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Interview with Linda (Mack) Smith, June 30, 2004
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Transcript of interview with J.W. Campbell by Raymond Haft, February 19, 1979
On February 19, 1979, Raymond Haft interviewed his friend, J. W. Campbell (born June 13, 1918 in Pioche, Nevada). This interview covers the history of Nevada, including Mr. Campbell’s personal history and the growth of Nevada, overall. Mr. Campbell discusses the Stewart Ranch, the Mormon Fort, swimming pools in Las Vegas, and the above ground atomic tests. He also recalls the crash of Carole Lombard’s plane and the building of the Basic Magnesium Plant in Henderson. Mr. Campbell calls Las Vegas a “One industry town,” stating that gambling (and tourism) are the main and major factors in Las Vegas, Nevada.
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Transcript of interview with Gerald Gordon by Barbara Tabach, November 02, 2016
In 1961, at the age of thirteen, Gerald ?Jerry? Gordon became a bar mitzvah. This typical coming of age celebration was unusual in that he had simultaneously studied in both his home state of California and his adopted home of Las Vegas, where he spent summers with his grandparents. 1961 is also the same year that the Gordons made Las Vegas their permanent home. Jerry graduated from Las Vegas High School, attended University of Nevada, Las Vegas and earned his law degree from University of California, Los Angeles. His gregarious and trustworthy personality led him to career building steps in the legal community of Las Vegas that included illustrious names such as Louis Wiener, Jr., David Goldwater, Neil Galatz, and many others. His personal law specialty became bankruptcy, especially dealings with hotel/casinos. As a member of the Jewish community, Jerry?s energy and expertise to organize was instrumental in the construction of Congregation Ner Tamid, the reform synagogue, at its site on Valle Verde and I-215. It was a multi-year process and includes a vast array of stories?a cash donation from Moe Dalitz, finalization of receiving of a donation land from the Greenspun family during the High Holy Days, and the ongoing challenges of a building campaign during a recession. In addition, he explains that CNT included two unique negotiations: 1) a cell tower and 2) a solar field on the synagogue?s property. Jerry and his wife Yvonne met while attending UNLV. Yvonne taught math at various levels in the Clark County School District. They raised their two children, Sara and Jeffrey, in Las Vegas, and forged an important role together in Congregation Ner Tamid. In April 2017, they were among those honored for their work with the synagogue.
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Transcript of interview with Joel Bergman by Stefani Evans and Claytee D. White, August 03, 2016
Born in 1936, architect Joel Bergman spent his childhood in Venice, California, the son of Edythe Klein and Harry Bergman, a baker who later turned to dealing in scrap metal. The award-winning designer of such Las Vegas projects as the International Hotel, the MGM Grand Hotel (later Bally's), additions to the Riviera Hotel and the Golden Nugget downtown, the Mirage, Treasure Island, Paris Casino Resort, Caesars Palace, Trump International Hotel and Tower, the Signature at MGM Grand, Rhumbar, Gilley's at Treasure Island, and the Tropicana Hotel and Casino first arrived in Las Vegas in 1968 to work on the International Hotel. In this interview, Bergman discusses his architectural career, which began with his graduation in architecture from the University of Southern California; he also discusses his work with Martin Stern, his sixteen years with Steve Wynn, and the formation of his own architectural firm, Bergman Walls and Associates. Throughout, he pays tribute to the three mentors who had the greatest influence on his work—USC architecture professor Carleton Winslow, architect Berton Severson, and client Steve Wynn—and the ways they visualized people moving through space. He acknowledges other professionals whose work he admired and talks about his wives Marlene Federman, Terrie Colston, Maria Nicolini, and Valentina Bogdanova as well as his children and stepchildren. Joel David Bergman passed away August 24, 2016, three weeks after he gave this interview.
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Richard W. Bunker Interview, July 18, 2017, July 21, 2017, and September 28. 2017: transcript
Fourth-generation Nevadan, Las Vegas native, and great grandson of Mormon pioneer Edward Bunker, Richard W. Bunker knows Southern Nevada as few others do. For example, when Richard Bunker speaks of water, he talks about his father's family leaving their home after the completion of Hoover Dam because their little town of St. Thomas was submerged in the rising waters of Lake Mead; he recalls swimming at the Old Ranch pool, the Springs, and the Mermaid pool; he shares stories of hiring Pat Mulroy, mentoring her, and encouraging her to apply to lead the Las Vegas Valley Water District; he mentions the Dunes and its two fresh-water wells, the Sanitation District and wastewater treatment. Few others have actively shaped Southern Nevada as Richard Bunker has through his lengthy career as a lobbyist (1973–2000); assistant manager for City of Las Vegas (1973–77); Clark County Manager (1977–79); member and Chair of the Nevada Gaming Control Board (1980–1982); executive director (1988-1990) and
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Transcript of interview with Phyllis Silvestri by Claytee White, January 11, 2010
As a young woman, Phyllis Silvestri made the adventurous decision to move to the United States. She was bom in Canada and lived there until her early 20s. Over the next few years, Phyllis and her friend Mona logged many miles, worked and visited several states. By 1953, Phyllis had met and married Vincent Silvestri, who worked at Bingo Palace, now the Sahara Hotel and Casino. Soon they had their first child and had bought a home on Santa Rosa. A few years later they were building a new home in the John S. Park area. She proudly recalls her husband's attention to details such as including lots of built-in features and a bomb shelter that represents the era. Phyllis talks fondly of the neighborhood, but also recalls her children not being allowed to play with some of the neighborhood children because they were of Italian ancestry.
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Photograph of The Griffin sign, Las Vegas (Nev.), June 28, 2017
Site address: 511 Fremont St
Sign owner: Aaron Chepenik and Jonathan Hensleigh
Sign details: Opened in February of 2007 as a medieval British pub/ tavern style bar. This location brought on a wave of revitalization of the East Fremont District especially since many new bars/restaurants started to open in this area after this bar did.
Sign condition: 5- still looks relatively new
Sign form: Blade and overlay neon on building
Sign-specific description: Placed above the entrance their brick building the letters The Griffin Cocktails is painted with white block letters outlined with black paint is painted on the building itself. These letters have skeletal neon surrounding the letters. The Griffin letters are yellow tubes and do illuminate green at night, the word cocktails lights up white. To the left of the entrance but still on the building is a green painted griffin drinking a painted white martini ( also all outlined with black paint) The neon tubing outlining the griffin is a yellow tubing but glows green at night ( possibly argon inserted to make it glow green). The Blade is placed a little left of the entrance and hangs off of the building by two blue steel beams, but in between the beams is a beautiful swirl design. At the top of the Blade there is a green griffin sipping a martini (same design as the one painted on the building). At the base of the griffin is white THE letters painted with skeletal neon. Then below is the blue portion of the blade spelling out GRIFFIN in a Britannic looking font in white channeled letters which do illuminate white at night. This part of the blade is outlined in neon ,possibly argon, since it does illuminate blue at night. On the side of the blade ( if you're looking from the road) there are about 14 red curved neon tubes lining the sign.
Sign - type of display: Neon
Sign - media: Steel and Brick Wall
Sign - non-neon treatments: Using the brick wall as a portion of the sign is a design not seen often in Vegas.
Sign animation: Oscillation of red neon tubes on the side of the sign.
Sign environment: Located in the Fremont East District in between Las Vegas Blvd. and 6th St. This location has The Vault to the East of it and The Smashed Pig Gastropub to the west. It is across the street from the Park and Evil Pie. In the middle of the street right in front of the Griffin Bar is the Martini Glass sign.
Sign manufacturer: YESCO
Sign designer: Owners Aaron Chepenik and Jonathan Hensleigh-Aaron stated that the blade portion of the sign was inspired by the old Boulder Club Blade sign
Sign - date of installation: Slightly before they opened so late 2006/early 2007
Sign - thematic influences: Griffin shows that it has a medieval and kind of fantasy kind of feel since its interior does have that cool medieval tavern vibe to it, especially with their fireplaces. Using their brick wall as a part of the sign is a cool innovative way to use their space and stay true to their theme.
Sign - artistic significance: Medieval theme. The blade is a prominent theme in the 50s/60s, though their blade sign was inspired by the Boulder Club (opened 1931-1960) blade.
Survey - research locations: Acessors page, outreach to owner Aaron Chepenik
Survey - research notes: Possible use of argon within their yellow painted tubes, similar to the Yucca Motel signs leaves.
Survey - other remarks: The Blade does look very similar to the Boulder Club blade, so its awesome to see modern properties paying homage to the ones that are no longer around.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-15
Sign keywords: Oscillating; Steel; Neon; Blade; Fascia; Building-front design
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Photographs of Golden Gate Hotel and Casino signs, Las Vegas (Nev.), April 18, 2017
Site address: 1 Fremont St
Sign owner: Derek and Greg Stevens
Sign details: This location originally held the Hotel Nevada that opened in 1906. This location had the first phone that was installed in Las Vegas in 1907. The building dates back to 1935, but in 1990 Mark and Craig Italo restored the exterior of the building to reflect the original art deco look to the building. This property was named Sal Sagev (Las Vegas spelled backwards) before it changed to the Golden Gate in 1955. This location was made famous with their bargain shrimp cocktail. This location has exhibits near their check-in desk showcasing older casino memorabilia, old slot machines, as well as an old phone.
Sign condition: 5- still shines brightly and paint is holding up very well
Sign form: Blade and semi-decorated shed
Sign-specific description: Their blade sign is on the corner of Main and Fremont on the top of the blade is a spherical yellow light with two neon 3-D diagonal oval shapes beneath it the with the top one blue and the bottom one a fuchsia pink. The main portion of the blade is made up by sideways rusty colored squares spelling out "GOLDEN GATE" in block letters (one letter in each box) each containing flashing incandescent light bulbs. Beneath this is a rusty colored rectangular box that spells out "CASINO" in the interior with white neon letters with the box outlined in sparkling incandescent light bulbs. Underneath the rectangle is a rusty colored circle with white block letters spelling out "HOTEL" in neon, and underneath the words is a red skeletal neon outline of the Golden Gate Bridge. On the corner of the building right underneath the blade is is a rectangle sign with red neon spelling out "CASINO". There are chasing incandescent light bulbs surrounding the first second story of the building with the words "GOLDEN GATE" in channeled white neon letters that are outlined with blue neon and have sparkling incandescent light bulbs at night, and are both on the west and north side of the building. Also there are the words "RESTAURANT" as well as "CASINO" both in flashing incandescent light bulbs on both sides of the building as well. There are also LED lights that illuminate the building's windows at night time.
Sign - type of display: Neon, Incandescent light bulbs and LED
Sign - media: Steel
Sign - non-neon treatments: Incandescent light bulbs on signs and LED lights illuminating the building
Sign animation: Chasing, flashing
Notes: incandescent light bulbs
Sign environment: This location is on the corner of Main and Fremont which is the entrance to the Fremont Street Experience. There is also a concert stage in front of this property. Across the street would have been the Las Vegas Club, the Glitter Gulch and Mermaids; but have been demolished in recent times.
Sign - date of installation: 1964
Sign - date of redesign/move: When the sign was installed in 1964 the bottom circle of the blade stated "HOTEL SAL SAGEV" but now there is the Golden Gate bridge, so it must have switched when the Sal Sagev name was not affiliated with that location anymore.
Sign - artistic significance: This blade looks similar to the old Sal Sagev sign that was up on this building previous to this sign. The blade also was a prominent theme for signs in the 50's and 60's especially down on Fremont.
Survey - research locations: Assessor's Page, Tour outline, Golden Gate website for history http://www.goldengatecasino.com/history/#
Survey - research notes: http://www.goldengatecasino.com/history/# has a good timeline of the history of the casino as well as some good Vegas history notes as well.
Surveyor: Emily Fellmer
Survey - date completed: 2017-09-22
Sign keywords: Neon; Incandescent; Chasing; Flashing; Decorated shed; Steel; Pole sign
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Transcript of interview with Mary E. Habbart by Pamela Larkins, July 15, 1975
On July 15, 1975, Pamela Larkins interviewed Mary E. Habbart (born 1897 in Boothwyn, Pennsylvania) in her home in Las Vegas, Nevada. The two discuss Habbart’s personal family history and her family’s reasons for moving to Las Vegas. Habbart also describes social and economic changes to Las Vegas and her local dairy farm.
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Photographs of Monterey Motel sign, Las Vegas (Nev.), February 12, 2017
Site address: 1133 S Las Vegas Blvd
Sign owner: Monterey Motel Corp.
Sign details: The building was constructed in 1944 (Assessor). The business opened as the Monterey Lodge Motel (RoadsideArchitecture). A vintage postcard from 1954 shows The Monterrey Lodge Motel with much of the current architecture, although a different sign is present (Las Vegas motels then and now). The motel advertises itself as endorsed by several automobile clubs, including the Automobile Association of America (AAA).
Sign condition: Condition is 4, good. The cabinets, light boxes and neon are intact and in good condition. The paint shows slight fading and no flaking or peeling, except for light to moderate deterioration and rust on the bottom of the lower cabinet.
Sign form: Double pole sign
Sign-specific description: Double poles painted in bands of pink topped by bands of white support a rectangular reader board with a pink metal cabinet. Plastic pink sans serif letters spell out "FAMILY UNITS" on the face of the readerboard. On the lower motel side of the readerboard is a rectangular black plastic sign which states, "COLOR TV by RCA" in multi-colored san serif letters. At the top of the cabinet on the motel side is an arrow pointing toward the business. At the top of the north face of the cabinet is white coated skeleton neon tubing which states, "ENTER NO VACANCY" in sans serif letters. On the south face of the cabinet the lettering is reversed to say, "NO VACANCY ENTER". Mounted above the readerboard are three poles. The two outside poles are painted white and consist of round pedestals, shafts and capitals. The capitals are outlined in white skeleton neon. The rectangular interior pole is painted pink. A pink, rectangular bar (from an asterisk now covered by plastic wrap advertising) intersects the middle of all three poles. A rectangular shield shaped metal cabinet painted pink sits on the poles above the readerboard. White sans serif letters outlined in black paint and clear skeleton neon spell out "MOTEL". The three poles continue out of the cabinet to support a second pink metal readerboard which features "Monterey" spelled in plastic cursive letters. The three poles extend above the second reader board where they join to make an arch. The two outside poles are outlined in white skeleton neon.
Sign - type of display: Neon and Reader boards
Sign - media: Steel and Plastic
Sign - non-neon treatments: Reader boards
Sign environment: This is located on Las Vegas Boulevard South just north of the strip.
Sign - date of installation: Circa 1950's-1960's (RoadsideArchitecture)
Sign - date of redesign/move: A 2009 photograph shows the sign painted blue (Virus, 2009). Flaking paint under the "COLOR TV by RCA" sign shows an older layer of blue paint. A sign of similar age in the parking lot of the motel is still painted the same light blue shown in the photograph.
Sign - thematic influences: There is a Googie star on the sign as well as an arch which was a popular 1950's/60's sign design. Also they advertise automobile clubs on their sign and have a western ranch style building which are also Mid-Century Modern trends as well.
Sign - artistic significance: The sign showcases Googie, Western and motor court artistic aspects.
Survey - research locations: Clark County Assessor, Parcel No. 162-03-112-034. Retrieved from http://www.clarkcountynv.gov/assessor/Pages/PropertyRecords.aspx?H=redrock&P=assrrealprop/pcl.aspx Las Vegas motels then and now. (n.d.) Monterey Lodge - 1133 South Las Vegas Blvd. Retrieved from http://stefanidrivesvegas.com/8.html RoadsideArchitecture. (n.d.). Monterey Motel. Retrieved from http://www.roadarch.com/signs/nvvegas3.html Virus, R. (2009 April 5). Monterey Motel, Las Vegas, NV. Retrieved from https://www.flickr.com/photos/25229906@N00/5769946413/in/photostream/
Surveyor: Mitchell Cohen
Survey - date completed: 2017-09-04
Sign keywords: Steel; Plastic; Reader board; Neon; Pole sign; Back to back; Backlit
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