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This collection is comprised of the personal papers of noted Las Vegas entertainment writer, producer, and critic Bill Willard, which date from 1887 to 1999. It contains material on his father's theater and political involvements as well as Willard's early childhood and high school years. His time in the United States Army is chronicled by the editorials and correspondence he wrote. His papers trace his continued involvement in writing, entertainment, and art which culminated in his direction of the Arnold Shaw Popular Music Research Center. The collection also includes pictures of his artwork, articles he wrote for various newspapers and magazines, scripts, skits, jokes, awards, over 700 audio cassette recorded interviews done for the "Rap with the Artist" series, and personal memorabilia.

Ken Hanlon oral history interview conducted by Cynthia Cicero on January 17, 2014 for the UNLV University Libraries Oral History Collection. In this interview, Hanlon discribes his background, talking about his childhood in Maryland, his early interest in music, and the opportunity to study with the same band teacher through middle and high school. He talks about starting to play a baritone horn before switching to the trombone, his early experiences playing with dance bands, starting private lessons, and eventually matriculating to the Peabody Conservatory of Music in Baltimore, Maryland. He continues, relating his five years teaching middle-school music after graduating from college, and his decision to move to Las Vegas, Nevada in 1968 to seek work as a full-time musician. After talking about some of the difficulties he faced finding work, he discusses his time in a road band and deciding to apply to teach at the University of Nevada, Las Vegas (UNLV). He explains that he was hired to teach as an adjunct in 1970 and two weeks later was offered the job of department chair, a role he held for 16 years before moving into university administration. During this period he continued to perform, playing trombone in the Sands Hotel and Casino house band under the direction of Antonio Morelli. Finally, he discusses Morelli at more length, and concludes by talking about endowments for music education and the Arnold Shaw music collection at the Arnold Shaw Center at UNLV.