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Las Vegas Ambassadors Collection
The Las Vegas Ambassadors Collection (1968-1985) primarily consists of a scrapbook, newspaper articles, and photographs documenting the activities of the Las Vegas Ambassadors youth singing group. The materials were compiled by Harry LaFavor, the Ambassadors' business manager, who co-founded the group with Norman Kaye and Richie Astone to promote a positive image of Las Vegas. The collection also includes a songbook, vinyl record and ¼” tape recording, and promotional materials.
Archival Collection
Babe Pier Papers
The Babe Pier Papers (approximately 1962-2012) include promotional materials, photographs, and audiovisual materials documenting the career of Las Vegas, Nevada-based comedian and impressionist, Babe Pier. Materials include Pier's show reels, fliers, posters, and photographs of Pier as a solo entertainer and as part of comedy groups such as the Vagabonds and the Happy Jesters. The collection includes recordings of Pier's appearances on television shows like the Mike Douglas Show and Milton Berle's comedy special as well as his comedic boxing charity fights. Materials also contain personal photographs of Pier and his family, including his wife, Cindy Raft, who managed an entertainment agency and was also an entertainer in Las Vegas.
Archival Collection
Carolyn V. Hamilton Papers
The Carolyn V. Hamilton Papers (1966-2024) consist of advertisements, press releases, correspondence, newspaper articles, awards, and event programs. The materials primarily document Hamilton’s work as a graphic designer and advertising executive in Las Vegas, Nevada from the early 1980s into the 2000s. Some of the materials in this collection pertain to the late comedian Cork Proctor, Hamilton’s former spouse, including performance advertisements and magazine articles.
Archival Collection
Arden, Donn, 1917-1994
Choreographer, producer, and director Donn Arden was born in St. Louis, Missouri in 1915 as Arden Carlyle Peterson. He began dancing at an early age. As a young boy, he took dance lessons from St. Louis theatre director Robert Alton, who would go on to become one of Hollywood's most noted choreographers for shows including Pal Joey, Showboat, and Easter Parade. He would remain Arden's primary inspiration throughout his career.
Person
Epilogue: UNLV Yearbook, 1981
Yearbook main highlights: schools and departments; detailed lists with names and headshots of faculty, administration and students; variety of photos from activities, festivals, campus life, and buildings; campus organizations such as sororities, fraternities and councils; beauty contest winners; college sports and featured athletes; and printed advertisements of local businesses; Institution name: University of Nevada, Las Vegas
Mixed Content
Greg Phelps oral history interview: transcript
Oral history interview with Greg Phelps conducted by Claytee D. White on November 15, 2017 for the Remembering 1 October Oral History Project. Greg Phelps discusses moving to Las Vegas, Nevada in 2002 for work and attending the 2017 Route 91 Harvest festival with his mother and wife. He describes the event venue as well as his recollection of the shooting. Phelps explains how his life changed after that day, describing the true friendships he gained and his greater appreciation for living.
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Su Kim oral history interview: transcript
Oral history interview with Su Kim conducted by Ashley Brooke Fuentes on November 21, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. In this interview, Su Kim discusses her family and life in Seoul, Korea. She talks about immigrating alone to the United States to study in Provo, Utah and later transferring to the College of Southern Nevada. Su Kim talks about her immigration experience, the culture shock of coming to America, and the discrimination and racism she has seen since the start of the COVID-19 pandemic. Su shares how she met her husband, details of her employment as an office manager, and her plans to pursue a degree in hospitality from the University of Nevada, Las Vegas.
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Sara Kalaoram oral history interview: transcript
Oral history interview with Sara Kalaoram conducted by Alexandra Arabshian on November 15, 2021 for Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project. Sara Kalaoram shares her immigration story to the United States from Singapore in 2002 at the age of four. She talks about her upbringing in Las Vegas, Nevada, her education from Arizona State University, and her work with the Culinary Workers Union and with Assemblyman Steve Yeager as his campaign manager and executive assistant. Sara Kalaoram discusses cultural differences between Singapore and the United States, the immigration stories of her parents, and her experience as an Asian-American immigrant in the twenty-first century.
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Photographs of Villa Roma Motel sign, Las Vegas (Nev.), 2002
Site address: 220 Convention Center Dr
Sign details: Just west of the Somerset is the Villa Roma Motel. The only significant signage is located in the pylon side on the edge of the street. The pylon resides on the north side of Convention Center drive with the property facing east/west.
Sign condition: Structure 4 Surface 4 Lighting 4
Sign form: Pylon
Sign-specific description: Just west of the Somerset is the Villa Roma Motel. The pylon resides on the north side of the street with the property facing east/west. The sign consists of a tall white steel pole supporting two double backed cabinets, along with decorative raceways, as well as a logo cabinet. About halfway up the pole, an internally lit, double backed, cabinet cantilevers off of the south side of the pole, facing east/west also. The top of the sign is two horizontal rectangular cabinets, sitting one on top of the other, in close proximity to each other. The cabinets possess aspects of design which add a bit of flavor to plain geometric shape. The faces of the cabinet themselves are concave, bowing in along the length. The maroon surface is also fluted vertically, dividing the surface up into a pattern of vertical rectangles. Along the width of each one of the cabinets, smaller black cabinets run vertically along the edge. These cabinets are adorned with maroon graphically painted scroll work. Channel letters spell the name of the establishment on the two cabinets. The thinner, top cabinet possesses the channel letter text spelling, "Villa Roma," painted white on the interiors. The bottom cabinet's surface contains the text "Motel" in larger all capital channel letter. The interiors of both of both sets of letters are filled with neon. Attached to the bottom of the cabinet, an oval shaped cabinet resides on the north side of the cabinet. It is treated with same maroon color paint ,but the face is adorned with "vacancy" painted on the surface. "No" is spelled in neon as well as being vacancy being overlayed with neon as well. Two pairs of maroon raceways shoot out of the top of either side of the cabinet into the air, then arch inward, meeting at a common point in the center. The spot where each one of the raceway meets, a pseudo oval shaped, internally lit, double backed cabinet professes the logo for the Villa Roma Motel. The logo consists of A capital letter "V" sitting over a Letter "R" in red paint. The raceways also protrudes through the bottom of the cabinet on either side, for a short distance. The edges of the raceways are lined with incandescent bulbs.
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign animation: Chasing, flashing, oscillating
Notes: The text letters on the porte-cochere and entrances hold a three step animation: The incandescent bulbs all oscillate rapidly inside the letters, then steady burn on, and finally come to rest in the off position. The sequence then repeats. The main pylon sign carries several different sections which all hold different animation patterns. Inside the middle sculptural piece, the incandescent bulbs, which encrust the star shapes, oscillate in a twinkling fashion. The bulbs which border the outlying portion of the middle section chase each other, with the inner row running downward, and the outer row chasing upward. The double rows of incandescent bulbs that create the outer border, also chase each other in a similar fashion. The outer-most lane, of the double rowed bulbs, animate chasing downward, while the inner is treated with chasing animation, which chases upward. The bulbs, which encrust the bottom of the main marquee oscillate, as well as the bulbs on the widths edge of the main message center. The incandescent bulbs, which fill the text in the main marquee of the pylon, oscillate rapidly while the vertical red bars of neon, animate behind them. They star in the middle and chase out to either side illuminating all of the bars, then chase back to the center leaving them dark. They then start all illuminated, and curtain open to either side, then animates, chasing each other from either side back to the middle again. Once all illuminated, they flash off, on, off, on, then off. The marquee seems to be the one with a set sequence. On the main message board, the golden image of the cowboy animates in three stages, rocking back and forth, as if riding the bull. The letters, which adorn the tower of the building, animate in sequence. The incandescent bulbs in each letter light up individually one at a time from left to right, then once all are illuminated, they each oscillate one at a time, from left to right. They then light up continuously from left to right again one at a time, and then turn off. The letters, which run vertically on the northwest side of the tower, also have the same sequence.
Sign environment: The Villa Roma's area is interesting in itself. Convention Center Drive runs east west between the Strip and paradise road, and is home to a unique mix of signage and structures of close but not identical functions. It plays home to the Greek Isles, a bank building, dry cleaners, the Royal Casino, a giant parking lot for the Las Vegas Hilton, as well as the dying Silver Saddle. It stands as a reminder of a roadside motel that is still present, within the heart of an evolving Strip.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Pylon; Neon; Incandescent; Steel; Plastic
Mixed Content