Sara Denton loves life, laughter, and wonderful adventures. She is the mother of four children, a Distinguished Nevadan, lover of books and art, political campaign organizer, community activist, and friend. Sara is one of the founders of Boulder City’s most successful philanthropic fundraisers, Art in the Park. Denton was born in Paducah, Kentucky, into a family of readers and thinkers. Therefore, when the opportunity arose, at 18 years of age, to move the Washington, DC to work in the Signal Corps, she seized the opportunity. From the vantage point of her apartment, she could see the Secret Service assisting Franklin D. Roosevelt into his limousine at the back door of the White House. His polio was hidden from the public but this diversion allowed Sara and her friends to greet and be greeted by their hero. While in DC, Sara worked for General Hayes and one day struck up a conversation with a young soldier, Ralph Denton. Soon they married and moved to his home state, Nevada. After several years in Elko, NV, the Dentons moved to Las Vegas where Sara worked in the campaigns of Grant Sawyer, Howard Cannon, and Alan Bible. Moving the family to Boulder City though, was the wisest relocation by the family because the children grew up in a caring community with good schools. And the city provided the opportunity for Sara’s creativity to flow in many directions including travel, entrepreneurship, philanthropy, and community building efforts. This interview is filled with laughter. I enjoyed the conversation.
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Jo Ann and Hal Mueller arrived in Las Vegas in 1956 when he accepted a meteorologist position. In addition to raising their two children, Jo was active in PTA, worked for Weight Watchers, and was a volunteer with League of Women voters. She tells the story of meeting Hal and their whirlwind romance to the altar, moving to the Caroline Islands and eventually choosing Las Vegas over Seattle as their next career assignment. Las Vegas became their permanent home and Jo reflects on life and experiences here.
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On June 24, 1975, collector Donna Mattson interviewed native Nevadan mechanic, Stephen La Thair Hawley, (born October 15th, 1936, in Ely, Nevada) in his home in Las Vegas, Nevada. This interview offers a historical overview of early Las Vegas including gambling and an in-depth discussion on local economic, environmental, and social changes.
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From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.
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Oral history interview with Jay Pleggenkuhle and Daniel Perez conducted by Claytee D. White on July 18, 2018 for the Remembering 1 October Oral History Project. In this interview, Jay and Daniel describe their business partnership in a landscaping venture. After the tragic event on October 1, 2017, the pair wanted to do something for the city of Las Vegas, Nevada. Perez suggested that Pleggenkuhle call officials at the City of Las Vegas and propose a healing garden. The City offered a site and the work began, and within 72 hours, a design materialized, volunteers appeared, materials arrived, and the work began. On Friday, the official dedication was held. Pleggenkuhle and Perez share stories of the garden's construction, the generosity of the human spirit, love, and giving back as a city mourns. The two recall that the main oak tree, the Tree of Life, centers the garden and the 58 smaller trees anchor the garden.
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Oral history interview with Brittany Castrejon conducted by Claytee D. White and Barbara Tabach on November 9, 2017 for the Remembering 1 October Oral History Project. In this interview, Brittany Castrejon details her experiences during the evening of the 2017 mass shooting in Las Vegas, Nevada. She describes the Route 91 Harvest Festival set-up and details the events of that night, which she experienced alongside her 14-year-old cousin and a few friends. Castrejon tells her story of trying to find safety from the chaos during the entire ordeal, eventually finding refuge for the remainder of the night at the Tropicana hotel. She ends the interview by discussing her adjustment to life after the shooting and her post-traumatic stress disorder, as well as what she has learned from the experience.
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From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Business interviews file.
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Toni Clark (born Lena Gaglionese) spent her youth in Seattle, Washington where she was born on April 4, 1915 to Angelene and Salvatore Gaglionese. Her father and mother moved to the Seattle area when they immigrated to the United States from Naples, Italy years earlier. Salvatore worked as a street cleaner for the city of Seattle and Angelene cared for the house and family until her early death. Toni grew up with three siblings, her father and step-mother, and an uncle and cousins next door. After attending Seattle’s Franklin High School for three years, she left. “I just didn’t like school so I quit,” she said, and spent the next couple of years at home. From these simple origins, Toni became “the first lady of Las Vegas” as some admirers called her, referring to the role she played in the transformation of Las Vegas from a frontier town into a glamorous resort town during the 1950s and 1960s. In 1941, before the Second World War began, Toni traveled to San Diego to visit friends and decided to stay. After a year of caring for a young boy, she moved into the Barbara Worth Hotel which was owned by Wilbur Clark. Clark’s father ran the hotel and suggested that Toni apply for a job at his son’s new bar and restaurant, the Monte Carlo. She had not met Wilbur Clark at the time and her shyness dissuaded her from making the move. Nevertheless, she did apply and went to work as the hostess of the Monte Carlo in downtown San Diego. Wilbur and Toni’s courtship began slowly. He gave her the name Toni, saying she “looked more like a Toni than a Lena,” and she kept it. In 1944, around the time Wilbur Clark relocated to Las Vegas where he had purchased the El Rancho Hotel, the couple married in Reno, Nevada and permanently made Las Vegas their home. Clark’s involvement in Las Vegas clubs and gambling expanded with the Monte Carlo downtown and the Player’s Club on the strip. But his dream to create a luxury resort hotel came to fruition when the Desert Inn opened in 1950. The fifth major property on the strip, the Desert Inn had several features that distinguished it from other places. The Skyroom offered a private club atmosphere for talking, music, and dancing. The Monte Carlo Room served French cuisine. The Doll House provided round-the-clock childcare for children of hotel guests. The Painted Desert Room, the property’s showroom, featured top performers and the Donn Arden Dancers. All these features combined to create a resort that offered guests an exquisite setting for a gambling vacation. Toni Clark had a special place at the heart of the Desert Inn’s social life. She brought a gracious and elegant charm to social events associated with the property. Although she said she was never involved in the business of the hotel-casino, she played a unique role setting a new tone for the enterprise. She entertained guests and dignitaries at the hotel as well as her home; organized fashion shows featuring the top designers of the time for the wives of high-rollers; and created celebrations of special events, notably her husband’s late December birthday, with annual parties. When Wilbur Clark died in 1965, Toni Clark remained active in the city’s social life. She did not disappear as others had, but continued to plan and attend social functions. As part of her service to the community, she took particular pleasure in her work with the Variety Club. She continued to reside in Las Vegas until her death in 2006.
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Sandra Peña’s story begins in East Los Angeles, where she spent her first fifteen years with her parents (both from Michoacán, Mexico), and her younger sister. The father's managerial position at Master Products allowed the family to live rent-free in a company-owned house behind the main factory, because he collected the rents for the company's two other dwellings. In this interview, Peña recalls the family move to Porterville, in California's Central Valley, her return to Los Angeles at nineteen, and her work with Parson’s Dillingham, a contractor for the Metrolink rail system. She draws the link between the Los Angeles and Las Vegas construction communities by describing her husband's move to Las Vegas to find work; a chance Las Vegas encounter with a friend from Chino, California; her ability to gain employment in Las Vegas at Parson’s, a company that had joint ventured with Parson’s Dillingham, and her move from there to Richardson Construction, a local minority-owned company. As Peña says, "It's kind of all intermingled. Even if you go here and you go there, it's like everybody knows everybody." Throughout, Peña weaves her family story into the narrative as she describes her youth, the birth of her son, the illness and death of her father, and her family's participation in her current employment with Richardson. As she remembers the people, places, and events of her life, Peña speaks to the ways one woman of color built on her interstate construction connections and rose in a male-dominated industry.
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This is part 6 of 6 finding aids for the University of Nevada, Las Vegas Creative Services Records (1959-2016). Generally, materials are transferred from UNLV Photo Services to UNLV Special Collections and Archives 5 years after they are created. For materials within the last 5 years, contact photo@unlv.edu or call 702-895-3036. This finding aid contains the thematic slides, contact sheets, and audiovisual materials taken and used by UNLV Creative Services for publicity and promotional purposes from approximately 1959 to 2009. The majority of the materials consist of images from various academic departments, athletics, buildings and historical views of campus, as well as faculty and student life. Also included in the collection are an assortment of print materials, such as theater and music programs, as well as audio cassettes and film reels from anniversary events around campus.
Archival Collection
