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4 Mile Bar Neon Survey document, September 8, 2017

Date
2017-09-08
Description
Information about the 4 Mile Bar sign that sits at 3650 Boulder Hwy.
Site name: 4 Mile Bar (Las Vegas, Nev.)
Site address: 3650 Boulder Hwy
Sign owner: Bob and Bill Joslin
Sign details: This is one of the most historic bars in Las Vegas. The original site of the bar was actually where one of the oldest communities in town began called Formyle. The community was there long before The Boulder Highway or US Highway 95. The area where the bar currently resides was called Four Mile Spring because it was "four miles from the center of town" and for the natural spring that was there. This part of town, for much of its history, was outside of Las Vegas city limits and outside of the laws for the rest of the city as well. This site was originally a brothel when it opened in the 1950s. In 1954, the property was raided by the FBI and then ended up turning into a bar. It is "one of the Valley's last true-blue roadhouses" and it is named because it sits four miles away from the Downtown area. They are also known for their very popular karaoke nights.
Sign condition: 4, the roadside sign is in good condition, but the sign that is attached to the building has some light bulbs that have been burned out on it.
Sign form: Roadside sign is a pole sign with a message center and there is an architectural sign attached to the facade of the building.
Sign-specific description: The road side portion of the signage for the 4 Mile Bar is fairly simple. The top of the sign features a plastic, backlit square that has a large red "4" and "MILE" in bold white text in the middle of the number. Underneath this is "BAR" in a bold red text against a white background. About a foot or two underneath this sign is a large plastic, backlit reader board. The main support for the sign is a white rectangular structure with two red stripes running down the center of it with a few inches of space between the lines. The architectural sign that is on the facade of the building is uncomplicated as well. The shape of it fits the top portion of the building and looks like a stretched out rectangle. All of the edges are lined by incandescent light bulbs. In the middle of the sign in open channel letters are the words "4 MILE BAR" that are filled with white glowing neon tubes.
Sign - type of display: Incandescent, neon and backlit plastic portion
Sign - media: Steel and plastic
Sign - non-neon treatments: Plastic
Sign environment: This bar sits at the cusp where Fremont Street transitions to Boulder Highway. Many of the immediate properties that sit near this bar are motels and mobile home communities. This is also just down the road from Boulder Station Hotel and Casino as well as the Winchester Cultural Center.
Sign - thematic influences: The roadside sign is very straightforward since it just displays the name of the bar, but there could have been a stylistic choice to use the actual number "4" instead of the word "four."
Sign - artistic significance: The most notable feature about this sign is the number "4" instead of the word "four" that is used, possibly for stylistic reasons.
Survey - research locations: Accessor's Page http://www.clarkcountynv.gov/assessor/Pages/searchbybusinessname.aspx, Review Journal articles https://storify.com/ReviewJournal/7-of-the-most-historic-bars-in-las-vegas and https://www.reviewjournal.com/uncategorized/over-a-century-four-mile-has-gone-from-trailside-oasis-to-brothel-to-bar/ , Vegas Seven article http://vegasseven.com/2013/06/12/las-vegas-bar-hall-fame/
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-08
Sign keywords: Architectural; Incandescent; Neon; Backlit; Plastic; Steel; Pole sign; Roadside

Text

UNLV University Libraries Collection of Architecture Drawings

Identifier
MS-00923
Abstract

UNLV University Libraries Collection of Architecture Drawings contains original hand-drawn architectural drawings, print reproductions, computer generated prints, and board-mounted artist renderings dating between 1926 and 2003. The collection primarily focuses on Las Vegas, Nevada, but also includes projects throughout Nevada and other states including Utah, Arizona, California, Mississippi, and Colorado.

Archival Collection

Lucela M. Wattin oral history interview

Identifier
OH-03822
Abstract

Oral history interview with Lucela M. Wattin conducted by Stefani Evans on December 6, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project.

Lucela shares memories of her life growing up in Cebu Province, Philippines and being raised by her mother and grandparents after her father's death. She talks about immigrating to the United States under her fiancée's visa, moving to Chinatown in Las Vegas, and her work as a busser at the Excalibur Hotel. Lucela discusses how joining the Culinary Workers Union improved her work conditions and benefits, and how she is working with the union and a legal attorney to help her daughter immigrate to America. She also shares her favorite Filipino dishes (sinagang, chicken adobo, and bugas mais), holiday traditions, and what life was like when casinos shut down during COVID-19.

Archival Collection

Correspondence, F.R. McNamee to H.E. George

Date
1906-09
Description
This folder is from the "Correspondence" file of the Sadie and Hampton George Papers (MS-00434)

Text

Taylor, Richard B. (Richard Blackburn), 1929-2011

Richard "Dick" Blackburn Taylor was a prominent businessman in Las Vegas, Nevada and amateur historian of Southern Nevada. Taylor was born on January 31, 1929 in Quincy, Illinois and grew up in Glendale, California. After graduating high school in 1947, he attended Washington and Lee University, the University of Southern California, and the University of Hawaii. He served in the 4th Infantry Division of the United States Army in Germany during the occupation following WWII. In 1957, he married Charlene Flora Belknap and they had four children.

Person

McMillan, James B., 1917-1999

Civil rights leader James B. McMillan was born in 1917 in Aberdeen, Mississippi and moved to Michigan in 1931 with his family. He finished his high school education in Hamtramck, Michigan where he was the first African-American captain of the football and track teams. In 1936, he opted to enroll at the University of Detroit rather than the segregated University of Michigan. After graduation, he moved to Nashville, Tennessee to attend Meharry Medical College School of Dentistry.

Person

Photographs of La Concha sign, Las Vegas (Nev.), 2002

Date
2002
Description
Daytime and nighttime views of the La Concha Motel sign on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 2955 S Las Vegas Blvd
Sign owner: Edward Doumani
Sign details: The La Concha is located north of the Riviera hotel Casino, just past the giant glass wall advertising for Splash. The La Concha double sided ground sign, sits close to the street on the east side of the strip, facing north /south. Directly to the east the origin of the signs shape resides in the form of the front structure of the La Concha's lobby structure. The sweeping elliptical roofline creates a structure dripping with the flavor of outlandish 50's-60's expressionistic modern design. The roadside ground sign reflects this shape actually mimicking it in a stylized silhouette of itself. The two icons are separated by a small but busy parking lot that expands north of the La Concha to house other similar style structures. The wings of the hotel, which extend out behind the main lobby, are a rather stark and plainly rectangular form, compared to the front portion of the lot.
Sign condition: Structure 4 Surface 4 Lighting 4 Notes: Considering the age of the property and the sign, it is in great condition, everything is intact, but not perfect.
Sign form: Pylon
Sign-specific description: The sign resides in a pleasant spot of green grass, among the concrete and black top surfaces. A rectangular base, painted a light hue of blue and gold, supports a double-sided sculpted cabinet in a three-pointed crown, which is the stylized profile of the building in sits in front of. Below the main cabinet a triangular internally lit message center has been added, as well as two more, flat rectangular cabinets on the north and south sides. The cabinets are adorned with text that advertising for car rentals located in the same neighboring lot. Off of the west side of the cabinet a small circular cabinet is cantilevered off of the edge. It is an internally lit marker, noting that color television is available inside. The surface of the actual cabinet is painted red, and is somewhat faded. The section of the cabinet that would be dedicated to the low-lying portions of the La Concha's roof are addressed in white. The "La Concha" is spelled across the front of the sign in white text outlined in blue. The text is designed specific to the sign, for the capital L and C are shaped to match the contours of the crowns of the sign. The rest of the script also takes on some of the same stroke of the manner. Motel is spelled in the same coloring across the bottom right hand portion of the signs face, in block text. The very bottom portion of the cabinet is a black painted horizontal extension with edges that angle back into the body of the sign. The words "vacancy' are written across the surface of the sign to the right hand side. No is spelled on the left, but only in neon. When illuminated the main text is lined with a light electric blue, while the edges, and the top contours are lined with a pink and fuchsia glowing borders. The words "vacancy" and "motel" are lined in an orange, amber colored, warm tubing.
Sign - type of display: Neon; Incandescent; Backlit
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: none
Sign environment: The La Concha sits just to the south of the Riviera's giant glass wall. Headed south, the property comes into view, being a quiet transition from the extreme nature of the Riviera. The sign sits in a black top expanse that meanders back into the rest of La Concha's property. The base of the sign is surrounded with plants and curbing, firmly rooted into the urban mainstream of the neighboring street.
Sign manufacturer: YESCO
Sign - thematic influences: The theme of the La Concha can be drawn directly from 1950's and 60's modern design. Such curve can be seen signs of the decade for example the original Dunes pylon displays elements of such curve and swell. In Jorg Rugemer's Lost Las Vegas, there is a picture of a 60's era automobile sitting next to the building. It is used to show the influences of the structures design present in the design of something as common as the automobile. It is reminiscent of the protruding fins and large eye like taillights seen on such autos. The sign itself is an interpretation of the building in a silhouette form, so it's angle draw from the same pool as well. The coloration of the neon is also reminiscent of the era. The turquoise, vermilion and red are reminders of such properties as the original Flamingo, and the Algiers.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Pylon; Neon; Incandescent; Backlit; Steel; Plastic; Graphics; Paint

Mixed Content

Nate Mack B'nai B'rith lodge no. 2825 Newsbeat newsletters, item 02

Description

Newsbeat newsletter (first page missing)

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter ON TRACK program reports, photographs, and records

Date
1999-09 to 2002-11
Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text