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Transcript of interview with Patrick Gaffey by Stefani Evans and Claytee D. White, August 19, 2016
One cannot talk about the arts in Southern Nevada without speaking of Patrick Gaffey. The Cincinnati, Ohio, native moved to Las Vegas as a child and has served the local arts community in several roles nearly his entire adult life, retiring soon after this interview as cultural program supervisor for the Clark County Parks & Recreation Department. After earning his Bachelor's and Master's degrees in English at the University of Nevada, Reno, Gaffey married Cynthia Pearson in 1968. In 1981 he began working as a publicist for the Allied Arts Council of Southern Nevada, founding its acclaimed magazine, Arts Alive, and remaining with the organization through its several moves until 1991. In this interview, he speaks to the collaborative nature and long vision of the Southern Nevada arts and architecture community through the founding of Discovery Children's Museum and the Neon Museum and of working with farsighted public entities—the Las Vegas-Clark County Library District, Clark County,
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Transcript of interview with Stan Irwin by Cork Proctor, October 24, 2003
Stan Irwin shares details of his background, family, and early show business experiences. His life story spans many decades and includes attending NYU, doing stand-up comedy, flying during WWII, working at Club Bingo in Las Vegas, and building up the entertainment at the Sahara Hotel. Mr. Irwin comments on many aspects of the Las Vegas entertainment scene. He recalls many headliners that he worked with and shares anecdotes about several. The Beatles, Johnny Carson, Dinah Washington, Billie Holliday, Lena Home, and Pearl Bailey are just a few of the many outstanding performers that he brought to Las Vegas. Stan offers comments on racism in Las Vegas thirty and forty years ago, and gives his opinions on the Mob, Howard Hughes, prostitution, and dress codes in the fifties and sixties, among other things. He recalls how Las Vegas looked in the early days, mentions a cardiovascular health project for children that he's involved with today, and gives a little insight into staying fit at eighty-plus.
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Transcript of interview with Mazie Martin Jones by Jane P. Kowalewski, November 3, 1978
On November 3, 1978, Jane P. Kowalewski interviewed Mazie Martin Jones (born in Las Vegas, Nevada) about her father, Doctor Roy Martin, the first doctor to own a private practice in Las Vegas. Jones explains how her father first arrived in Nevada and his different investments in real estate, hospitals, and hotels. She goes on to explain her father’s hotel pursuits after retiring from medicine in the late forties.
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Transcript of interview with Madeline Kadin by Kathy Mandel, March 8, 1975
On March 8, 1975, Kathy Mandel interviewed housewife Madeline Kadin (born in New York) in her home in Las Vegas, Nevada. Also present for the interview is Madeline’s husband, who is referred to as “Mr. Kadin.” The three discuss differences between early Las Vegas and the present. The Kadins also explain the history of Helldorado and how it has changed over the years.
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Transcript of interview with Kim Krantz by Joyce Marshall, February 26, 1996
Kim Krantz arrived in Las Vegas in 1953. She came as a seasoned performer having danced in large productions in Chicago, Montreal, New York and Florida. Born Delores Kalcowski in Jersey City, New Jersey, she adopted the name Kim Perrin while working at New York’s Latin Quarter. She had always loved the West and jumped at the chance to take the Latin Quarter show from New York City to Las Vegas. She came for a two-week engagement at the Desert Inn Hotel. The show was held over at that property for three months, and then it moved to the Riviera Hotel and Casino. Bill Miller approached her to join a new production at the Dunes Hotel. He and Harold Minsky were preparing “Minsky’s Burlesque,” the first show to use women born in the United States in a nude show. She opened with the original cast and stayed for two years. Kim retired in 1957 after she married Danny Krantz, the Food and Beverage Manager for the Flamingo Hotel. She raised four children in Las Vegas, but never lost touch with th
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Transcript of interview with Louis Fisher by Samuel Barto, March 20, 1978
On March 20, 1978, collector Samuel Barto interviewed paint and drywall contractor, Louis Fisher (born July 10, 1922, in Alva, Oklahoma) in North Las Vegas, Nevada. The interview took place at the collector’s home with the collector, Mr. Barto and Mr. and Mrs. Fisher present. Mr. Fisher relocated to Las Vegas in 1953 after having lived in Alva, Oklahoma, Portland, Oregon, and Walla Walla, Washington. During the interview, Mr. Fisher discusses the history of Las Vegas from 1953 and offers key insight into the rapid growth of Las Vegas with special focus on the Strip, banks, the steady influx of people moving to Las Vegas for the warm climate, and housing.
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Transcript of interview with Julie Menard by Joyce Marshall, March 17, 1996
Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las
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Transcript of interview with Arthur "Art" Marshall by Claytee D. White, February 11, 2014
Interview with Arthur "Art" Marshall by Claytee White on February 11, 2014. In this interview, Marshall
Arthur Marshall was born in 1929 in Cleveland, Ohio. He met his wife, Jayn in 1953, and the couple moved to Las Vegas where she already lived with her family. Art joined his father-in-law in the family's retail clothing business. Art Marshall took over the retail clothing business with his brother-in-law, Herb Rousso, and expanded operations as Marshall-Rousso stores. Art quickly became very active in the Jewish community upon arriving in Las Vegas. He served as president at Temple Beth Sholom, and worked with other Jews in the city, many who owned and managed the hotels at the time, to build a strong Jewish community in Las Vegas. He served as the chairman of Nevada State Bank and spent 12 years on the Nevada Gaming Commission.
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Transcript of interview with Michael S. Mack by Claytee White, May 21, 2009
During this interview, Michael Mack visualizes his childhood memories of the later 1930s, when Las Vegas was a small, but steadily growing, desert town. As he says, "The desert was our backyard." The Strip hotels like the last Frontier and the Flamingo pop into the stories, but it was basically an innocent time. He attended John S. Park Elementary when classrooms were temporary buildings from the local Air Force base and the neighborhood was filled with children. He still maintains close friendships from that time. And he also recalls friends from the Westside neighborhood. Michael talks of scouting, riding horses, and watching Helldorado parades.
Michael Mack's first recollection of Las Vegas is as a two-year-old living in a duplex on Bonneville Ave. Though the family moved several times, they remained in or near the John S. Park neighborhood. Michael's father was a Polish immigrant who arrived in Boulder City, where he opened a shoe store, in 1932. The building of the Hoover Dam brought opportunities and his father Louis expanded into the salvage business. In time Louis moved the family to Las Vegas, opened a retail clothing store, which eventually sold uniforms, and set up the first local bail bondman office. During this interview, Michael visualizes his childhood memories of the later 1930s, when Las Vegas was a small, but steadily growing, desert town. As he says, "The desert was our backyard." The Strip hotels like the last Frontier and the Flamingo pop into the stories, but it was basically an innocent time. He attended John S. Park Elementary when classrooms were temporary buildings from the local Air Force base and the neighborhood was filled with children. He still maintains close friendships from that time. And he also recalls friends from the Westside neighborhood. Michael talks of scouting, riding horses, and watching Helldorado parades. Though the Macks were a Jewish family, Michael's mother always brought the Christmas tree to school. It was a period when people memorized each other's 3-digit phone numbers, went to movies for 14 cents, and there was a ranch for people to stay while getting divorced. Halloween Trick-or-treaters in the John S. Park neighborhood might get a tasty cupcake or a shiny dime. Michael has a plethora of stories about innocent mischief and the unique experiences of a boy growing up in Las Vegas.
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Transcript of interview with Marty Walsh by Suzanne Becker, July 19, 2007
In 2002, Marty Walsh and her husband purchased a home in the John S. Park Neighborhood. Three aspects attracted them to their 1941-built home: the quality construction; the aesthetics and details of the house; and the "old-fashion human element" that she associated with her grandparents. Marty describes their relocation to Las Vegas after living for nine years in Ireland and her joy of discovering the John S. Park community. For her there is a neighborliness that they found in the form of the Neighborhood Watch. She feels the neighborhood still has work to do, but the gentrification has had splendid results as new "urbanites" replace original homeowners. From her artist point of view, she also provides thoughts about the impact the artist community of musicians, painters, and creative artists has had on the neighborhood. Even though she is relatively new to Las Vegas, she is well researched in the historic aspects of John S. Park location: once a fertile plot of land where
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