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Photographs of MGM Grand signs, Las Vegas (Nev.), 2002
Site name: MGM Grand Hotel and Casino
Site address: 3799 S Las Vegas Blvd
Sign owner: MGM Mirage
Sign details: The MGM Grand is host to several types and numbers of signs around the exterior of the property. These types include the MGM lion logo and text which adorn the tops of the towers, a multimedia pylon sign, a golden monument sculpture of a lion which serves as the main entrance, and several smaller textual signs that denote parking and entrances.
Sign condition: Structure 5 Surface 5 Lighting 5 Notes: The MGM's signage is excellent repair, being a less than a decade old. The structure is intact, as well as all the lighting, and surface.
Sign form: Pylon; Fascia; Porte-cochère
Sign-specific description: The property contains different types signs including Pylon, sculpted three-dimensional signs as well as building front logos. The pylon sits along the East side of Las Vegas Blvd, just north of Tropicana Blvd, and faces north /south. Constructed as if to appear as different sized towers from the emerald city, the double backed pylon contains the MGM Lion Logo in a backlit steel cabinet and the Letters "MGM" at the top in gold polished channel letters with horizontal bars of Neon. Directly beneath that sit two message centers one being an animated color LED screen on the left, and the one on the right being a backlit plastic advertisement screen. Located beneath the two screens the phrase The City of Entertainment in all capital polished gold aluminum channel letters with neon running horizontally across the diameter of the letters. The sculpted three dimensional lion structure sits on the North East corner of Las Vegas Blvd and Tropicana and faces to the Southwest. The statue appears to be made of polished gold and is surrounded by an impressive array of fountains, which are illuminated themselves. The statue is ambiently lit from underneath with spot lighting and the glow of the fountains. Serving as a backdrop for the structure, an impressive wall of multicolored incandescent bulbs form a concave geometric canvass that wraps the corner of the building. This wall is separated into different sized fields by square columns of similar height. Sitting atop each of the columns is a statue of a man holding a giant urn upon his back. The statuary is lit from underneath with ambient lighting similar to that of the lion sculpture. The bulbs animate in a subtle waving pattern that gently creates the illusion of a rippling of the surface.
Sign - type of display: Neon; Incandescent; Matrix; Backlit
Sign - media: Steel; Plastic; Fiberglass; Masonry; Glass
Sign animation: Chasing, flashing, oscillating
Notes: The V-shaped red channels on the silver main pylon chase each other downward toward the ground. The main text on the pylon animates as well. The letters light up one at a time with red neon from left to right as the arrows continue to chase downward. The logo/text sign located above the giant replica of the Harley Davidson, animate as well. The incandescent bulbs which fill the text, spelling the name of the establishment, oscillate, steady burn, then shut off, and then restarting the sequence. The letters that spell cafe on the lower portion of the sign animate in concert and with the same sequence as the main text.
Sign environment: The MGM Grand dominates the corner on which it sits. Headed west on Tropicana toward the Strip the property casts a green glow but not too electrifying. Once you reach the corner you can't help but be overwhelmed by standing underneath the looming golden lion and the bustling fountains. Facing the structure from the corner, the facade becomes a canvass of dancing light and water. Look up toward the strip the giant pylon booms the golden letters "MGM" and busy LED screens.
Sign - date of installation: Property was opened in 1993 but signage was changed in 1998
Sign - date of redesign/move: The original sculpted lion entrance was replaced in 1998 with a new trophy style sculpture. With the original sphinx structure, patrons passed trough the mouth of the lion into the main lobby of the hotel. Guests and visitors now pass around the pedestal on which the lion sits upon.
Sign - thematic influences: The exterior of the MGM Grand Hotel incorporates the themes of the movie industry for which the name is so prominent. Most specifically the Wizard of Oz's Emerald city theme. The structure is designed to look as such with the base color of the building being emerald green as well as the pylon structures and attached buildings such as the parking garage. The font and MGM lion logo are represented with gold coloring referencing Oz's yellow brick road. The statue is reminiscent of an Academy award also referencing the industry which the name is so familiar with.
Sign - artistic significance: The establishment joins the era of themed modern Vegas resorts with its front spectacle, super pylon and aesthetic which is entirely encompassed by its theme.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Oscillating; Pylon; Fascia; Porte-cochère; Neon; Incandescent; Matrix; Backlit; Steel; Plastic; Fiberglass; Masonry; Glass
Mixed Content
Transcript of interview with Della Mae Rostine by Irene Rostine, October 31, 1991
Della Mae Rostine left Missouri with her husband, Rocco, in 1942, and headed to Las Vegas. Happy to leave behind the hard life and instability the mining industry had to offer, after living in Las Vegas for the first year the couple settled in Henderson, Nevada, known as the townsite at that time. Della Mae’s oral history provides readers with a glimpse of what life was like for the 14,000-plus individuals and families who also moved to southern Nevada during the same period in order to make a living in the growing “war work” industry the area had to offer. Della Mae shares the hardships faced in finding housing, especially for families with children. She discusses challenges ranging from securing home furnishings to purchasing groceries, including the rations on gasoline and butter at that time. Della Mae also discusses her experiences with the Basic Magnesium plant where her husband was hired as a construction worker in the early days of the plant and where she would work briefly as a machinist making shell casings and monitoring the down time on the production line. She also touches briefly on the social opportunities the BMI plant, and later Rheem Manufacturing, offered to the workers and their families. When World War II ended, more than half of residents of the townsite left, leaving fewer than 7,000 people to form what would later become the city of Henderson, Nevada. Della Mae’s oral history is a brief overview of a family life which began when BMI was just getting off the ground and continued through the many changes that took place in the BMI complex and the town site over several decades. The timing of the Rostine family’s arrival and the fact that they stayed and made a permanent home in Henderson led to their designation as one of Henderson’s “founding families.”
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Elena Newman oral history interview: transcript
Oral history interview with Elena Newman conducted by Cecilia Winchell and Stefani Evans on April 11, 2022 for the Reflections: the Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Newman discusses her childhood in Dagupan, Pangasinan, Philippines. At the age of eighteen, she moved to Singapore for better work opportunities to help support her family. After meeting her husband, the couple moved to Las Vegas, Nevada. Since moving to Las Vegas, Newman has spent her time working as both a guest room attendant and shop steward at Mandalay Bay. She is also a part of the Culinary Workers Union, and she discusses how helpful the union is to the livelihoods of the many workers in the casino industry.
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Mauricia Baca oral history interview: transcript
Oral history interview with Mauricia Baca conducted by Claytee D. White on March 7, 2019 for the Remembering 1 October Oral History Project. Mauricia Baca discusses her early life, her education, and her experiences living in New York City, New York before she moved to Las Vegas, Nevada. She also relates her experiences on and after the 1 October mass shooting. Baca relates information on her agency, Get Outdoors Nevada. Baca shares how her agency worked with the City of Las Vegas in the construction and operation of the Healing Garden. Finally, she discusses the book she helped author regarding 1 October.
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Donna Robinson oral history interview: transcript
Oral history interview with Donna Robinson conducted by Barbara Tabach on December 20, 2019 for the Remembering 1 October Oral History Project. Robinson begins by talking about her family and childhood in Pittsburgh, Pennsylvania. She talks about her family life and how she started working at the American Red Cross as a Disaster Program Specialist. Robinson describes her first disaster situation she worked through, later disaster situations, and the different training that is required in order to handle certain situations. Robinson then begins to talk about October 1, 2017, and how she tried to help as many people as possible that night. Then she talks about the long-term effects of the shooting and how it impacted the survivors and the community. She discusses the mental health aspect of the services Red Cross had and how it still continues to serve the community today.
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