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Transcript of interview with Carrie Townley Porter by Claytee D. White, February 7, 2006

Date
2006-02-07
Description
Carrie Townley Porter, a 6th generation Texan, was born in Central Texas near present-day Fort Hood. Her father, a highway patrolman, was called into the Army Reserve in 1940 and spent some years moving around the country. At one point, his wife and children stayed in Belton, Texas tor three years because her father was transferred to places they couldn't go. Carrie finished high school in Austin, Texas, and attended two years at University of Texas in Austin. She left college to get married, and she and her geologist husband lived in Kansas, Oklahoma City, and Albuquerque. He took a job with the Atomic Energy Commission that required frequent trips to the Nevada Test Site, so the suggestion was made that they just move to Las Vegas. At this point they had three children with no reliable child care so Carrie became a housewife for a while. The Townleys lived a full and active life in Las Vegas and she eventually got hired as a substitute teacher. Carrie mostly subbed at Gibson Junior High School. She decided to finish her degree at Nevada Southern University (now UNLV) after her principal told her that if she could do that, he would have a job waiting for her. Several of the courses that Carrie took were Nevada history correspondence courses from UNR. These courses were prepared and graded by Dr. Russell Elliott. Carrie also fondly remembers two Nevada Southern history professors in particular, Dr. John Wright, whom she considered a mentor, and Rosemary Masick, who taught English history. After receiving her bachelor's, Carrie returned to teaching math at Gibson Jr. High. She started an archaeology club on her own and she and Russ Elliott started the first Trailblazer Club (junior history) in the state. She got students involved in the history of the Native Americans in the area and took them on field trips which gave them a chance to participate in a dig. Carrie has worked in Special Collections in the UNLV library as an archivist, with Sierra Pacific Power Company as a records analyst, and at Caesar's Tahoe as records administrator. She has also been very deeply involved with the Nevada Women's History Project since 1994. This group was responsible for the Sarah Winnemucca Statue Project, which placed a statue of this Native American in Washington, D.C., and a copy of it in the capitol building in Carson City. Today Carrie is doing a collaborative book on Helen J. Stewart with Sally Zanjani. She has done extensive research on Helen Stewart's life, and to this day makes "living history" presentations dressed as Helen J. Stewart. In addition to her history commitments, Carrie still holds onto her records management consulting firm, which she started in 1985.

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Meeting minutes for Consolidated Student Senate University of Nevada, Las Vegas, October 7, 1988

Date
1988-10-07
Description
Includes meeting agenda and minutes. CSUN Session 18 Meeting Minutes and Agendas.

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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, March 01, 1983

Date
1983-03-01
Description
Includes meeting agenda and minutes. CSUN Session 13 (Part 1) Meeting Minutes and Agendas.

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The Wheel Las Vegas Rotary Club newsletter, April 10, 1975

Date
1975-04-10
Description
Newsletter issued by the Las Vegas Rotary Club

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Anita Tijerina Revilla oral history interview: transcript

Date
2018-10-09
Description

Oral history interview with Anita Tijerina Revilla conducted by Marcela Rodriguez-Campo on October 09, 2018 for the Latinx Voices of Southern Nevada Oral History Project. In this interview, Revilla discusses her early life in San Antonio, Texas. She talks about her decision to make education a priority, figuring out the college application process on her own, and her initial interest in social justice. Revilla talks about how her critical consciousness was developed, and her pedagogical approach to teaching. Revilla describes her role in the 2006 May Day march, advocating advocating for the queer community, and disrupting oppressive systems to increase educational access for students. Lastly, Revilla discusses ethnic studies and the history of inequality in the United States.

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Meeting minutes for Consolidated Student Senate, University of Nevada, Las Vegas, April 19, 2004

Date
2004-04-19
Description
Includes meeting minutes and agenda, along with additional information about Rebel Yell Operating Policy and Articles of Incorporation. CSUN Session 34 Meeting Minutes and Agendas.

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Photographs of Madame Tussaud's signs, Las Vegas (Nev.), 2002

Date
2002
Description
Daytime and nighttime views of Madame Tussaud's museum signs on the Strip. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site name: Venetian (Las Vegas, Nev.)
Site address: 3377 S Las Vegas Blvd
Sign details: Madame Tussaud's Wax Museum is located inside the Venetian Hotel and Casino. Located at the southern end of the property, it is tucked away at the end of a long stretch of escalators. Even though it is not in complete plain view, the facility is directly in the line of pedestrian traffic. The escalators serve as one of the main causeways into the Venetian for the traveler headed north on the east side of the strip. The facility is also advertised by an architecturally integrated building sign, and an LED screen that are in plain view from the street. A the end of the bay of escalators, a platform folds out, containing the vibrant entrance to the Wax Museum. Flanking the large opening designated as the entrance, are six free standing sculpted cabinet, advertising for Madame Tussaud's, lining up three on either side of the door. Standing underneath the entry, are a cast of ever rotating wax figures of celebrities. Just beyond the wax sentry, six more sculpted cabinets are present on other side of the pedestrian leading up to a ticket counter. On the ceiling above the pedestrian is an array of sculpted elements that are adorned with incandescent bulbs and neon, all leading up to the afore mentioned counter.
Sign condition: Structure 5 Surface 5 Lighting 5
Sign form: Fascia
Sign - type of display: Neon; Incandescent
Sign - media: Steel; Plastic
Sign - non-neon treatments: Graphics; Paint
Sign animation: Chasing
Sign environment: Madame Tussaud's holds the unique position of being elevated above the street, within the Venetian. Located at the top of a bank of escalators, the museum is positioned so that it is the dominating force upon the pedestrian with its immediate area. With careful examination it is evident that the it resides in the Venetian, but has tight hold on it's claim of space. Even though the location is somewhat hidden, it is a present force, and alongside a series of moving walk paths, generating a high frequency of vibration.
Sign manufacturer: YESCO
Sign - date of installation: 2000
Sign - thematic influences: The theme of Madame Tussaud's revolves around the theme of what the establishment provides. The main attraction is of course the lifelike imagery of celebrities sculpted in wax. The establishment draws from the theme of celebrities and stardom in design. The advertisement cabinets, which line the entry to Madame Tussaud's, are shaped to reference this. One set is crafted in the shape of a stylized star, while the others appear as street side movie posters seen in theatres or propaganda. The feel of them, to sum up initially, is classic "Hollywood" movie opening extravaganza. The star shapes and jutting channels on the ceiling of the entrance are other references to stars as well as the feel of electricity. These too can be associated with "movie star" like elements such as the Hollywood walk of fame, with it's star shaped crests, references to celebrities as "stars," as well as the a fore mentioned flavor of a movie opening or extravaganza.
Surveyor: Joshua Cannaday
Survey - date completed: 2002
Sign keywords: Chasing; Fascia; Neon; Incandescent; Steel; Plastic; Graphics; Paint

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