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Jerry Jackson Papers
Identifier
MS-00573
Abstract
The Jerry Jackson Papers, 1927 to 2009, contain materials related to Jackson's career in entertainment as a director, producer, choreographer, writer, lyricist, and costume designer. Jackson's work on
Archival Collection
Interview with Donald E. English, March 25, 2004
Date
2004-03-25
Description
Narrator affiliation: Photographer, Las Vegas News Bureau
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Transcript of interview with David Wasserman by Barbara Tabach, October 21, 2016
Date
2016-10-21
Description
For nearly two decades between 1950 and 1970, only one dentist of Jewish ancestry was known to be licensed to practice in Nevada. That was Dr. Joe Chenin. Finally, in 1971, the steadfast and easy mannered Dr. David R. Wasserman (1944 - ) broke through the barrier to become the second Jewish dentist serving the Las Vegas community. Over the following years, Dr. Wasserman built a sizeable following and immersed himself in the Jewish community of Las Vegas. Among his achievements is his participation and leadership in the formation of Las Vegas’ first Reform Jewish synagogue, Congregation Ner Tamid. He also would be active in the Jewish Federation. In 1992, as the HIV-AIDS epidemic affected dental offices throughout the nation, Dr. Wasserman saw an opportunity to get ahead of the infection. With the help of his wife Juanita Davis-Wasserman and his father-in-law Warren Davis, he developed, patented, manufactured and distributed a disposable tip for a treatment instrument commonly found in dental offices called a tri-syringe. This disposable tip brought sanitary options and great financial fortune to Dr. Wasserman and his family. In this oral history, Dr. Wasserman reflects on his joy of living in Las Vegas. He is a highly regarded dentist and leader in the Jewish community.
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Transcript of interview with Arlene Blut by Barbara Tabach, May 28, 2015
Date
2015-05-28
Description
In this interview, Arlene discusses her family and important friendships; her relations with and impressions of the disparate Las Vegas Jewish communities; the meaningful ways her Jewish relationships in Duluth, Winnipeg, and Las Vegas intertwine; her theatrical, professional, and philanthropic work; the reasons she and Jerry became active Zionists; and their support for Israeli causes. Her liberal sprinkling of Yiddish terms enriches her speech as it exemplifies her deep cultural attachment to and identification with her Jewish heritage, despite the fact that her wide and diverse circle of friends remains predominantly non-Jewish.
Actor, director, friend, mother, producer, wife, and volunteer extraordinaire Arlene Piekoff (now Blut) arrived in Las Vegas in 1971 with two young children and husband, Michael Peikoff, who was opening a surgical practice. Arlene was born and raised in Duluth, Minnesota, where she attended a Conservative Jewish temple but had mostly non-Jewish friends. She met Michael at the University of Minnesota, and they married before he began medical school in Winnipeg, Manitoba, Canada. Arlene and Michael followed his residencies and fellowships to California, Michigan, and Manitoba before they came to Las Vegas Through her brother in law and Ayn Rand?s intellectual heir, Leonard Peikoff, Arlene was exposed to Ayn Rand Objectivism, a philosophy that still influences her political outlook. After her 1975 divorce she began working at the Jockey Club; founded the Meadows Playhouse, Las Vegas?s first professional black box theater; and started Renta Yenta, the valley?s first full-service event planning business. In 1980 she married tax attorney Jerry Blut in a Renta-Yenta-produced, Fiddler-on-the-Roof-themed wedding at Paul Anka's Jubilation Restaurant.
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Transcript of interview with Alan Clancy by Su Kim Chung, by February 12, 2015
Date
2015-02-12
Description
Alan Clancy grew up in Sydney, Australia, the second son of famous ballroom-dancing parents. He recalls that he had incredible energy as a child, and, therefore, his parents enrolled him in the Shirley de Paul Studio to learn gymnastics, tap, ballet, and jazz. He also became a soprano singer. This training did well for him for as he went through high school he won trophies in sports and participated in musical productions. Eventually, because of a neighboring friend, Kay Dickerson, Alan moved to the Rudas Acrobatic Studio where he received further training and eventually contracted with Tibor Rudas to participate in an entertainment group called “The Las Vegas Dancers”. He was only seventeen when the group boarded a ship for Hong Kong in an enterprise which would eventually allow the dancers to entertain around the world for approximately two and a half years. When the group returned, Alan auditioned for the Tommy Leonetti television show and then for Les Girls in Sydney. Eventually Tibor Rudas appeared with a contract for Alan, when he had just turned twenty-one, to fly to Las Vegas to work in the Folies Bergere at the Tropicana Hotel and Casino. When he arrived in Las Vegas, he was surprised at the size of the city and the hotels but was overly impressed by the neon signs, the showrooms with their nude dancers, the costuming, magnificent sets, the choreography, and the dress of the patrons. He remembers his first night performing in the Folies and the amount of stars in the audience, for example, Elvis Presley, Liberace, and Zsa Zsa Gabor. Alan goes on to describe the many people that he met in Las Vegas, working in various shows, and the many friendships made over the years. However, he eventually became interested in opening his own vintage clothing store, Vintage Madness, near the Strip. He talks about his many customers, the stores around him, his creative ways of acquiring items to sell and the success that was made. Unfortunately, during the middle of one night the store burned to the ground which left Alan devastated. Eventually, however, he purchased three buildings on Fourth Street and opened an art gallery, a coffee shop, and a small stage. His mercantile interest allowed him to leave show business and briefly open a store in Laguna Beach, Southern California. It wasn’t long until Barclay Shaw asked him to work in “Splash” at the Riviera Hotel in Vegas and, therefore, he returned to show business. However, Shaw, his friend, died and so did his mother and he lost interest in his stores, renting them out. Consequently, he returned to live in California and began working with Aids patients. Alan returned to Las Vegas for the reunion of the cast of Folies Bergere and noticed the many changes made in Las Vegas from when he first arrived to perform at the Tropicana Hotel.
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Transcript of interview with Pat Merl by Claytee White, October 9 & 28, 2008
Date
2008-10-09
2008-10-28
Description
Patricia 'Pat' Merl plans for college did not materialized after graduation from a New Jersey high school in the late 1960s. Instead she took a receptionist job. The by the age of 19, it was her interest in dance classes that would lead her to audition to be a professional dancer for the Rockettes of Radio City Music Hall fame. Her days and weeks were filled with rigorous rehearsals and performances, but it was also an exciting time for a young and spirited girl. A side trip to Las Vegas in 1971 during her first ever vacation opened her to a new world of possibilities for a professional dancer. So without a job, she decides to remain in Las Vegas and explore the options. It became the beginning of a wide and varied career in the live entertainment industry. Pat's dancing resume includes working in many of the Las Vegas chorus lines of the 1970s, provides a flavor of what the work was like then and how it changed during the era. She includes the story of Frank Rosenthal and
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Transcript of interview with Anne Kellogg by Suzanne Becker, July 25, 2007
Date
2007-07-25
Description
Anne Kellogg's paternal family came to Las Vegas in the 1950s. Then in the late 1960s, her mother arrived to teach school. After her parents married, they set up their first home in John S. Park neighborhood and whenever they moved to a larger house it was within the John S. Park neighborhood. And her father's business office was always nearby. Childhood memories include John S. Park Elementary School being a "hub" for all the neighborhood children no matter where they attended school. There was jumping on the Schofield's trampoline, roller-skating to Odyssey Records, and using Strip hotel tennis courts to practice her game. The Strip was not important in daily life, but if she got good grades, she got to play the Midway at Circus Circus Casino. As an adult, Anne still sees John S. Park as a nice neighborhood that holds an important spot in Las Vegas history. In addition, she offers thoughts on the so-called Manhattanization of Las Vegas, Downtown rehab and the birth of the Arts District, and about retail and being a business owner in the community.
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Transcript of interview with Diana Saunders by Barbara Tabach, April 17, 2017
Date
2017-04-17
Description
Diana Saunders was born Diana Salshutz in the Bronx, the northern most borough of New York City. She was raised in a Jewish neighborhood and recalls how her maternal grandparents pickled pickles, tomatoes and other traditional Jewish delicacies for Wolfie?s Deli. By the time she was twelve years old, Diana was bustling through the city to pursue her dream of becoming a professional dancer. Encouraged by her mother Rose?her father Sidney was not as eager for this pursuit?Diana was accepted into High School of Performing Arts in Manhattan. In addition, she was accepted at the School of American Ballet where she studied classical ballet during the leadership of renowned choreographer George Balanchine. Her first professional performance was in the Nutcracker for American Ballet. At the age of seventeen, Diana was on her own, confident in her dancing potential, and eager to study jazz dancing. This led her to Matt Mattox and to her important mentor, Luigi (Eugene Louis Faccuito). In time she was a featured dancer for Steven Lawrence and Eydie Gorm?s show Golden Rainbow. This was soon followed by a position on Sammy Davis Jr.?s television show in the 1960s. Diana also studied musical acting and showed talent for comedic performance. In the 1970s, Diana crossed paths with Las Vegas venues. She relocated to Las Vegas in 1974 when Donn Arden offered her a dancer position in Hallelujah Hollywood at the MGM. She met and married musical theater actor/singer Joe Bellomo, whose career spanned four decades. He passed away of complications of early onset Alzheimer?s in 1996. Always true to her personal mantra?Wake up; Dress up. Show up?Diana maintains a busy schedule. At the time of this of this interview, she is currently a manger of gondoliers at the Venetian. She brings to life that career and also talks about being a part of the former Star Trek Experience at the Las Vegas Hilton. Diana shares stories of long career as a dancer, from substituting in the black dancer line to continued study of dancing with Anglo Moio. She also talks about the AIDS fundraising event Golden Rainbow, having dinner at Rabbi Shea Harlig?s home and observations of local theater.
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