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Sook-ja Kim, February 12, 1996 and April 6, 1996: transcript
The Kim Sisters, composed of three sisters, Sook-ja, Ai-ja, and Mia, came from Korea to Las Vegas in February 1959. Their first contract in America was to perform at the Thunderbird Hotel for four weeks as part of the China Doll Revue, the main showroom program. This engagement led to a successful career. Their popularity reached was at its height at the end of the 1960s when they performed throughout the United States and Europe. Sook-ja Kim is the oldest of the sisters. After his sister Ai-ja died in 1987, Sook-ja teamed up with her two brothers and continued to perform until 1989. Now semi-retired from show business, with occasional performances in Korea, she is working as a real estate agent. In this interview, she talked about her childhood, her career, and the family she has built since coming to America. Sook-ja was born in 1941 in Seoul, Korea as the third child of seven in a musical family. Her father was a conductor and her mother, a popular singer. After the Korean War, her mother arranged to send the Kim Sisters to America. When they came to Las Vegas, there were virtually no Koreans in the area. They depended on each other to take care of themselves. Some of the difficulties they had to adjust to in American were language, food, and cultural differences. Over the span of almost forty years in America, Sook-ja became acculturated without discarding her ethnic identity of family priorities. Her life-long guiding principle has been to adopt certain American values while continuing to keep her cherished Korean ethnic values. Through their performances, the Kim Sister informed the audience about Koreans and their culture. As the oldest of the group, Sook-ja was entrusted the care of her sisters, and later her brothers, the Kim brothers. Once she settled in Las Vegas, she brought more than forty members of her extended family to the city, contributing to the growth of the Las Vegas Korean community.
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Stavan Corbett oral history interview: transcript
Oral history interview with Stavan Corbett conducted by Nathalie Martinez on November 5, 2018 for the Latinx Voices of Southern Nevada Oral History Project. Barbara Tabach and Rodrigo Vazquez also participate in the questioning. Stavan Corbett is a member of the Latino community who has served as an educator and politician in Las Vegas. Growing up in Las Vegas, Stavan was exposed to various environments that all helped him shape his Latino identity. Stavan was able to appreciate the Catholic and Jewish cultures as well. During the 1970s and '80s his experiences with first and second generation Latinos played a large role in his identity formation, especially as a student. He was the first in his family to graduate from high school and college. Stavan worked in the hotel industry and moved on to work with troubled youth and eventually become a member of the Nevada State Board and the Clark County School Board. His continued work with the Latin Chamber of Commerce has also allowed him to be involved with the Latino Youth Leadership Conference. Subjects discussed include: Identity Struggle, Interracial Relationships, Working in the Hotel Industry, Clark County School District, and Cultural Assimilation.
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Photographs of Candlelight Wedding Chapel sign, Las Vegas (Nev.), 2002
Site address: 800 S 4th Street
Sign details: The Candlelight Wedding chapel is located on the corner, just north from the Riviera and in the same parking lot as The Algiers. The small white, wooden roofed structure sits just to the east of the street and the northern side butts against Stardust Rd . Outside, the corner is treated with grass, and landscaping, creating a pleasant environment to go along with the charm of the building as well. The low level pole sign faces north/west. The building has a small wooden cross, surrounded on the edges with white neon, on the top of the building, in the same fashion as the Little Church of the West. The style of the building is classic New England architecture
Sign condition: Structure 4 Surface 3 Lighting 3
Sign form: Pylon
Sign-specific description: The main sign for the candlelight wedding chapel is essentially a small pole sign with three separate sections of cabinets along with lighting elements. The white steel pole rises out of the ground ,before transforming into a large two sided marquee cabinet. The cabinet is crafted with sculptural elements into its outer edge. The four corners swell up and bulge, before slightly swooping inward. The top and bottom edges are climaxed into a shallow point. The sides sweep into the notch of a negative circular shape. The sides are given a scroll type feel. In two lines across the red face of the sign, Wedding Chapel is spelled is white text, occupying most of the space of the cabinet. Across the very bottom of the cabinet Wedding Information is spelled in an all white single row of text. The larger text is lined with incandescent bulbs and outlined in neon. The bottom line of text is just lined in neon. The pole protrudes through the top of the sign where a small horizontal, internally lit cabinet, sports sculpted edges as well. The top and bottom edges sweep from either side, then descend meeting at a point in the center. The sides are simply concave, radiuses inward. The white cabinet is lit internally, illuminating the white plastic face. Black text stretches across the plastic face, reading candlelight. Below the main cabinet two internally lit cabinet sandwich the pole, creating two faces. The cabinets are all white, with white faces, utilizing red letters. At the very top of the pole is a tree tiered formation created with raceways and lined with incandescent bulbs. One raceway rises vertically into the air perpendicular to the ground, while the two flanking pieces arch out created a three-pieced fountain shape. It is also reminiscent of a Fleur de Lis.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign animation: none
Sign environment: The positioning of the Candlelight Wedding chapel gives it a unique role as an accent of softness, among a bombardment of neon and pulsating lights. Just to the North, is the Algiers parking lot, and to the south, the Riviera. Directly west across the strip there is the ever electric Circus Circus. Amid all this chaos of incandescence, screeching cabs, and buzzing current, the green shrubbery and plot of turf finely houses the pylon, and leads up to the structure itself. It is very charming and fresh compared to. It definitely is reminiscent of the era of establishment such as its neighbor the Algiers.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the sign has little to do with the theme of the wedding chapel, and more so to do with the architectural theme, than the function of the establishment. The pole sign contains standard elements of local signage. The logo cabinet, and internally lit message center. It even contains the most common element of a raceway lined with incandescent bulbs. The sculpted edges of the pylon's logo cabinet are reminiscent of other cabinets with sculpted edges. The most famous reference to this shape seen in classic Vegas history, is the original corner fascia seen on the Golden Nugget. As far as being compared to the only other existing independent wedding chapel, its structure is similar, that being a small structure boasting a highly visible steeple.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic
Mixed Content
Photographs of Fun City Motel, Las Vegas (Nev.), March 1, 2017
Site address: 2233 S Las Vegas Blvd
Sign owner: Rick Trusdell and Chetak Development Corporation
Sign details: Originally the Glenn Vegas Motel in early 50's then the sign was reused for Holiday Motel in 1960's and later to the Fun City Motel circa 1970's to current.
Sign condition: This is rated a 2 since the structure is in semi-salvage condition. No treatment seems to have been done. The damage from the sun has left the bright red hue into a grayish purple color. Part of the neon lettering from Fun City is not in working condition.
Sign form: Pole
Sign-specific description: The Fun City Motel sign was installed in 1952. However, the sign has been used in other properties before it became the Fun City Motel. The Sign was first used for the Glenn Motel circa 1950's with a western theme. The reason why the Fun City Motel doesn't resemble Googie influence is because the original funky curvilinear shape was designed to be a peanut. The Glenn Vegas Motel sign included an illustrated rodeo cowgirl holding a looped rope towards the left end of the sign. In the middle top of the sign is a woman diver; towards the bottom of the sign is an outline of a pool with the word swimming pool in the middle. The peanut shape is painted black. In-between all the designs; in large letters Glenn Vegas Motel is written in white with the female diver drawing separating the two words. Underneath the peanut shaped structure is a rectangular sign held by two hooks on each sign with the word motel. The entire structure itself is held by two steel poles with a blue incandescent directional squiggly arrow facing downwards. The Holiday Motel version changed from the black background to a brilliant red with white large neon letters reading Holiday. The sign removed all implication of the western theme and changed the squiggly directional arrow from light blue to a silver hue. There were two additions to the sign; the first is the word motel vertically connected to the side of the directional arrow and second is a circular structure in white and yellow. Later with the Fun City Motel sign there wasn't much change from Holiday Motel. The only significant change was the name of the establishment. The fun city lettering lights up in multiple colors like the rainbow at night. And the two poles that hold up the structure were painted to black. Today the sign itself has lost all its brilliant red hue and is now a gray color from over sun exposure and no maintenance done to the sign. The directional incandescent arrow is still bright yellow.
Sign - type of display: Neon and incandescent
Sign - media: Steel and fiber glass
Sign animation: Chasers for the incandescent directional arrow. The circular structure on the tops of the curvilinear shape have incandescent lights following a circular motion.
Sign environment: This location is on the North end of the strip near the Holiday House, Holiday Motel, and Kaei Thai restaurant.
Sign manufacturer: YESCO
Sign - date of installation: Circa 1970's
Sign - date of redesign/move: 1950's the sign was used for Glenn Vegas Motel, and in 1960's into the Holiday Motel.
Sign - thematic influences: The fun city sign is funky with an odd curvilinear shape that was originally used for a western theme motel as a peanut. Today the theme seems to be clownish with its colorful palette and rainbow neon.
Sign - artistic significance: The fun city sign is funky with an odd curvilinear shape that was originally used for a western theme motel as a peanut. Today the theme seems to be clownish with its colorful palette and rainbow neon.
Survey - research locations: Assessor's page, Photographs on the internet from Vintage Vegas website http://vintagelasvegas.com/search/Fun+City+Motel
Surveyor: Gisselle Tipp
Survey - date completed: 2017-08-30
Sign keywords: Neon; Incandescent; Steel; Chasing; Pole sign; Roof Sign; Back to back; Backlit
Mixed Content
Epilogue: UNLV Yearbook, 1981
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas
Mixed Content
Edythe and Lloyd Katz Photographs
The Edythe and Lloyd Katz Photographs (1947-1986) contain photographs of the businesses operated by Las Vegas, Nevada entrepreneurs Edythe and Lloyd Katz. The photographs primarily depict the movie theaters purchased by the Katz Family, including the Guild Theatre (formerly the Palace Theatre) and the Fremont Theatre. The photographs also depict the Katz Family and the Helldorado Days parade.
Archival Collection
Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, September 16, 1980
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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, May 5, 1988
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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, July 10, 1979
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Report about flood control in Virgin and Moapa Valleys
Narrative that describes nineteen elements of the flood control program in the Virgin and Moapa Valleys.
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