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Jonathan “Jon” Sparer of Las Vegas, Nevada, is a retired architect who is active in the local Jewish and LGBTQ communities. He grew up on Long Island, New York, in the hamlet of Woodmere, where his father was an importer. After graduating in Architecture from Ohio State University in 1977 Jon moved to Los Angeles, California, where he worked first with architect Jack Chernoff, then with architect Bob Barnett until 1981, when he accompanied his future wife and college classmate who worked for Martin Stern to Las Vegas. Stern sent her to open a field office to supervise the reconstruction of the MGM Grand after it burned in November 1980. Once in Las Vegas, Jon began working for architect Homer Rissman on Steve Wynn’s future project, The Mirage. Although Jon switched firms, he continued working on The Mirage and other Wynn projects with Marnell Corrao, where he would stay until 2001. Ironically, Jon’s original supervisor at Marnell Corrao was his future husband, architect John R. Klai II; Klai’s subordinate in turn was Jon’s Spring Valley neighbor. After Jon left Marnell in 2001, he became a founding principal architect at YWS Design & Architecture. Although he has retired from full-time architecture, Jon has since designed the Temple for Congregation Ner Tamid (pictured above) and The Center (Las Vegas's gay, lesbian, bisexual, transgender, queer community center). Jon remains active in the AIA Las Vegas Chapter as the incoming president as well as serving as a board member for Jewish Family Services Agency and The Center.

On October 15, 1985, collector Lynn Ballard interviewed Thelma Jenkins (born June 10th, 1923 in Paragonah, Utah) at her home in Henderson, Nevada. In this interview, Thelma Jenkins discusses her career in nursing as well as the differences in the various positions she’s worked. She also talks about attending various conventions and her membership in the Nevada Nurses Association.

Norma Morrow Zuckerman is the driving force behind the Jewish Repertory Theatre of Nevada [JRTN], an organization she co-founded with Charlene Sher in 2010. The endeavor coincided with Norma’s pursuit of an MFA at UNLV a couple of years prior. With the commitment to her studies and to bring professional Jewish theatrical performances to Las Vegas, her energetic personality intensified. In 2007, she performed in The Diary of Anne Frank and noted the audience was supporting Jewish Family Services Agency. Norma could sense the community’s eagerness for professional theatre and she was just the one to deliver it. Over the following years, JRTN produced an array of Jewish-themed and acted plays. Since then she tries to bring The Diary of Anne Frank to the stage annually and finds partners to bring 1400 eighth graders to the performance. By 2012, her commute between Los Angeles, where she is a garment designer/manufacturer with her husband Eugene, and Las Vegas had become routine and her passion for professional theatre in Las Vegas increased. This was the year that The Smith Center for Performing Arts opened. The first theatrical production was Golda’s Balcony, a one-woman drama starring Tovah Feldshuh. It was the spectacular co-promotion by Norma’s JRTN and the Smith Center. Norma was smitten with the theatre from a young age and studied with some of the best acting coaches—Milton Kastelas, Stella Adler, Wynn Handman. In this oral history she recalls the people who have helped her, the performances that have charmed audiences and the value of live theatre.