Person
The Whitney Family Collection of Bunkerville, Nevada Photographs (approximately 1900-1930) consists of black-and-white photographic prints and negatives depicting Agnes Murphy Neve, Luke Whitney, Julia Whitney, and Alfred Syphus near the Whitney family ranch in Bunkerville, Nevada. One image portrays an overflow drainage pipe connected to the St. Thomas pond near Bunkerville, Nevada.
Archival Collection
The Frances Intravia Photograph Collection (approximately 1948 to 1979) contains three black-and-white photographic prints. The images depict Albert and Arabell Lee Hafner, author of 100 Years on the Muddy, visiting the St. Thomas, Nevada townsite after the Lake Mead water levels dropped enough make it visible. One of the prints is an original from approximately 1948 to 1952, and the other two are reproductions of images taken during the same period.
Archival Collection
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The Outlaw sub-series (1940-1975) contains material related to the development, production, and post-production of The Outlaw (1941), a Howard Hughes-directed and produced film. Materials include advertising and publicity, administrative, film soundtracks, legal, production and direction, and story development records pertaining to the film's production.
Advertising and publicity records in the sub-series detail the creation, revisions, arrangement, printing, and distribution of The Outlaw promotional material. Printing materials include flongs, or molds, used to produce metal printing plates for newspaper advertising. Posters in the sub-series, ranging from 40" by 60" to 100" by 200", vary in size according to their intended display locations including theater walls, building exteriors, and billboards. These records also contain newspaper and magazine clippings featuring The Outlaw advertising and premiere reactions from throughout the United States, as well as twenty-seven international countries.
Music scores include handwritten and typed comments and annotations from and to Victor Young. Photographs in the sub-series depict the film's principal and supporting cast, views of the film's premieres, and desert and mountainous regions throughout the southwest United States used for location scouting. Censorship materials consist of reports, correspondence, and newspaper and magazine clippings describing the public's reaction to The Outlaw and the attempts to cut parts of the film, or restrict its distribution in locations domestically and internationally.
Archival Component
