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Tony F. Sanchez III oral history interview: transcript
Oral history interview with Tony F. Sanchez III conducted by Barbara Tabach and Claytee D. White on August 31, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Sanchez describes his role as the Senior Vice President of NV Energy, and his past experience working for Senator Richard Bryan. He discusses his educational background as a University of Nevada, Las Vegas (UNLV) graduate and attending Arizona State University Law School. Sanchez also describes his role as a past president of Latin Chamber of Commerce in Las Vegas, Nevada.
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Juliana Urtubey oral history interview: transcript
Oral history interview with Juliana Urtubey conducted by Nathalie Martinez and Barbara Tabach on May 24, 2021 for the Latinx Voices of Southern Nevada Oral History Project. Born in Colombia, Julia was able to immigrate with her family to the United States when she was six years old. The family lived in Chicago, Illinois and later in Phoenix, Arizona. Juliana moved to Las Vegas in 2013 and taught learners with special education needs at the elementary level. In 2021, she was named the National Teacher of the Year, the first Latina and the only Nevadan to ever hold the distinction. Juliana personally received the award from Dr. Jill Biden. Subjects discussed include: Colombia, Chicago, Illinois, National Teacher of the Year, and bilingual education.
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Brendan Ly oral history interview: transcript
Oral history interview with Brendan Ly conducted by Cecilia Winchell and Stefani Evans on March 27, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Brendan discusses his background growing up in communist Vietnam in the early 1970s and fleeing with his family as refugees; they immigrated to Hong Kong, China before moving to the United States to live briefly in North Carolina before settling in California. Brendan talks about working at a young age picking fruit, working in catering, and having positions in retail before pursuing higher education and studying pharmaceuticals. He shares stories of his work experience with Walgreens and how this led to him opening a pharmacy with his brother, which they've managed together for the past 18 years.
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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, September 5, 1978
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Report surveying Las Vegas Ranch from J. T. McWilliams (Good Springs, Nevada) to J. Ross Clark (Los Angeles), December 24, 1902
McWilliams' summary of his findings in his survey of the Las Vegas Ranch, including land boundaries and water resources. Link to one of the plats mentioned in the letter is in references field.
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Application for permit to appropriate the public waters of the State of Nevada, November 1939
Application for the Las Vegas Land and Water Company to appropriate the water from a new well on the Las Vegas Ranch. Original Collection: Union Pacific Railroad Collection 97-19
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Proposal submitted to the delegates representing the States of California and Nevada in reference to the development of the Colorado River
Proposal submitted to the delegates representing the States of California and Nevada in reference to the development of the Colorado River
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University of Nevada System Board of Regents meeting minutes
Folder contains two sets of meeting minutes from the Board of Regents of the University of Nevada System. From the University of Nevada, Las Vegas William S. Boyd School of Law Records (UA-00048).
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Photographs of Mandalay Bay signs, Las Vegas (Nev.), 2002
Site name: Mandalay Bay (Las Vegas, Nev.)
Site address: 3950 S Las Vegas Blvd
Sign owner: Mandalay Resort Group
Sign details: Mandalay Bay resides on the west side of the Strip, south of the Luxor. The expanse of property is surrounded with ornate foliage, jutting faux rocks, and assorted statuary accented with the flavor of an ancient island. The three-winged tower looms over the low-rise casino structure. The surface of the tower is covered with an impressive expanse of gold mirrored windows, and vertically striped with gold tubes of neon. The towers also home to the giant channel letters, which serve as the logo building text for the establishment. The ground level the property is home to two giant pylon signs at either end of the property as well. One resides on the east side of the property, while the other on the west.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Pylon; Fascia
Sign-specific description: The Mandalay Bay has little signage, but is cohesively joined together into a simple yet effective use of lighting, which fits in well with it's environment. The building itself is actually the biggest piece of signage, being vertically striped with tubing of gold neon. There is actually over three miles of neon tubing which runs up and down the surface of the tower, reflecting off of the gold, mirrored, surface of the tower. The tower itself during the day is unassuming, for the off white stucco, and mirrored surface, blend to create a harmonious surface. When dark, the building transforms into a mysterious figure clad in golden stripes. On each wing of the Y shaped tower, " Mandalay Bay" is spelled in channel letters across the top edge of the surface. These giant black pans hold incandescent bulbs, which oscillate rapidly. The two pylon signs sit flanking the building on extreme edges of the property. The two pylons are rather plain in design, but are efficient and large. They are highly integrated architecturally, being essentially two giant vertical rectangles. Two massive square legs support an upshot of space defined by two internally it color screens advertising for the "Shark Reef" and for the "House of Blues" These two are squares which sit side by sides, comprising the bottom section of the face. Above that, a large LED screen stretches up to the end of this section. The three signs are closed in on either side by a set square legs capped on the top and bottom with molding. Making up the top section of the pylon another horizontal plane rises up a bit before being topped with a series of crown moldings. Two lines of channel letters spell " Mandalay Bay" and are filled with incandescent bulbs.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic; Masonry
Sign - non-neon treatments: Graphics; Paint
Sign animation: Oscillating
Notes: The incandescent bulbs inside the channel letters which spell the text for the establishment oscillate in a pattern which makes them appear as if shimmering. This style is the most common animation next to the incandescent bulbs on the raceway.
Sign environment: The Mandalay Bay resides in exclusive company on the south end of the Strip. It stands as one of the four major establishments before Tropicana Ave. The other three include the Luxor, the Excalibur, and the Tropicana
Sign manufacturer: LED and plastic sign inside pylon were manufactured by Ad-Art
Sign - date of installation: 1999
Sign - thematic influences: The theme of the Mandalay Bay is one revolving around an island paradise, transformed into a sleek ultra modern super resort, creating a sort of independent city of steel glass, neon, lush foliage, and assorted statuary. It could best be said that it is a combination of the influences of the Tropicana, the Mirage, and Treasure Island, all mixed together as one. The pylons themselves find themselves more a kin to those displayed by the large corporate properties like the Bellagio, and the Mirage. The simple vertically oriented rectangle, plays host to LED screens and backlit color advertisements, and channel letters filled with incandescent bulbs. These elements can be seen in other large properties such as the Mirage.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Neon; Incandescent; Backlit; Steel; Plastic; Masonry; Paint; Graphics
Mixed Content
Photographs of Aladdin Casino Hotel and Resort signs, Las Vegas (Nev.), 2002
Site name: Aladdin Hotel (Las Vegas, Nev.)
Site address: 3667 Las Vegas Blvd
Sign owner: Aladdin Gaming LLC
Sign details: Just north of Harmon across the street from the Harley Davidson café, the stretch of the Aladdin property begins. The facade of the building is a pedestrian designed attraction, for it replaces the sidewalk. One must pass along the elaborate array of landscaping, to be confronted by the massive replication of the ancient Persian city, fully realizing it's Arabian Nights theme. Various signage does adorn the Aladdin property, Including a small one sided message board, resembling a miniature pylon, two jumbo LCD screens adorned with text, and entrance signs cover a couple of entrances.
Sign condition: Structure 5 Surface 5 Lighting 5--All signage is in good repair.
Sign form: Pylon; Fascia
Sign-specific description: The first sign you come upon is a small single sided pylon , which houses a message cabinet, and a channel letter logo for the Aladdin. Two poles rise out of a flowerbed, supporting a purple-faced message cabinet reading about valet and parking service. Incandescent bulbs surround the box along the border. Above that section, Aladdin is spelled in red channel letters, filled with red neon. They are hung upon the remainder of space on the upper portion of the cabinet, which only rises an additional 10 inches or so above the internally lit cabinet. The top of the cabinet is adorned with a three-tiered sculpted steel section mimicking the classic shape of the Persian spire seen so often in the property. Each section is finished in a different color: gold, pink and purple. Two neon tubes run the circumference of the tops of the poles, just underneath the negative Persian spire shape, which supports the internally lit cabinet. Neon tubes also border the tops and bottoms of each section of the sign as well as following the contour of the sculpted edges. This sign faces southwest and is found on the south end of the property and is the first sign you see walking on the property headed north. The first casino entrance is seen north of the previous sign and is above an entrance. The negative space of a Persian arch, preceding the entrance is occupied by a sign which designating an entrance. It is essentially one giant pan channel, with a smaller positive shaped cabinet in the center. Aladdin is spelled in gold polished channel letters with blue plastic faces. Another sign, of this sort, is also further down the face of the building. Translucent red ruby shapes run horizontally across the bottom. As the building steps up in various places, a larger, higher elevation, approximately in the center of the complex, plays host to two LCD screens facing northwest and southwest on the surface of the wall. Above each screen, Aladdin is spelled with larger red translucent letters, backed with white neon. When the light is visible, it creates a halo of white light around the text.
Sign - type of display: Neon; Incandescent; Matrix
Sign - media: Steel; Plastic
Sign animation: Chasing
Notes: The only Animation which I see present are in the pan channels occupying the negative Persian arch shape over two of the entrances on the west face of the building. The red plastic jewel shapes chase from either side to meet in the middle.
Sign environment: The Aladdin property lies between Harmon avenue and the Paris Hotel, on the east side of the strip. Headed North from Harmon, on the east side of the street, the pedestrian is enveloped by the properties façade, for it replaces a standard sidewalk. Once inside the path along the façade, it curves to and fro, mostly toward the casino entrances. Tall shrubbery and bushes separate the pedestrian from Las Vegas Blvd, creating a world all to it's own.
Sign architect of record: Nadel Architects, Contractor: Adp/Fd, Fluor Daniel
Sign - date of installation: 2000
Sign - thematic influences: The theme surrounding the Aladdin is centered around the Arabian Nights theme of an ancient Persian city or palace. Restaurants and storefronts are cased in with faux stone facades topped with bulbous towers and Persian spires. The significance lies in the lineage of the Aladdin transformed through the years since its change of management in 1966. It stands today holding the same theme but designed to fit in with the themed mega resorts currently present on the strip. The exterior is completely engulfed in themed architecture but draws references not only to its past self but other desert fantasy themed resorts such as the Desert Inn and the Sahara.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Steel; Plastic; Neon; Incandescent; Matrix; Pylon; Fascia; LCD; Internally illuminated
Mixed Content