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Houssels Photograph Collection

Identifier
PH-00216
Abstract

The Houssels Photograph Collection contains color and black-and-white photographs and slides of the Houssels House from 1983. The photographs document the house's original location on Sixth Street in Las Vegas, Nevada, and its subsequent transportation to the University of Nevada, Las Vegas campus.

Archival Collection

Steve Johnson oral history interview

Identifier
OH-00959
Abstract

Oral history interview with Steve Johnson conducted by Fred Reagan on March 20, 1978 for the Ralph Roske Oral History Project on Early Las Vegas. In the interview, Johnson discusses his exposure to African American racial discrimination and segregation in Las Vegas, Nevada during the 1950s to the 1970s. He discusses these experiences in markets, theaters, casinos, employment, and in common social interactions. Johnson also discusses the slow progression of social acceptance to racial integration and African Americans entering professional fields.

Archival Collection

Julie McDonald oral history interview

Identifier
OH-01253
Abstract

Oral history interview with Julie McDonald conducted by Michael Richardson on March 14, 1981 for the Ralph Roske Oral History Project on Early Las Vegas. In this interview, McDonald describes life in Las Vegas, Nevada after moving there in 1956, as well as the city's layout. McDonald also passionately describes the complexities, perks, and pitfalls she faced while working as a card dealer in various casinos.

Archival Collection

Alpha Kappa Alpha Sorority, Theta Theta Omega Chapter "Hodegos" reports

Date
2000-01
2000-02-12
2000-04
2000-05
2000-06-03
2000-09
2000-10-07
Description

From the Alpha Kappa Alpha Sorority, Incorporated, Theta Theta Omega Chapter Records (MS-01014) -- Chapter records file.

Text

Transcript of interview with Adelaide Robbins by Lisa Gioia-Acres, April 18, 2008

Date
2008-04-18
Description

Adelaide was born in Manhattan, New York to a father who was a pianist and arranger and a mother who was a dancer on Broadway. She grew up as an only child in the theater district where she was exposed to the arts from a young age. Her parents insisted she be well rounded. To that end, she began piano lessons at age six and was frequently taken to museums. Adelaide was always drawn to music and began working professionally by the age of 12. She attended the High School of Music and Art for four years along with others who went on to great fame. While in high school, she earned awards for composition. Her knowledge and abilities of the bass earned her a full scholarship to the Eastman School of Music. All of the jobs she had during high school and college were music related; playing gigs or teaching. While working towards a triple major at Eastman, she felt over-extended and eventually transferred to the Manhattan School of Music who was honored to have a transfer from Eastman. Also because of the extra credits from Eastman, she was able to obtain a master’s degree inside of a year. Adelaide went on the road with Buddy Rich’s band where they played in Chicago and Los Angeles before finding their way to Las Vegas. Adelaide was always the only woman in the band, and there were difficulties of being a woman in the field of mostly male musicians. The band found their way to Las Vegas in 1967. She never realized how well known she was until she arrived in Las Vegas. Adelaide came to Las Vegas on a trial run and ended up staying. The first job she had in Las Vegas was playing solo piano at Guys and Dolls before moving on to playing as a rehearsal pianist for a Broadway show. Over the years, Adelaide played many venues with many famous musicians. She is not hopeful for the future of musicians in Las Vegas, feeling the casino owners would rather replace live musicians with canned music. However, Adelaide’s career is not over as she is still performing for a variety of events. With her two degrees from very prominent music schools, Adelaide feels she may have gone further in career if she had stayed in New York, but she has no regrets about coming to Las Vegas.

Text

Photographs of Starlite Motel at dusk, Las Vegas (Nev.), March 17, 2017

Date
2017-03-17
2017-09-05
Description
The Starlite Motel sits at 1873 North Las Vegas Boulevard. Shortly after this photo was taken, the sign was scrubbed of its neon and made dormant. Information about the sign is available in the Southern Nevada Neon Survey Data Sheet.
Site address: 1873 N Las Vegas Blvd
Sign owner: LAS VEGAS DRAGON HOTEL LLC
Sign details: This motel resides in North Las Vegas and is one of the few around that still offers traditional roadside lodging.
Sign condition: 5 - Sign was recently updated with was appears to be newer neon and a different color scheme, going with a bright blue and brown. New white vinyl letters have been added.
Sign form: Pole
Sign-specific description: Previous to the spring 2017 upgrade: This pole sign extends out toward the street for motorists and pedestrians to see. This pole is a bright red color. A four pointed red star sits at the top of the red pole for everyone to see. This is outlined with neon tubes that glow blue at night. In the spaces between the points of the star the neon tube is bent to create smaller points. In the middle of the star painted in bold white script is the word "Starlite." This is also outlined with neon tubes to glow at night. Under this is the word "VACANCY" painted in bold white text, but the neon tubes that outline it light up red. Attached to the point of the star that extends toward the road is a long, rectangular sign that reads "MOTEL" in bold white text with a black outline on a light blue background. Extending from the "MOTEL" sign towards the red star are 3 smaller four pointed stars that have incandescent light bulbs in their center and are outlined by neon tubes that glow blue at night. On top of the "MOTEL" sign is another one of these four pointed stars that sits on the outer edge of the sign. Next to this is a larger, light blue four pointed star with an incandescent light bulb in the center and a smaller four pointed star made from a neon tube surrounding the light bulb. The neon tube that outlines the larger portion of the star is bent to create smaller points in the portions of the star without points.
Sign - type of display: Neon and incandescent
Sign - media: Steel
Sign - non-neon treatments: Paint
Sign animation: Unknown since update
Sign environment: The surrounding properties are Jerry's Nugget and the Silver Nugget casinos. It is also just down the street from the Cultural Corridor which includes the Neon Museum and the Las Vegas Natural History Museum. The Las Vegas Library is also down the street.
Sign - date of installation: c. 1950s
Sign - date of redesign/move: Spring 2017
Sign - thematic influences: This property is one of many star-themed motels throughout the city. The 1950's was a popular time for space age/ star themed business due to the Space Age and explorations during this time period. Also, since the name of the property is the "Starlite Motel", the amount of stars included in this sign emphasizes this theme.
Sign - artistic significance: This sign has a heavy influence of the Space Age due to the stars throughout the sign that are telling of the theme for the property. The specific stars for this sign have a Googie-like influence as well because they are very stylized in a futuristic manner.
Survey - research locations: Assessor's website, roadarch.com
Survey - other remarks: http://www.roadsidepeek.com/roadusa/southwest/nevada/vegas/lvmotel/lvnorthmotel/index.htm#sta rlitemotel
Surveyor: Lauren Vaccaro
Survey - date completed: 2017-09-05
Sign keywords: Neon; Incandescent; Steel; Paint; Pole sign

Mixed Content