Program for the Memorial Celebration in Loving Memory of Ethel Dolores Cotton, including her obituary, order of service with Reverend Marion Bennett officiating, the poem "I'm Free," by Linda Jo Jackson, and special thanks from her family.
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The Front Page sub-series (approximately 1927-1939) is comprised of materials pertaining to the production process of The Caddo Company's April 4, 1931 release of The Front Page. The sub-series contains advertising and publicity, administrative, financial, legal, and production and direction, and story development records. Director Lewis Milestone, along with editor Duncan Mansfield and writers Ben Hecht, Charles MacArthur, and Bartlett Cormack helped the film earn Academy Awards nominations for Best Director and Best Picture in 1929. The black-and-white photographic prints and negatives, primarily attributed to Newton Hopcroft, depict set and production stills of the principal and supporting cast and locations in the film.
Advertising and publicity records include newspaper clippings detailing the film’s release, articles of local advertising campaigns, and publicity stills of principal and supporting cast members. Administrative records include correspondence pertaining to the editing, censorship, and distribution of the film, as well as shipping receipts. Legal records include supporting actor and domestic distribution contracts. Production and direction records include production stills of principal and supporting cast, interior and exterior sets, and a sound and production daily report ledger. The story development records include production scripts, as well as cutting continuities and dialogue scripts for domestic and international releases.
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Architect Paul Senzaki, and artist-illustrator Charlie White III recall their experiences of working in Las Vegas: Paul on Treasure Island, The Palms, Fremont Street Experience, and World Market Center and Charlie on Treasure Island and its successor, TI; New York New York. Architectural historian Alan Hess, who is an expert on Las Vegas architecture, offers historical context and asks pertinent questions. While this interview touches on several iconic Las Vegas buildings, the conversation mostly details why and how Steve Wynn's Treasure Island involved the labors of artists, illustrators, art directors, and designers of stage and screen as well as the those of architects, contractors, planners, and subcontractors.
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