on Wheels [COW] program, which brought buses to poor neighborhoods to provide pre-school education. She established Career Day, which pairs high schools students with business professionals in an effort to help them make the transition into the workforce. While the COW program is no longer running, 8 Career Day still operates and awards scholarships in Liliam?s name annually, which helps youth receive the educational opportunities they need to succeed. And she involved Hispanic youth in Boy Scouts by bringing ScoutReach to the Las Vegas valley. Lujan Hickey worked in a wide array of other community organizations. In the 1970s, she began to work with Circulo Cubano, which later became the Latin Chamber of Commerce, and she would later belong to the National Chamber of Commerce. A longstanding member of the League of Women Voters, Liliam saw the need to get Hispanics more involved in politics in the state. Her story is one of great inspiration, and when asked why she does it, she simply replies with a smile, “I love life.” Hickey?s narrative offers the reader a glimpse of the experiences of the Cuban refugee experience in the U.S. in general. Specific to Las Vegas, it provides a rare story of the experiences of early Latinas in the political and economic development of Las Vegas in the last half of the twentieth century.

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Transcript of interview with Nancy Houssels by Caryll Batt Dziedziak, November 18 & December 14, 1998

Date
1998-11-18
1998-12-14
Description

What is the importance of dance? For Nancy Claire Houssels, it has simply shaped her life! Born on February 26, 1935 to Edith Darlene Wallace and William Edwin Wallace, Nancy grew up with three brothers in an athletic household in Piedmont, California. She began dancing at the early age of three and filled her childhood years with dance and synchronized swimming. After attaining a Bachelor of Arts Degree in Theatre Arts from UCLA in 1957, Nancy went on the road with the Hollywood Bowl; soon meeting her future dance partner, Francois Szony. Already known as one of the most respected adagio dancers in the world, Szony would become Nancy’s dance partner for the next ten years. The Szony and Claire adagio team rehearsed in New York City before heading off to their first European engagement at the London Palladium. The team spent the next few years appearing in London, Copenhagen, Paris, Vienna, Rome, Turino, Milan, Barcelona, and even Beirut. Their physical ability to perform breath-taking spins and lifts appealed to broad audiences; even those with little or no appreciation of ballet. After returning to the states, Szony and Claire performed in Miami, Puerto Rico, and throughout New York; including Radio City Music Hall, the Ed Sullivan Show, Carnegie Hall, and Madison Square Garden. In 1966, the dance team headed to Las Vegas, Nevada to appear with the Casino de Paris at the Dunes Hotel. Shortly thereafter, in 1968, Szony and Claire joined the cast of the Folies Bergere at the Tropicana Hotel. In May 1970, Nancy married J. Kell Houssels, Jr., then the President of the Tropicana Hotel. As Nancy likes to retell this moment, “Well, my husband fired me and we got married!” After more than thirty years of dancing, Nancy felt ready to end her professional dance career and looked forward to starting a family. Nancy and Kell subsequently had two children: Kelly Clair and Eric Wallace, and Nancy happily ‘inherited’ three stepchildren: Josh, Jake, and Leslie. The adjustment of shifting from a career characterized by a grueling work schedule to that of domestic life proved challenging for Nancy. She soon began looking for ways to involve herself in the community. Since the early 1970s, Nancy has lent her time and support to such diverse entities as Child Haven, Children’s Service Guild of the Clark County Juvenile Court System, National Conference of Christians and Jews, PBS Friends of Channel 10, Nathan Adelson Hospice, Meadows School, United Campus Ministry, Las Vegas Metropolitan Beautification Committee, McCarran Airport Arts Advisory Committee and the University of Nevada, Las Vegas Foundation. While Chair of the Nevada State Council of the Arts for seven years, she proved instrumental in establishing a Folk Arts program and expanding legislative funding for statewide arts programs. Nancy’s service to the community has been recognized with such awards as the 1985 Nevada Dance Theatre’s Woman of the Year, the 1988 Governor’s Arts Award - Distinguished Service to the Arts, the 1994 State of Nevada’s Women of Achievement, and the 1997 We Can, Inc.’s Chris Schaller Award for children’s advocacy. Although her days as a professional dancer had ended, Nancy never relinquished her love of dance. In 1972, Nancy joined Vassili Sulich in founding the Nevada Dance Theatre. As the principal dancer in the Folies Bergere, Sulich had organized a series of dance concerts for the Las Vegas community. Much to Nancy’s surprise, the Las Vegas community responded enthusiastically to the availability of ballet performances. Nancy quickly formed a volunteer board to raise the critically needed funding for this endeavor. She began with an evening fundraiser at her home, inviting a group of like-minded friends. This effort raised the initial fifteen thousand dollars that set the Nevada Dance Theatre on its way. In 1976, the company acquired its non-profit status and subsequently formed an academy to train children in dance. Nancy played an instrumental role in furthering the ballet company’s community outreach; creating such programs as Future Dance funded by the Lied Foundation. This program targets lower income children who attend at-risk elementary schools and provides them with free dance instruction…building self-esteem, confidence, and hope. In 1996, with a capital grant from the Donald W. Reynolds Foundation and land donated by the Howard Hughes Corporation, the Nevada Dance Theatre began drawing their plans for a world-class facility in Summerlin. Completed in 1999, the company now had a visible home within the Las Vegas community. Here, students from the Las Vegas community trained alongside the company’s professional dancers. Renamed in 1998 as the Nevada Ballet Theatre and with a new Artistic Director, Bruce Steivel, the Company continues to serve not only as a leading force for live performing arts, but also as a source of community outreach programs for children. Nancy continues to remain involved with the Nevada Ballet Theatre and currently serves as the Co-Chair of the Company. She believes her life experience reflects both the viewpoint of the artist and that of the audience. Indeed, her visionary leadership and love of dance has not only shaped her life but has nurtured the development of the cultural arts in Southern Nevada.

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Daniel Tafoya oral history interview: transcript

Date
2018-12-12
Description

Oral history interview with Daniel Tafoya conducted by Laurents Bañuelos-Benitez and Barbara Tabach on December 12, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Tafoya discusses his early life in Albuquerque, New Mexico. He talks about his father's life story, his educational experience with learning disabilities, and joining the United States Air Force. Tafoya describes his career in the military, and being stationed at Nellis Airforce Base. Lastly, Tafoya discusses with involvement with the Clark County School District (CCSD) and with the Latin Chamber of Commerce.

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Transcript of interview with Ronald Simone by Claytee White, May 5, 2009

Date
2009-05-05
Description

Musician Ronald Simone of Las Vegas credits his father’s guidance and his upbringing in New Haven, Connecticut, for shaping his musical and educational aspirations. Due to its proximity to New York City and the influence of Yale University, New Haven offered its residents the finest in musical entertainment; as a result, many musical greats were from or had lived in New Haven and most Broadway shows opened at New Haven’s Shubert Theater. Born in 1935 with the gift of perfect pitch, Simone began to play the piano at a young age and could play most pieces by ear. He began playing professionally at age eight in 1943 with a weekly stint on a radio show, Kitty's Revue. Still in grade school during World War II he began touring locally with an amateur producer, who formed a show that played military bases and hospitals around Connecticut and into New York and Massachusetts. In high school Simone formed his own trio and a quartet and played piano in gin mills, illegal card rooms, and resorts in upstate New York while playing trumpet in the high school band. He joined the Musicians Union at 18 and continued to play in New York and Connecticut clubs and theaters throughout his five years at Yale. During his second year at Yale the School of Music became a graduate school, from which Ron graduated in 1958. Ron’s sister Louise married one of his Yale classmates, a drummer, and the couple moved to Las Vegas. Ron visited his sister in 1959, loved the musical opportunities he saw, transferred his Musicians Union membership, and moved to Las Vegas with his friend, violinist Joe Mack, in September 1960. After sub work and playing a lounge show at the Riviera, he spent five and a half years in the Riviera showroom, moving in 1966 to the Desert Inn, where he played piano in the exclusive Monte Carlo Room for five years for the likes of Dean Martin, Sandy Koufax, Sammy Davis Jr., and Kirk Kerkorian. From there Simone went to the Dunes, where he remained for the next nineteen years working with choreographer Ronnie Lewis and rehearsing and playing all the Casino de Paris shows, line numbers, and production numbers. In July 1989, Musicians Local 369 went on strike. Because Simone was playing the Follies Bergere at the Tropicana—the first house band to strike—he was among the first musicians to walk out. Musicians at all but three Strip hotels (Circus Circus, Riviera, and the Stardust) followed. While the musicians strike lasted nearly eight months, Simone was recruited for sanctioned sub work for the duration at the Lido de Paris show at the Stardust. After the strike ended he worked with Johnny Haig's relief band playing six nights a week at various hotels.

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Transcript of interview with Sandra Peña by Lada Mead and Stefani Evans, March 27, 2017

Date
2017-03-27
Description

Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.

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Transcript of interview with Richard Steele and Zakeisha Steele-Jones by Claytee White, February 12, 2015

Date
2015-02-15
Description

Richard Steele became interested in professional boxing at a young age when he was introduced to world champion boxers Chalky Wright and Sugar Ray Robinson. He trained at Hoover Street Gym in South Central, Los Angeles, with trainer Eddie Futch. Richard joined and boxed for the United States Marine Corps and became Marine Corps Middleweight Champion in 1963. Born in Kansas City, Missouri in 1944 Richard and his family moved to Los Angeles, California in the early 1950s. His father was a bartender and his mother was an elevator operator. During the interview Richard’s daughter Zakeisha Steele-Jones discusses the various job titles her father has held, including professional actor and campus police officer. Most notably, Richard was the second Black professional referee in both Los Angeles, California, and Las Vegas, Nevada. A profound interview heralding key character traits, such as, perseverance, resilience, strength, and determination, Richard recalls being personally invited by Nelson Mandela to referee the WBC Convention in South Africa. Some of Richard’s most memorable title fights to date include, the Hearns and Hagler fight, Sugar Ray Leonard and Tommy Hearns, and four Mike Tyson fights. Zakeisha also interjects that her father currently manages and owns a boxing gym where he trains and mentors young Black and Hispanic aspiring boxing champions and referees.

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Lupe Avelar oral history interview: transcript

Date
2019-02-25
Description

Oral history interview with Lupe Avelar conducted by Marcela Rodriguez-Campo and Maribel Estrada Calderón for the Latinx Voices of Southern Nevada Oral History Project. Lupe Avelar describes her life growing up in Durango, Mexico on a family farm and her immigration to New Mexico as a teen with her brother before returning back to Mexico. Lupe talks about her marriage to Eladio Avelar and how the couple eventually moved to California as well as her circumstances of moving to Las Vegas. Subjects discussed include: cotton fields; cotton farming.

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Kaku Makino and Masako "Julie" Ishitsuka oral history interview: transcript

Date
2021-03-22
Description

Oral history interview with Kaku Makino and Masako "Julie" Ishitsuka conducted by Kristel Peralta, Vanessa Concepcion, Ayrton Yamaguchi, and Stefani Evans on March 22, 2021 for the Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Makino discusses his early life in Tokyo, Japan and becoming a chef. He recalls arriving to the United States in 1989, establishing the Todai (now Makino Sushi & Seafood Buffet) restaurant chain, and opening nineteen locations in California, Florida, and in Hawaii. Kano talks about her upbringing in Otsu, Shiga Prefecture, Japan and describes Japan during the Meiji era. She remembers arriving to Las Vegas, Nevada in 2000 and the cultural change she experienced. Lastly, Makino and Kano discuss the restaurant industry during the COVID-19 pandemic.

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Union Pacific Railroad Collection

Identifier
MS-00397
Abstract

The Union Pacific Railroad Collection (1828-1986) is comprised of the original corporate records of the Union Pacific Railroad's operations in Southern Nevada, Utah, and Southern California, particularly focusing on Las Vegas and Los Angeles. The collection documents the purchase of Stewart ranch and the construction of the original depot and town which became modern Las Vegas. The collection also contains the records of the Las Vegas Land & Water Company (LVL&W), a subsidiary of the railroad formed in 1905 to handle the railroad's land transactions. The collection contains office files, correspondence, reports, leases, various legal, governmental and financial document, the collection contains large and small format maps, architectural and engineering drawings, published technical reports, railroad operational manuals, bound legal briefs, ledgers, and payroll and receipt books. The collection also includes the personal files of Walter Bracken, the Union Pacific's special representative in Nevada and vice president of the Las Vegas Land and Water Company, and a paper index of the collection materials.

Archival Collection