Oral history interview with Elmer Hilsinger conducted by Irene Rostine on October 02, 1991 for the Women's Research Institute of Nevada (WRIN). In his interview, Hilsinger discusses working conditions at Basic Magnesium Incorporated plant in Henderson, Nevada during World War II. Hilsinger describes the contributions of women employees, safety rules at the plant, and labor unions. He also discusses daily life in the township of Henderson at the time.
Archival Collection
Oral history interviews with Joan Driscoll conducted by Kay Long on April 10, 1997 and April 17, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Driscoll talks about her experiences as a juror on a federal grand jury that investigated organized crime in Nevada. Driscoll also briefly discusses her family history, her family's origins in Iowa, and her experiences moving to the West.
Archival Collection
Oral history interview with Betty Francisco conducted by Joanne Goodwin on August 12, 2002 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Francisco opens her interview by discussing her early life in Arizona and California. Francisco then talks about her dance career in Las Vegas, Nevada, starting with her work at the Dunes Hotel. Francisco also discusses working for choreographer Harold Minsky. Finally, Francisco describes common dancer experiences, such as getting injured or sick.
Archival Collection
The Showboat Atlantic City Photograph Collection (1986) contains black-and-white and color photographic prints and conceptual sketches of the Showboat Casino in Atlantic City, New Jersey. The photographs depict casino patrons in various locations throughout the Showboat, and the sketches show exterior and interior designs.
Archival Collection
Oral history interview with Norman Christiansen conducted by James Courtney on November 28, 1986 for the Ralph Roske Oral History Project on Early Las Vegas. Christiansen describes his family, and background before moving to Las Vegas, Nevada in 1956 from Montana. Christiansen then talks about working at the Nevada Test Site and about his career as a teacher. He speaks about the various changes he has noticed over the years in Las Vegas, including those in climate, pollution, economy, occupation, and standard of living.
Archival Collection
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Temple Beth Sholom organized and led a bus tour of parts of Las Vegas that are significant in local Jewish history. Stops on the tour included Woodlawn Cemetery and the former Temple Beth Sholom campus on Oakey Boulevard. Narrator Arlene Blut gives the overview of the Jewish community, and Rabbi Felipe Goodman talks to tour participants at the cemetery. Former Las Vegas mayor Oscar Goodman speaks at the old synagogue along with Josh Abbey, whose mother created the stained glass windows at the temple.
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On February 24, 1977, Coleen Mancini interviewed the claims manager for the Culinary Workers and Bartenders Insurance Fund, Agnes Gauger (born Coleen Evans on November 21, 1926 in Arkansas) in her home in Las Vegas, Nevada. Mrs. Gauger’s daughter, Traci Sturdivant was also present during the interview. This interview covers significant changes and growth in Southern Nevada, including gambling and other industries, family life and recreation, and early atomic tests. Mrs. Gauger also discusses housing in the Las Vegas, Howard Hughes, McCarran Airport, medical facilities and education in Southern Nevada.
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Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.
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