On February 24, 1977, Coleen Mancini interviewed the claims manager for the Culinary Workers and Bartenders Insurance Fund, Agnes Gauger (born Coleen Evans on November 21, 1926 in Arkansas) in her home in Las Vegas, Nevada. Mrs. Gauger’s daughter, Traci Sturdivant was also present during the interview. This interview covers significant changes and growth in Southern Nevada, including gambling and other industries, family life and recreation, and early atomic tests. Mrs. Gauger also discusses housing in the Las Vegas, Howard Hughes, McCarran Airport, medical facilities and education in Southern Nevada.
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In 1976, when Bob Campbell accepted the city manager position in Henderson, Nevada, he and his family had just endured nearly a month of sub-zero temperatures in their native Missouri. Southern Nevada's mild winter coupled with the promise of developing the 8,600 acres that would become Green Valley convinced Bob and his wife, Pat, to make the move. Bob came to Henderson with a degree in public administration and city manager experience in two Missouri towns, but Green Valley offered something akin to "an artist having a blank canvas on which to plan and create." In this interview, Bob talks about the ways his career in public administration blossomed in Southern Nevada. After about five years with the City of Henderson, Campbell joined Mark Fine and American Nevada Corporation to develop Green Valley; five years after that, he moved to Southwest Gas Corporation to work with Bill Laub and later, Kenny Guinn. From about 1989 to 1997, he helped develop Lake Las Vegas. In 1994, Bob and Pat together formed The Campbell Company, a private consulting firm whose clients included Transcontinental Properties' Lake Las Vegas project as well as Henry Chen's Ascaya. v Much of the interview focuses on the Lake Las Vegas project: its original visionary, false starts, and its tumultuous development as an arm of the Bass brothers of Fort Worth, Texas; their developer, Ronald Boeddeker of Transcontinental Properties in Santa Barbara, California, and Boeddeker's appointee, Alton Jones. Along the way Campbell shares the strategies employed by the Wednesday morning group of Henderson boosters who met at Saint Peter's Catholic Church and who succeeded in gaining the necessary local, state, and federal approvals to move the project forward. He reveals the intimidation, physical threats, and sexual harassment suffered by those who questioned the way Jones did business. Overall, though, he explains why he continues to respect the Bass brothers and is still proud of Lake Las Vegas, "proud that we got it on, and proud that it's turned out to be what it is."
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Jim Hodge describes an active and success filled life in this narrative. Born and raised in the South, Jim enlisted in the Navy at the young age of 17, just as World War II was winding down. His primary job was that of a cook. He became smitten with the life of an entertainer after participating in a play and headed for Hollywood in 1952. It was there that he auditioned for Donn Arden, who organized and directed Las Vegas shows. Though he didn't get the part, he did get hired to be a singer for a show featuring Betty Grable. Thus his career was launched and would span the heyday of Las Vegas entertainment from the 1950s to the 1970s. Jim talks about the people, shows and places that touched his life. He also offers thoughts about the changes in the Vegas entertainment scene as well as shares his relationship with his church over the past 40 years.
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On February 18, 1979, Richard Fesler interviewed Jack W. Cornell (born 1918 in Manhattan, Nevada) about his experiences living in Nevada. The two first discuss historical buildings, including the Nye County Courthouse, and Cornell describes his family background and the different locations at which his ancestors lived. Cornell then talks about his experiences as an airplane mechanic for the Army Air Corps during World War II and the different countries he would visit during that time. The two also discuss the effects of the Depression, Cornell’s work in automotive body repair, and his recreational activities. Cornell also describes an experience in which he assisted an air escort for President Roosevelt, and he also describes when he witnessed one of the atomic tests. The interview concludes with Cornell’s thoughts on how the rural area in Manhattan has changed over time.
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Steven Ligouri is an artist who is a born and raised Nevadan whose artistic creations can be enjoyed at such places as the Hoover Dam, where his famous High Scaler sits comfortably [above left photo]. The stories of this statue and others are included within this interview. Steve began mastering his trade as a youngster making jewelry with assistance of his father, Bruno Ligouri who owned a turquoise shop in Boulder City. Since his birth in 1962, Steve has lived in several locations: a family farm in North Las Vegas, John S. Park neighborhood, in Boulder City, and eventually back to John S. Park. Returning to the John S. Park neighborhood after a 22-year absence gives him the chance to reflect on the changes that have occurred. Steve fondly calls the neighborhood "home" and firmly believes it can reach its potential.
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Folder of materials from the Mabel Hoggard Papers (MS-00565) -- Personal papers file. This folder contains materials about Mabel Hoggard, including a Las Vegas Sentinel newspaper issue, newspaper clippings, a decree of divorce (Mabel E. Wims vs Irvin E. Wims), a memorial service program (Mabel Welch Wims Hoggard, March 10, 1905- May 31, 1989), and U.S. Congressional Records recognizing the achievements of Mrs. Mabel W. Hoggard. Mabel Hoggard's student records were not digitized per the Special Collections and Archives restrictions policy.
Mixed Content
The new technologies of lighting, developed for theater and entertainment made its logical jump to the Las Vegas Strip where lighting design blends with and becomes architecture. Whether lighting the top of the Stratosphere Tower or the intimate atmosphere of an exclusive restaurant or bar, the designs of John Levy Lighting Productions has become a hallmark of the new themed visualization which turns mere structures and landscapes into iridescent light shows.
Corporate Body
