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Binder of news clippings and correspondence regarding the controversy over a Hoover Dam plaque honoring the dog mascot of damsite workers (contains racist materials)

Date
1979
Description

From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Personal and professional papers file.

Mixed Content

San Diego TV news segment on the expanding population of Las Vegas: video

Date
1985 (year approximate) to 1995 (year approximate)
Description
Segment by unknown San Diego newstation on the expanding population, real estate, and economic upturn that Las Vegas is experiencing. Video opens with a Stardust Hotel and Casino craps game, while a voiceover describes Las Vegas as "Lost Vegas" and "Lost Wages" but that tourists and locals live together side-by-side. Reporter explains the population is rapidly growing, and many Californians and San Diegans are moving to the city, as it rebrands from "Sin City" to a reasonable, welcoming place to live. The reporter explains that many casinos were "in the red" and how it was in a economic downturn. However, many new casinos are being expanded or new ones built now that the economy is looking up. Features many shots of the Stardust Hotel interior and exterior. Original media VHS, color, aspect ratio 4 x 3, frame size 720 x 486. From the Stardust Resort and Casino Records (MS-00515) -- Photographs and audiovisual material -- Digitized audiovisual material file.

Moving Image

"Venetian Open Tape #2": video

Date
1999-05-03
Description

Opening day of the Venetian Hotel in Las Vegas, Nevada; captures end of Sheldon Adelson's opening remarks and shots of interior of casino during the press conference, Adelson answers questions from audience (questions are not audible). Sophia Loren is sitting on stage and also answers questions. Questions include cost of construction, what other cities were considered, and others. Press conerene ends and footage of Loren and Adelson sitting down inside a room and talking, then they pair leave to go outside. Others are dressed in costumes and walking behind Adelson and Loren who are escorted by security to a limo outside the casino. Video ends with more walking through the casino and Adelson giving a tour of the areas under construction. Original media Betacam SP, color, aspect ratio 4 x 3, frame size 720 x 486. From The Production Company Audiovisual Collection (MS-00930) -- Digitized audiovisual material file.

Moving Image

University of Nevada, Las Vegas School of Architecture Records

Identifier
UA-00005
Abstract

The University of Nevada, Las Vegas School of Architecture Records (1980-2011) include marketing material, curriculum development material, student letters to the Nevada legislative counsel, journals, newspaper clippings, and architectural drawing sets for the school building's construction.

Archival Collection

Photographs of Walgreens signs, Las Vegas (Nev.), 2002

Date
2002
Description
Daytime views of the Walgreens signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 3765 S Las Vegas Blvd
Sign condition: Structure 5 Surface 3 Lighting 5
Sign form: Fascia
Sign-specific description: The Walgreens lot is shared with the Fat Burger establishment, and a strip mall of assorted shops. The lot is located on the east side of the strip, just north of the Showcase Mall. On the west elevation of the building the Walgreen's cursive, logo script spells out the word "Walgreen's". The same sign design is repeated on the north face of the building also. The two signs are crafted out of channel letter, with blue and red neon in the interior of the channel. In small black channel letters, a bit further below the logos, there are three separate sets of much smaller channel letters. These spell the phrases "Pharmacy," "24HRS," and "1 Hour Photo." These are also lined on the interior with red and blue neon. Above the entrance to the building, a wall sign crafted of neon in the shape of the "mortar and pestle" is perched above the customers head as they enter the building from the NW. The entire structure of the image of the Walgreen's mortar and pestle, as well as the outline of the exterior stars, is constructed of one giant pan channel. The body of the pestle is made of a series of blue neon tubing which starts in the center of the pan in a square shape and creates a concentric pattern, filling the pan. Small white neon stars float to the top of the sign and into the body of the sign. Below that image, on the same elevated plane, the Walgreen's script logo is written in channel letters with white neon. Below that script is written independently in neon reading "The Pharmacy that America Trusts." Facing north /south, the street-side, pylon sign for the Walgreen's establishment is a multi-use pylon. The sign boasts advertisements for several other businesses, however the Walgreen's advertisement is the most visible and dominant on the face. The architecture of the sign is mostly a giant, stucco covered vertical rectangle with a simple crown cornice molding on the top edge of the structure. The other establishments mentioned on the sign are as read from the top of the sign to the bottom: Alan Albert's Lobster House, Club Utopia, Fatburger, and a small back-lit plastic sign for ice cream and t-shirts. At the bottom of the sign, channel letters spell the phrase parking in rear, with an arrow of the same concept pointing east toward the rear of the property. The pylon is two sided, with almost the entire top of the sign belonging to Walgreen's, and sculpted almost completely out of neon. Red, horizontal neon tubes form a field of light for the neon mortar and pestle, as seen above the entrance. The red field is also home to the cursive, Walgreen's logo script, and the phrase "Open 24 hours." The mortar and pestle are a pan channel including the stars floating out of the top incorporated into its design. Crafted in blue, with white neon for the stars, the mortar handle portion sticking out of the top of the pestle animates to appear as if it is stirring, while the stars turn on and off, representing the concoction being stirred in the body of the image. The Walgreen's script is made of channel letters filled with white neon. The bottom line of the sign that reads "Open 24 Hours," is in all caps, and channel letters with white neon on the interior. They animate in sequence one word at a time from left to right. Along the vertical edge width of the sign, the words "The Plaza" are spelled in red neon.
Sign - type of display: Neon
Sign - media: Steel
Sign - non-neon treatments: Paint
Sign animation: Chasing, flashing, oscillating
Notes: The text, which resides on the southern wall and reads "Casino," is filled with incandescent bulbs that all illuminate at the same time, and oscillate. They then shut off at the same time, and then repeat. The raceways of incandescent bulbs chase each other while the neon, which surrounds the back lit, plastic, screens on this wall flash on then off. The bottom two raceways sandwiching the reflective panel chase from left to right, while the remainder of the raceways surrounding the signs, run right to left. The incandescent bulbs on the pylon chase each other gracefully up the length of the pylon. The animation is patterned so as to appear as if a section of several bulbs are pulsing its way up the towers, hugging the edge of the bulbous tops. The raceways continue around the east face of the building. The umbrellas in the plaza behind the pylon, also are animated with incandescent bulbs chasing each other downward along the raceways.
Sign manufacturer: Mikhon lighting and sign
Sign - date of installation: 1997
Sign - thematic influences: The thematic influence of the Walgreens pylon is based on the logo for the establishment, incorporated into the architectural design of a modern commercial signage. The objects represented in the logo's are based on historical peripheral tools used in the pharmaceutical trade. The mortar and pestle were instruments used by chemists and doctors to grind and pulverize chemical to me mixed together. Since Walgreen's is a pharmacy and purveyor of commonly used goods, the mortar and pestle are appropriate symbols of the property's function.
Sign - artistic significance: Walgreen's fits into a niche of locations on the Las Vegas Strip that are establishments that can be found anywhere in the United States.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Flashing; Fascia; Neon; Steel; Paint

Mixed Content

Ryan, George Kelly, 1911-1977

George Kelly Ryan was a geological engineer, prospector, and land use advisor who lived in Las Vegas, Nevada from 1959 until his death. He served in the Marines during World War II and was a member of the Disabled American Veterans. George was also active in the Nevada Mining Council and the First United Methodist Church. George was born June 3, 1911 in Salt Lake City, Utah. His father was Archer De Vol "Archie" Ryan and his mother was Maggie Kelly.

Person

Ryan, George Kelly, 1911-1977

George Kelly Ryan was a geological engineer, prospector, and land use advisor who lived in Las Vegas, Nevada from 1959 until his death. He served in the Marines during World War II and was a member of the Disabled American Veterans. George was also active in the Nevada Mining Council and the First United Methodist Church. George was born June 3, 1911 in Salt Lake City, Utah. His father was Archer De Vol "Archie" Ryan and his mother was Maggie Kelly.

Person

Spurr, Josiah Edward, 1870-1950

Josiah Edward Spurr (1870-1950) was born into a family of fishermen in Gloucester, Massachusetts. He received his Master's degree in geology from Harvard University in 1894 and was appointed to the United States Geological Survey (USGS) the same year. In 1896, Spurr was sent, with two other USGS geologists, to survey the Alaskan interior. This historically important expedition was followed in 1898 by an equally important journey down the 702 mile-long Kuskokwim River, surveying previously uncharted mountains, lakes, volcanoes and glaciers.

Person

Transcript of interview with John J. Delibos by Claytee D. White, October 2, 2012

Date
2012-10-02
Description
With roots in Sheboygan, Wisconsin, John J. Delibos epitomizes a true Las Vegan. At the age of eight, his family moved from Wisconsin to Las Vegas to take advantage of emerging employment opportunities. Raised in a devout Catholic household, his mother and father demonstrated a strong work ethic that John would emulate. After graduating from Cornell University, John returns to Las Vegas. Over the course of his young adulthood, John meets many of Las Vegas' key developers, including the McKellars, the Boyds, and the Thomases. He works in various capacities, in various casinos around town. Eventually, John retires from gaming and works full-time as an interior designer, a skill he cultivated since childhood. Throughout the interview, John recollects, with meticulous detail, the development of Las Vegas since the 1960s, neighborhood by neighborhood, street by street, property by property. John now lives at Turnberry, overlooking a very different Las Vegas than that which he first saw as a child living at The DeVille.

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