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Stan Irwin shares details of his background, family, and early show business experiences. His life story spans many decades and includes attending NYU, doing stand-up comedy, flying during WWII, working at Club Bingo in Las Vegas, and building up the entertainment at the Sahara Hotel. Mr. Irwin comments on many aspects of the Las Vegas entertainment scene. He recalls many headliners that he worked with and shares anecdotes about several. The Beatles, Johnny Carson, Dinah Washington, Billie Holliday, Lena Home, and Pearl Bailey are just a few of the many outstanding performers that he brought to Las Vegas. Stan offers comments on racism in Las Vegas thirty and forty years ago, and gives his opinions on the Mob, Howard Hughes, prostitution, and dress codes in the fifties and sixties, among other things. He recalls how Las Vegas looked in the early days, mentions a cardiovascular health project for children that he's involved with today, and gives a little insight into staying fit at eighty-plus.

On November 3, 1978, Jane P. Kowalewski interviewed Mazie Martin Jones (born in Las Vegas, Nevada) about her father, Doctor Roy Martin, the first doctor to own a private practice in Las Vegas. Jones explains how her father first arrived in Nevada and his different investments in real estate, hospitals, and hotels. She goes on to explain her father’s hotel pursuits after retiring from medicine in the late forties.

On March 20, 1978, collector Samuel Barto interviewed paint and drywall contractor, Louis Fisher (born July 10, 1922, in Alva, Oklahoma) in North Las Vegas, Nevada. The interview took place at the collector’s home with the collector, Mr. Barto and Mr. and Mrs. Fisher present. Mr. Fisher relocated to Las Vegas in 1953 after having lived in Alva, Oklahoma, Portland, Oregon, and Walla Walla, Washington. During the interview, Mr. Fisher discusses the history of Las Vegas from 1953 and offers key insight into the rapid growth of Las Vegas with special focus on the Strip, banks, the steady influx of people moving to Las Vegas for the warm climate, and housing.

Julie Menard began her career as a showgirl in 1964, performing in the Folies Bergere at the Tropicana Hotel. Although she appeared in the show for only sixteen months, she offers an insider’s view of the early Las Vegas entertainment scene. She describes a period when showgirls were treated as local royalty and “the boys” wielded considerable influence. Menard’s narrative sheds light on the glamour and complexities of the showgirl. Her descriptions of physical characteristics of the job, the day to day work schedules, the expectations of physical beauty, as well as the stigma of her occupation outside of Las Vegas offer a fuller view of the job. Menard left Las Vegas in 1966 to pursue a film career in Europe but like many Las Vegas entertainers, she returned to make the desert city her home. Although her brief performing career failed to prepare her for future employment, she relishes her brief experience as a showgirl. Her narrative evokes the glamour, excitement and mystery of Las

In 2002, Marty Walsh and her husband purchased a home in the John S. Park Neighborhood. Three aspects attracted them to their 1941-built home: the quality construction; the aesthetics and details of the house; and the "old-fashion human element" that she associated with her grandparents. Marty describes their relocation to Las Vegas after living for nine years in Ireland and her joy of discovering the John S. Park community. For her there is a neighborliness that they found in the form of the Neighborhood Watch. She feels the neighborhood still has work to do, but the gentrification has had splendid results as new "urbanites" replace original homeowners. From her artist point of view, she also provides thoughts about the impact the artist community of musicians, painters, and creative artists has had on the neighborhood. Even though she is relatively new to Las Vegas, she is well researched in the historic aspects of John S. Park location: once a fertile plot of land where

From the Lincy Institute "Perspectives from the COVID-19 Pandemic" Oral History Project (MS-01178) -- Business interviews file.