Oral history interviews with Barbara Davis conducted by Joanne Goodwin on December 18, 1996 and March 25, 1997 for the Women's Research Institute of Nevada (WRIN) Las Vegas Women Oral History Project. Davis opens her interviews by discussing her audition for the Folies Bergere as a dancer with limited experience. Davis describes working with the Folies Bergere as a touring showgirl in the 1940s. She discusses touring the United States in the Folies Bergere, touring South America for three years, and going to college at night while performing during the day. Davis then talks about the city of Reno, Nevada and working as a showgirl there. Davis addresses common rumors about showgirls, such as being involved in prostitution or being addicted to gambling. She then discusses her interest in education in her later years including earning various post graduate degrees. Davis ends her interview with a discussion on classic entertainment of the 1940s, including vaudeville and entertainment hotspots of the time.
Archival Collection
From the Roosevelt Fitzgerald Professional Papers (MS-01082) -- Drafts for the Las Vegas Sentinel Voice file. On the death of Martin Luther King, Jr. on the author's birthday.
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Houghton Hoot Peterson played trombone in his high school band in northern Minnesota where he grew up. That same instrument would lead him to be a member of the highly regarded Air Force jazz band called Airmen of Note after enlistment. Then during a short tour at Nellis Air Force base, Hoot decided that the Las Vegas entertainment scene might have career opportunities for him. He moved to Las Vegas in 1962, an era of celebrity performers and tourists who enjoyed the crowds and nightlife. Hoot's point of view was as a musician in the band, most often a Strip relief band. But he also has tales of famous musicians and late night jam sessions. Hoot's career spanned 20 years. Eventually the Las Vegas scene for live musicians began to change. When times got tough for Hoot, he worked as a carpenter and at a music store. In this interview he discusses his fascinating past and offers advice for today's musicians.
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